in the elevation of the brow which death had not lowered, in the resignation of the mouth which it had been impotent to distort, the countess looked in the shroud as she had looked in life⁠—as though under her something had been killed, a hope, an illusion, or a dream.

“ ‘I am the resurrection and the life,’ ” Gonfallon through sheer force of habit repeated, and turned to his companion; but Jones had already left him; he stood a little beyond, reading some paper which the white-haired woman who hovered in the doorway presumably had brought.

Ah, yes, the resurrection and the life! He let the curtain fall, and moved to a window. Save for the uncertain rustle of the paper which Jones was reading, the house was so still that one might have thought the countess had already elected it for her tomb. The air, too, was still. Gonfallon looked out into the shadows. To the left some leafless trees crossed their arms, beyond them others, blurred by the night, seemed to crouch in suspense, while beneath in the valley was the shimmer of a lake in which the hillside had turned upside down and the moonbeams danced with the ripples.

“The resurrection and the life, indeed! Where is the faith to which I clung? Gone are its flowers,” he mused, and with a finger beat a muffled tattoo on the windowpane. “Well do I remember the days when death to me was an illusion, a mask of the continuity of life. Now, what is it? At most a chasm into which the stars fall and nations disappear, a depth from which no spar returns, a silence from which no cry ascends. Is there in its darkness a flicker, an intimation even other than that of the ephemeralness of man? There may be. Yes, there may be, but to me no sign is vouchsafed. The countess who died steadfast in the unalterableness of her perfect faith must at the last have caught the flutter of angels’ wings. The grace which⁠—eh?”

“Read that.” And Jones, who had approached him, thrust a letter in his hand.

Gonfallon crossed the room to the candles and leaned on one of the chests. The paper which Jones had given him was undated, but evidently it was old: the ink had faded a little, the writing was not wholly legible, and from the paper itself came a faint odor of must and of decay. So nearly as Gonfallon could discern, it ran as follows:

“Should you, my dear nephew, survive me, as I trust you may, you will find by my will that your wants are provided for. In return for this, I wish to ask of you a last favor. In my bedroom, where this letter, should you ever receive it, will be given you, are two chests clamped with iron. These chests I beg you to carry, with Rebecca’s aid, to the dining-hall below. They contain nothing of value; merely a few odds and ends, mementos of my late husband, that are of interest to no one but myself. When I die, they can be burned, and no one will be the poorer. Take them, then, unopened, to the dining-hall: they are not too large to go in the fireplace, and by putting in one at a time they can be easily destroyed. I rely on you, Fenwick, to do as I bid.

Your affectionate aunt,
Laura of Cinq-Cygne.”

And beneath, by way of postscriptum, though evidently of more recent date, was written⁠—

“Rebecca seems to be failing. If possible, get Dr. Gonfallon to assist.”

“Well?” said Jones.

Gonfallon had read the letter, and stood eying the superscription. “Well,” he answered, “there is a law, whether common or statute I am uncertain, but there is a law which inhibits just such a thing as this. To oblige your aunt is an easy matter. The question is⁠—”

“The law be blowed! The question is whether you will assist me. Whether or not the mementos consist in the frippery of a dead soldier, what does it matter, after all? My aunt speaks of her late husband: who knows what she meant? Women have odd circumlocutions. It is my duty to do as she bids, and do it I will.”

As he spoke he turned to one of the chests, and, removing the candles, drew it to the centre of the room. “See,” he added, “if it were packed with tracts it couldn’t be lighter.” And the gesture which he made was so cynical yet so sincere that Gonfallon, divining the uselessness of argument, nodded his assent.

“Now,” continued Jones, “if you will take one end I will take the other. Yet wait a second.” He left the room, and presently returned. “The way is clear. The sooner we get them down, the better.”

At once then, the chest between them, they moved out into the hall. From the floor above came the faint waver of a light. Beneath, a lamp was burning. As they moved, the flooring creaked; the great house was alive with echoes.

On the landing Jones stopped and lowered his end of the chest. “I will get a candle,” he said, as he did so. But his movement must have been ill calculated or over-abrupt⁠—both, perhaps⁠—for the added and unexpected weight which Gonfallon was then called upon to maintain found his fingers unprepared; the chest slipped from him and with the reverberation of thunder bounded down the giant stair. Barely had it started in its tumultuous descent before it seemed to leap sheer into the air and fall with a final crash on the floor below. Yet even in that infinitesimal space of time, above the reverberations soared the anguish of a woman’s cry; and for one second, leaning on the banister above them, in the uncertain flicker, both caught a glimpse of the white-haired retainer, her eyes dilated and mouth agape. Then, at once, you could have heard a lizard move.

“H’m,” muttered Jones, with an uncomfortable shrug; “let’s ask the other chest

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