Nothing has a greater tendency to give us an esteem for any person, than his power and riches; or a contempt, than his poverty and meanness: And as esteem and contempt are to be considered as species of love and hatred, it will be proper in this place to explain these phenomena.
Here it happens most fortunately, that the greatest difficulty is not to discover a principle capable of producing such an effect, but to choose the chief and predominant among several, that present themselves. The satisfaction we take in the riches of others, and the esteem we have for the possessors may be ascribed to three different causes. First, To the objects they possess; such as houses, gardens, equipages; which, being agreeable in themselves, necessarily produce a sentiment of pleasure in everyone; that either considers or surveys them. Secondly, To the expectation of advantage from the rich and powerful by our sharing their possessions. Thirdly, To sympathy, which makes us partake of the satisfaction of everyone, that approaches us. All these principles may concur in producing the present phenomenon. The question is, to which of them we ought principally to ascribe it.
It is certain, that the first principle, viz. the reflection on agreeable objects, has a greater influence, than what, at first sight, we may be apt to imagine. We seldom reflect on what is beautiful or ugly, agreeable or disagreeable, without an emotion of pleasure or uneasiness; and though these sensations appear not much in our common indolent way of thinking, it is easy, either in reading or conversation, to discover them. Men of wit always turn the discourse on subjects that are entertaining to the imagination; and poets never present any objects but such as are of the same nature. Mr. Philips has chosen cider for the subject of an excellent poem. Beer would not have been so proper, as being neither so agreeable to the taste nor eye. But he would certainly have preferred wine to either of them, could his native country have afforded him so agreeable a liquor. We may learn from thence, that everything, which is agreeable to the senses, is also in some measure agreeable to the fancy, and conveys to the thought an image of that satisfaction, which it gives by its real application to the bodily organs.
But though these reasons may induce us to comprehend this delicacy of the imagination among the causes of the respect, which we pay the rich and powerful, there are many other reasons, that may keep us from regarding it as the sole or principal. For as the ideas of pleasure can have an influence only by means of their vivacity, which makes them approach impressions, it is most natural those ideas should have that influence, which are favoured by most circumstances, and have a natural tendency to become strong and lively; such as our ideas of the passions and sensations of any human creature. Every human creature resembles ourselves, and by that means has an advantage above any other object, in operating on the imagination.
Besides, if we consider the nature of that faculty, and the great influence which all relations have upon it, we shall easily be persuaded, that however the ideas of the pleasant wines, music, or gardens, which the rich man enjoys, may become lively and agreeable, the fancy will not confine itself to them, but will carry its view to the related objects; and in particular, to the person, who possesses them. And this is the more natural, that the pleasant idea or image produces here a passion towards the person, by means of his relation to the object; so that it is unavoidable but he must enter into the original conception, since he makes the object of the derivative passion: But if he enters into the original conception, and is considered as enjoying these agreeable objects, it is sympathy, which is properly the cause of the affection; and the third principle is more powerful and universal than the first.
Add to this, that riches and power alone, even though unemployed, naturally cause esteem and respect: And consequently these passions arise not from the idea of any beautiful or agreeable objects. It is true; money implies a kind of representation of such objects, by the power it affords of obtaining them; and for that reason may still be esteemed proper to convey those agreeable images, which may give rise to the passion. But as this prospect is very distant, it is more natural for us to take a contiguous object, viz. the satisfaction, which this power affords the person, who is possessed of it. And of this we shall be farther satisfied, if we consider, that riches represent the goods of life, only by means of the will; which employs them; and therefore imply in their very nature an idea of the person, and cannot be considered without a kind of sympathy with his sensations and enjoyments.
This we may confirm by a reflection, which to some will, perhaps, appear too subtle and refined. I have already observed, that power, as distinguished from its exercise, has either no meaning at all, or is nothing but a possibility or probability of existence; by which any object approaches to reality, and has a sensible influence on the mind. I have also observed, that this approach, by an illusion of the fancy, appears much greater, when we ourselves are possessed of the power, than when it is enjoyed by another; and that in the former case the objects seem to touch upon the very verge of reality, and convey almost an equal satisfaction, as if actually in our possession. Now I assert, that where we esteem a person upon account of his riches, we must enter into this sentiment of the proprietor, and that without such a sympathy the idea of the agreeable objects, which they give him the power to produce, would have but a feeble influence upon us. An avaricious man is respected
