with a coloured sash and was playing ball on the smooth gravel⁠—and it was Hyacinth that he seemed to be watching. Hyacinth who was to die because two gods loved him. Yes, he felt Zephyr’s aching jealousy of the rival who forgot the oracle, the bow, and the lyre, in order to play forever with this beauty. He saw the discus, guided by a pitiless envy, strike the lovely head; he too, growing pale, caught the drooping body⁠—and the flower, sprung from this sweet blood, bore the inscription of his unending grief.

Nothing is more unusual and strained than the relationship between people who know each other only with their eyes, who meet daily, even hourly, and yet are compelled, by force of custom or their own caprices, to say no word or make no move of acknowledgement, but to maintain the appearance of an aloof unconcern. There is a restlessness and a surcharged curiosity existing between them, the hysteria of an unsatisfied, unnaturally repressed desire for acquaintanceship and intercourse; and especially there is a kind of tense respect. For one person loves and honours another so long as he cannot judge him, and desire is an evidence of incomplete knowledge.

Some kind of familiarity had necessarily to form itself between Aschenbach and young Tadzio; and it gave the elderly man keen pleasure to see that his sympathies and interests were not left completely unanswered. For example, when the boy appeared on the beach in the morning and was going towards his family’s bathing house, what had induced him never to use the boardwalk on the far side of it any more, but to stroll along the front path, through the sand, past Aschenbach’s habitual place, and often unnecessarily close to him, almost touching his table, or his chair even? Did the attraction, the fascination of an overpowering emotion have such an effect upon the frail unthinking object of it? Aschenbach watched daily for Tadzio to approach; and sometimes he acted as though he were occupied when this event was taking place, and he let the boy pass unobserved. But at other times he would look up, and their glances met. They were both in deep earnest when this occurred. Nothing in the elderly man’s cultivated and dignified expression betrayed any inner movement; but there was a searching look in Tadzio’s eyes, a thoughtful questioning⁠—he began to falter, looked down, then looked up again charmingly, and when he had passed something in his bearing seemed to indicate that it was only his breeding which kept him from turning around.

Once, however, one evening, things turned out differently. The Polish children and their governess had been missing at dinner in the large hall; Aschenbach had noted this uneasily. After the meal, disturbed by their absence, Aschenbach was walking in evening dress and straw hat in front of the hotel at the foot of the terrace, when suddenly he saw the nunlike sisters appear in the light of the arc-lamp, accompanied by their governess and with Tadzio a few steps behind. Evidently they were coming from the steamer pier after having dined for some reason in the city. It must have been cool on the water; Tadzio was wearing a dark blue sailor overcoat with gold buttons, and on his head he had a cap to match. The sun and sea air had not browned him; his skin still had the same yellow marble colour as at first. It even seemed paler today than usual, whether from the coolness or from the blanching moonlight of the lamps. His regular eyebrows showed up more sharply, the darkness of his eyes was deeper. It is hard to say how beautiful he was; and Aschenbach was distressed, as he had often been before, by the thought that words can only evaluate sensuous beauty, but not re-give it.

He had not been prepared for this rich spectacle; it came unhoped for. He had no time to entrench himself behind an expression of repose and dignity. Pleasure, surprise, admiration must have shown on his face as his eyes met those of the boy⁠—and at this moment it happened that Tadzio smiled, smiled to him, eloquently, familiarly, charmingly, without concealment; and during the smile his lips slowly opened. It was the smile of Narcissus bent over the reflecting water, that deep, fascinated, magnetic smile with which he stretches out his arms to the image of his own beauty⁠—a smile distorted ever so little, distorted at the hopelessness of his efforts to kiss the pure lips of the shadow. It was coquettish, inquisitive, and slightly tortured. It was infatuated, and infatuating.

He had received this smile, and he hurried away as though he carried a fatal gift. He was so broken up that he was compelled to escape the light of the terrace and the front garden; he hastily hunted out the darkness of the park in the rear. Strangely indignant and tender admonitions wrung themselves out of him: “You dare not smile like that! Listen, no one dare smile like that to another!” He threw himself down on a bench; in a frenzy he breathed the night smell of the vegetation. And leaning back, his arms loose, overwhelmed, with frequent chills running through him, he whispered the fixed formula of desire⁠—impossible in this case, absurd, abject, ridiculous, and yet holy, even in this case venerable: “I love you!”

V

During his fourth week at the Lido, Gustav von Aschenbach made several sinister observations touching on the world about him. First, it seemed to him that as the season progressed the number of guests at the hotel was diminishing rather than increasing; and German especially seemed to be dropping away, so that finally he heard nothing but foreign sounds at table and on the beach. Then one day in conversation with the barber, whom he visited often, he caught a word which startled him. The man had mentioned a German family that left soon after their arrival; he added glibly and flatteringly,

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