in another ten years the Goethe, Schiller, and Heine Streets will no longer be passable, and will very likely have vanished utterly. At present, to be sure, there is no cause for complaint. Surely, from a pictorial and romantic point of view, there are no lovelier streets in all the world than precisely these in precisely their present condition. Nothing could be more grateful to the soul than to ramble through this negligence, this incompleteness⁠—that is, when one is well and sturdily shod and need not fear the coarse gravel. It is edification to the spirit to survey the manifold wild vegetation of the tract and the groves of tiny-leafed trees fettered by their soft dampness⁠—sweet glimpses which frame and shut in these perspectives. Just such a group of trees was painted three hundred years ago by that great master of landscapes⁠—he who came out of Lorraine. But what am I saying?⁠—such as he painted? It was this one⁠—and none other⁠—which he painted. He was here; he knew the region, and if that rhapsodical member of the real estate company who christened the streets in my park had not so rigidly restricted himself to literature, then one or the other of these rust-corroded signs might well cause me to guess at the name of Claude Lorraine.

I have now described the region of the central wood. But the sloping land towards the east also possesses charms which are not to be despised, at least so far as Bashan and myself are concerned, and for reasons which will be revealed later. One might also call it the zone of the brook, for it is a brook which gives it an idyllic landscape quality. With the charm of its banks of forget-me-nots it forms a counterpart on the hitherside to the zone of the puissant river yonder⁠—the roar and rushing turbulence of which one is still able to hear in this spot⁠—but only very faintly and softly and only when the west wind is blowing. There where the first cross street, running from the avenue of poplars between the meadow ponds and the clumps of trees towards the slope, debouches at the foot of this slope, there is a path that leads towards the left. This is used in wintertime as a bobsled run by the youth of the region, and slants towards the lower-lying levels.

Where the run becomes level the brook begins its course, and it is here that master and dog love to amble beside it on the right bank or the left⁠—which again affords variety⁠—and also to make excursions along the slope with its variegated configuration. To the left extend meadows studded with trees. A country nursery lies not far away and reveals the back of its farm buildings. Sheep are usually at pasture here, cropping the clover. They are under the chairmanship⁠—so to speak⁠—of a not very clever little girl in a red frock. This little girl seems to suffer from a veritable passion to rule and command. She is constantly crouching low, propping her hands upon her knees and shouting with all her might in a cacophonous voice. And yet she is horribly afraid of the ram, who takes on huge and majestic proportions on account of the thickness of his wool and who refuses to be bullied and does whatever he pleases.

Whenever Bashan’s appearance causes a panic among the sheep, the child invariably raises its hideous outcry, and these panics occur quite regularly and quite contrary to Bashan’s intentions⁠—for, if you could peer into his inmost soul, you would discover that sheep are a matter of absolute indifference to him. He treats them like so much empty air, and by his indifference and his scrupulous and even contemptuous carefulness he even seeks to prevent the outbreak of the dunderheaded hysteria which dominates their ranks. Though their scent is certainly strong enough for my own nostrils (yet not unpleasantly so), it is not the scent of the wild that emanates from them, and so Bashan, of course, has not the slightest interest in hounding them. Nevertheless, a simple sudden motion on his part, or even his mere shaggy appearance, is sufficient to cause the whole herd, which but a moment ago was peacefully grazing, widely separated and bleating in the quavering treble of the lambs and in the deeper contralto and bass of the ewes and the ram, to go storming off in a solid mass neck and neck, whilst the stupid child, crouching low, shouts after them until her voice cracks and her eyes pop out of her head. Bashan, however, looks up at me as much as to say: Judge for yourself whether I am to blame. Have I given them any cause for this?

On one occasion, however, something quite contrary happened, something perverse and incomprehensible⁠—something still more extraordinary and unpleasant than the panic. One of the sheep, quite an ordinary specimen of its kind, of average size and average sheepish visage, with a small upward curving mouth which appeared to smile and gave an expression of almost mocking stupidity to its face, seemed to be spellbound and fascinated by Bashan and came to join him. It simply followed him⁠—detached itself from the herd, left the pasture and clung to Bashan’s heels, quietly smiling in exaggerated foolishness, and following him whithersoever he turned. He left the path⁠—the sheep did likewise; he ran and it followed at a gallop; he stood still, and it stood still⁠—immediately behind him and smiling its mysterious Mona Lisa smile.

Displeasure and embarrassment became visible in Bashan’s face. The situation into which he had been plunged was really ridiculous. There was neither sense nor significance in it⁠—neither in a good or a bad sense. The whole thing, confound it⁠—was simply preposterous⁠—nothing of the kind had ever happened to him⁠—or to me. The sheep went farther and farther from its basis, but this did not seem to trouble it in the least. It followed the discomfited and irritated Bashan farther and farther, visibly determined

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