“I will wait here,” said the guide; “and here, if you please, you had better leave your torches. That avenue will lead you to the tomb.”
The travellers obeyed; and the guide, placing himself in a recess in the wall, extinguished all the torches except one, which he shrouded so as to leave the travellers in total darkness. Nothing could be now more terrific than their situation: immured in the recesses of the tomb, involved in darkness, and their bosoms throbbing with hopes that they scarcely dared avow even to themselves; with faltering steps they proceeded slowly along the path the guide had pointed out, shuddering even at the hollow echo of their own footsteps, which alone broke the solemn silence that reigned throughout these fearful regions of terror and the tomb.
Suddenly, a vivid light flashed upon them, and, as they advanced, they found it proceeded from torches placed in the hands of two colossal figures, who, placed in a sitting posture, seemed guarding an enormous portal, surmounted by the image of a fox, the constant guardian of an Egyptian tomb. The immense dimensions and air of grandeur and repose about these colossi had something in it very imposing; and our travellers felt a sensation of awe creep over them as they gazed upon their calm unmoved features, so strikingly emblematic of that immutable nature which they were doubtless placed there to typify.
It was with feelings of indescribable solemnity, that the doctor and Edric passed through this majestic portal, and found themselves in an apartment gloomily illumined by the light shed faintly from an inner chamber, through ponderous brazen gates beautifully wrought. The light thus feebly emitted, showed that the room in which they stood, was dedicated to Typhon, the evil spirit, as his fierce and savage types covered the walls; and images of his symbols, the crocodile and the dragon, placed beneath the shadow of the brazen gates, and dimly seen by the imperfect light, seemed starting into life, and grimly to forbid the farther advance of the intruders. Our travellers shuddered, and opening with trembling hand the ponderous gates, they entered the tomb of Cheops.
In the centre of the chamber, stood a superb, highly ornamented sarcophagus of alabaster, beautifully wrought: over this hung a lamp of wondrous workmanship, supplied by a potent mixture, so as to burn for ages unconsumed; thus awfully lighting up with perpetual flame the solemn mansions of the dead, and typifying life eternal even in the silent tomb. Around the room, on marble benches, were arranged mummies simply dried, apparently those of slaves; and close to the scarcophagus was placed one contained in a case, which the doctor approached to examine. This was supposed to be that of Sores, the confidant and prime-minister of Cheops. The chest that enclosed the body was splendidly ornamented with embossed gilt leather, whilst the parts not otherwise covered were stained with red and green curiously blended, and of a vivid brightness.
The mighty Phtah, the Jupiter of the Egyptians, spread its widely extended wings over the head, grasping in his monstrous claws a ring, the emblem of eternity; whilst below, the vulture-form of Rhea proclaimed the deceased a votary of that powerful deity; and on the sides were innumerable hieroglyphics. The doctor removed the lid, and shuddered as the crimson tinge of the everlasting lamp fell upon the hideous and distorted features thus suddenly exhibited to view. This sepulchral light, indeed, added unspeakable horror to the scene, and its peculiar glare threw such a wild and demoniac expression on the dark lines and ghastly lineaments of the mummies, that even the doctor felt his spirits depressed, and a supernatural dread creep over his mind as he gazed upon them.
In the meantime, Edric had stood gazing upon the sarcophagus of Cheops, the sides of which were beautifully sculptured with groups of figures, which, from the peculiar light thrown upon them, seemed to possess all the force and reality of life. On one side was represented an armed and youthful warrior bearing off in his arms a beautiful female, on whom he gazed with the most passionate fondness. He was pursued by a crowd of people and soldiers, who seemed rending the air with vehement exclamations against his violence, and endeavouring in vain to arrest his progress; whilst in the background appeared an old man, who was tearing his hair and wringing his hands in ineffectual rage against the ravisher.
The other side presented the same old man wrestling with the youthful warrior, who had just overpowered and stabbed him; the helpless victim raising his withered hands and failing eyes to Heaven as he fell, as though to implore vengeance upon his murderer, whilst the crimson current was fast ebbing from his bosom. The dying look and agony of the old man were forcibly depicted, whilst upon the features of the youthful warrior glowed the fury of a demon.
The sarcophagus was supported by the lion emblem of royalty, the symbol of the solar god Horus; and above it sat the majestic hawk of Osiris, gazing upwards, and unmindful of the subtle crocodile of Typhon, that, crouching under its feet, was just about to seize its breast in its enormous jaws. Neither of the travellers had as yet spoken, for it seemed like sacrilege to disturb the awful stillness that prevailed even by a whisper. Indeed, the solemn aspect of the chamber thrilled through every nerve, and they moved slowly, gliding along with noiseless steps as though they feared prematurely to break the slumbers of the mighty dead it contained. They gazed, however, with deep but undefinable interest upon the sculptured mysteries of the tomb of Cheops, vainly endeavouring to decipher
