On the Making of Man

contrived and helpful instruments, our hands, that easily follow every art and every operation, alike in war and peace,33 are serviceable, yet nature added them to our body preeminently for the sake of reason. For if man were destitute of hands, the various parts of his face would certainly have been arranged like those of the quadrupeds, to suit the purpose of his feeding: so that its form would have been lengthened out and pointed towards the nostrils, and his lips would have projected from his mouth, lumpy, and stiff, and thick, fitted for taking up the grass, and his tongue would either have lain between his teeth, of a kind to match his lips, fleshy, and hard, and rough, assisting his teeth to deal with what came under his grinder, or it would have been moist and hanging out at the side like that of dogs and other carnivorous beasts, projecting through the gaps in his jagged row of teeth. If, then, our body had no hands, how could articulate sound have been implanted in it, seeing that the form of the parts of the mouth would not have had the configuration proper for the use of speech, so that man must of necessity have either bleated, or baaed, or barked, or neighed, or bellowed like oxen or asses, or uttered some bestial sound? but now, as the hand is made part of the body, the mouth is at leisure for the service of the reason. Thus the hands are shown to be the property of the rational nature, the Creator having thus devised by their means a special advantage for reason.

IX

That the form of man was framed to serve as an instrument for the use of reason.34

Now since our Maker has bestowed upon our formation a certain Godlike grace, by implanting in His image the likeness of His own excellences, for this reason He gave, of His bounty, His other good gifts to human nature; but mind and reason we cannot strictly say that He gave, but that He imparted them, adding to the image the proper adornment of His own nature. Now since the mind is a thing intelligible and incorporeal, its grace would have been incommunicable and isolated, if its motion were not manifested by some contrivance. For this cause there was still need of this instrumental organization, that it might, like a plectrum, touch the vocal organs and indicate by the quality of the notes struck, the motion within.

And as some skilled musician, who may have been deprived by some affection of his own voice, and yet wish to make his skill known, might make melody with voices of others, and publish his art by the aid of flutes or of the lyre, so also the human mind being a discoverer of all sorts of conceptions, seeing that it is unable, by the mere soul, to reveal to those who hear by bodily senses the motions of its understanding, touches, like some skilful composer, these animated instruments, and makes known its hidden thoughts by means of the sound produced upon them.

Now the music of the human instrument is a sort of compound of flute and lyre, sounding together in combination as in a concerted piece of music. For the breath, as it is forced up from the air-receiving vessels through the windpipe, when the speaker’s impulse to utterance attunes the harmony to sound, and as it strikes against the internal protuberances which divide this flute-like passage in a circular arrangement, imitates in a way the sound uttered through a flute, being driven round and round by the membranous projections. But the palate receives the sound from below in its own concavity, and dividing the sound by the two passages that extend to the nostrils, and by the cartilages about the perforated bone, as it were by some scaly protuberance, makes its resonance louder; while the cheek, the tongue, the mechanism of the pharynx by which the chin is relaxed when drawn in, and tightened when extended to a point⁠—all these in many different ways answer to the motion of the plectrum upon the strings, varying very quickly, as occasion requires, the arrangement of the tones; and the opening and closing of the lips has the same effect as players produce when they check the breath of the flute with their fingers according to the measure of the tune.

X

That the mind works by means of the senses.

As the mind then produces the music of reason by means of our instrumental construction, we are born rational, while, as I think, we should not have had the gift of reason if we had had to employ our lips to supply the need of the body⁠—the heavy and toilsome part of the task of providing food. As things are, however, our hands appropriate this ministration to themselves, and leave the mouth available for the service of reason.

The35 operation of the instrument,36 however, is twofold; one for the production of sound, the other for the reception of concepts from without; and the one faculty does not blend with the other, but abides in the operation for which it was appointed by nature, not interfering with its neighbour either by the sense of hearing undertaking to speak, or by the speech undertaking to hear; for the latter is always uttering something, while the ear, as Solomon somewhere says, is not filled with continual hearing.37

That point as to our internal faculties which seems to me to be even in a special degree matter for wonder, is this:⁠—what is the extent of that inner receptacle into which flows everything that is poured in by our hearing? who are the recorders of the sayings that are brought in by it? what sort of storehouses are there for the concepts that are