Mercurius Gallo-Belgicus
Like Esop’s fellow-slaves, O Mercury,
Which could do all things, thy faith is; and I
Like Esop’s self, which nothing. I confess
I should have had more faith, if thou hadst less.
Thy credit lost thy credit. ’Tis sin to do,
In this case, as thou wouldst be done unto,
To believe all. Change thy name; thou art like
Mercury in stealing, but liest like a Greek.
Elegies
Elegy I
Jealousy
Fond woman, which wouldst have thy husband die,
And yet complain’st of his great jealousy;
If, swollen with poison, he lay in his last bed,
His body with a sere bark covered,
Drawing his breath as thick and short as can
The nimblest crocheting musician,
Ready with loathsome vomiting to spew
His soul out of one hell into a new,
Made deaf with his poor kindred’s howling cries,
Begging with few feign’d tears great legacies—
Thou wouldst not weep, but jolly, and frolic be,
As a slave, which tomorrow should be free.
Yet weep’st thou, when thou seest him hungerly
Swallow his own death, heart’s-bane jealousy?
O give him many thanks, he’s courteous,
That in suspecting kindly warneth us.
We must not, as we used, flout openly,
In scoffing riddles, his deformity;
Nor at his board together being sat,
With words, nor touch, scarce looks, adulterate.
Nor when he, swollen and pamper’d with great fare,
Sits down and snorts, caged in his basket chair,
Must we usurp his own bed any more,
Nor kiss and play in his house, as before.
Now I see many dangers; for it is
His realm, his castle, and his diocese.
But if—as envious men, which would revile
Their prince, or coin his gold, themselves exile
Into another country, and do it there—
We play in another house, what should we fear?
There we will scorn his household policies,
His silly plots, and pensionary spies,
As the inhabitants of Thames’ right side
Do London’s mayor, or Germans the Pope’s pride.
Elegy II
The Anagram
Marry, and love thy Flavia, for she
Hath all things, whereby others beauteous be;
For, though her eyes be small, her mouth is great;
Though they be ivory, yet her teeth be jet;
Though they be dim, yet she is light enough;
And though her harsh hair fall, her skin is tough;
What though her cheeks be yellow, her hair’s red,
Give her thine, and she hath a maidenhead.
These things are beauty’s elements; where these
Meet in one, that one must, as perfect, please.
If red and white, and each good quality
Be in thy wench, ne’er ask where it doth lie.
In buying things perfumed, we ask, if there
Be musk and amber in it, but not where.
Though all her parts be not in th’ usual place,
She hath yet an anagram of a good face.
If we might put the letters but one way,
In that lean dearth of words, what could we say?
When by the gamut some musicians make
A perfect song, others will undertake,
By the same gamut changed, to equal it.
Things simply good can never be unfit;
She’s fair as any, if all be like her;
And if none be, then she is singular.
All love is wonder; if we justly do
Account her wonderful, why not lovely too?
Love built on beauty, soon as beauty, dies;
Choose this face, changed by no deformities.
Women are all like angels; the fair be
Like those which fell to worse; but such as she,
Like to good angels, nothing can impair:
’Tis less grief to be foul, than to have been fair.
For one night’s revels, silk and gold we choose,
But, in long journeys, cloth, and leather use.
Beauty is barren oft; best husbands say
There is best land, where there is foulest way.
Oh, what a sovereign plaster will she be,
If thy past sins have taught thee jealousy!
Here needs no spies, nor eunuchs; her commit
Safe to thy foes, yea, to a marmoset.
Like Belgia’s cities the round country drowns,
That dirty foulness guards and arms the towns,
So doth her face guard her; and so, for thee,
Which forced by business, absent oft must be,
She, whose face, like clouds, turns the day to night;
Who, mightier than the sea, makes Moors seem white;
Who, though seven years she in the stews had laid,
A nunnery durst receive, and think a maid;
And though in childbed’s labour she did lie,
Midwives would swear, ’twere but a tympany;
Whom, if she accuse herself, I credit less
Than witches, which impossibles confess;
One like none, and liked of none, fittest were;
For things in fashion every man will wear.
Elegy III
Change
Although thy hand and faith, and good works too,
Have seal’d thy love which nothing should undo,
Yea, though thou fall back, that apostasy
Confirm thy love, yet much, much I fear thee.
Women are like the arts, forced unto none,
Open to all searchers, unprized, if unknown.
If I have caught a bird, and let him fly,
Another fowler using these means, as I,
May catch the same bird; and, as these things be,
Women are made for men, not him nor me.
Foxes, and goats—all beasts—change when they please.
Shall women, more hot, wily, wild than these,
Be bound to one man, and did nature then
Idly make them apter to endure than men?
They’re our clogs, not their own; if a man be
Chain’d to a galley, yet the galley’s free.
Who hath a plough-land, casts all his seed corn there,
And yet allows his ground more corn should bear;
Though Danuby into the sea must flow,
The sea receives the Rhine, Volga, and Po.
By nature, which gave it, this liberty
Thou lovest, but O! canst thou love it and me?
Likeness glues love; and if that thou so do,
To make us like and love, must I change too?
More than thy hate, I hate it; rather let me
Allow her change, then change as oft as she,
And so not teach, but force my opinion,
To love not anyone, nor everyone.
To live in one land is captivity,
To run all countries a wild roguery.
Waters stink soon, if in one