Then, Frederick recalled the days, already far away, when he yearned for the inexpressible happiness of finding himself in one of these carriages by the side of one of these women. He had attained to this bliss, and yet he was not thereby one jot the happier.
The rain had ceased falling. The pedestrians, who had sought shelter between the columns of the Public Storerooms, took their departure. Persons who had been walking along the Rue Royale, went up again towards the boulevard. In front of the residence of the Minister of Foreign Affairs a group of boobies had taken up their posts on the steps.
When it had got up as high as the Chinese Baths, as there were holes in the pavement, the berlin slackened its pace. A man in a hazel-coloured paletot was walking on the edge of the footpath. A splash, spurting out from under the springs, showed itself on his back. The man turned round in a rage. Frederick grew pale; he had recognised Deslauriers.
At the door of the Café Anglais he sent away the carriage. Rosanette had gone in before him while he was paying the postilion.
He found her subsequently on the stairs chatting with a gentleman. Frederick took her arm; but in the lobby a second gentleman stopped her.
“Go on,” said she; “I am at your service.”
And he entered the private room alone. Through the two open windows people could be seen at the casements of the other houses opposite. Large watery masses were quivering on the pavement as it began to dry, and a magnolia, placed on the side of a balcony, shed a perfume through the apartment. This fragrance and freshness had a relaxing effect on his nerves. He sank down on the red divan underneath the glass.
The Maréchale here entered the room, and, kissing him on the forehead:
“Poor pet! there’s something annoying you!”
“Perhaps so,” was his reply.
“You are not alone; take heart!”—which was as much as to say: “Let us each forget our own concerns in a bliss which we shall enjoy in common.”
Then she placed the petal of a flower between her lips and extended it towards him so that he might peck at it. This movement, full of grace and of almost voluptuous gentleness, had a softening influence on Frederick.
“Why do you give me pain?” said he, thinking of Madame Arnoux.
“I give you pain?”
And, standing before him, she looked at him with her lashes drawn close together and her two hands resting on his shoulders.
All his virtue, all his rancour gave way before the utter weakness of his will.
He continued:
“Because you won’t love me,” and he took her on his knees.
She gave way to him. He pressed his two hands round her waist. The crackling sound of her silk dress inflamed him.
“Where are they?” said Hussonnet’s voice in the lobby outside.
The Maréchale arose abruptly, and went across to the other side of the room, where she sat down with her back to the door.
She ordered oysters, and they seated themselves at table.
Hussonnet was not amusing. By dint of writing every day on all sorts of subjects, reading many newspapers, listening to a great number of discussions, and uttering paradoxes for the purpose of dazzling people, he had in the end lost the exact idea of things, blinding himself with his own feeble fireworks. The embarrassments of a life which had formerly been frivolous, but which was now full of difficulty, kept him in a state of perpetual agitation; and his impotency, which he did not wish to avow, rendered him snappish and sarcastic. Referring to a new ballet entitled Ozai, he gave a thorough blowing-up to the dancing, and then, when the opera was in question, he attacked the Italians, now replaced by a company of Spanish actors, “as if people had not quite enough of Castilles11 already!” Frederick was shocked at this, owing to his romantic attachment to Spain, and, with a view to diverting the conversation into a new channel, he enquired about the Collége of France, where Edgar Quinet and Mickiewicz had attended. But Hussonnet, an admirer of M. de Maistre, declared himself on the side of Authority and Spiritualism. Nevertheless, he had doubts about the most well-established facts, contradicted history, and disputed about things whose certainty could not be questioned; so that at mention of the word “geometry,” he exclaimed: “What fudge this geometry is!” All this he intermingled with imitations of actors. Sainville was specially his model.
Frederick was quite bored by these quibbles. In an outburst of impatience he pushed his foot under the table, and pressed it on one of the little dogs.
Thereupon both animals began barking in a horrible fashion.
“You ought to get them sent home!” said he, abruptly.
Rosanette did
