He’d have sometimes two hundred slaves at hand
And sometimes ten. He’d speak of kings and grand
Moguls and naught but greatness. Then he’d say:
“Give me a three-legged table and a tray
Of good clean salt, and just a coarse-wove gown
To keep the cold out.” If you paid him down
(So sparing and content!) a million cool,
In five short days he’d be a penceless fool.1039
The men I speak of are of this stamp; they are like the man whom Horatius Flaccus describes—a man never the same, never even like himself; to such an extent does he wander off into opposites. Did I say many are so? It is the case with almost all. Everyone changes his plans and prayers day by day. Now he would have a wife, and now a mistress; now he would be king, and again he strives to conduct himself so that no slave is more cringing; now he puffs himself up until he becomes unpopular; again, he shrinks and contracts into greater humility than those who are really unassuming; at one time he scatters money, at another he steals it. That is how a foolish mind is most clearly demonstrated: it shows first in this shape and then in that, and is never like itself—which is, in my opinion, the most shameful of qualities. Believe me, it is a great role—to play the role of one man. But nobody can be one person except the wise man; the rest of us often shift our masks. At times you will think us thrifty and serious, at other times wasteful and idle. We continually change our characters and play a part contrary to that which we have discarded. You should therefore force yourself to maintain to the very end of life’s drama the character which you assumed at the beginning. See to it that men be able to praise you; if not, let them at least identify you. Indeed, with regard to the man whom you saw but yesterday, the question may properly be asked: “Who is he?” So great a change has there been!
Letter CXXI
On Instinct in Animals
You will bring suit against me, I feel sure, when I set forth for you today’s little problem, with which we have already fumbled long enough. You will cry out again: “What has this to do with character?” Cry out if you like, but let me first of all match you with other opponents,1040 against whom you may bring suit—such as Posidonius and Archidemus;1041 these men will stand trial. I shall then go on to say that whatever deals with character does not necessarily produce good character. Man needs one thing for his food, another for his exercise, another for his clothing, another for his instruction, and another for his pleasure. Everything, however, has reference to man’s needs, although everything does not make him better. Character is affected by different things in different ways: some things serve to correct and regulate character, and others investigate its nature and origin. And when I seek the reason why Nature brought forth man, and why she set him above other animals, do you suppose that I have left character-study in the rear? No; that is wrong. For how are you to know what character is desirable, unless you have discovered what is best suited to man? Or unless you have studied his nature? You can find out what you should do and what you should avoid, only when you have learned what you owe to your own nature.
“I desire,” you say, “to learn how I may crave less, and fear less. Rid me of my unreasoning beliefs. Prove to me that so-called felicity is fickle and empty, and that the word easily admits of a syllable’s increase.”1042 I shall fulfil your want, encouraging your virtues and lashing your vices. People may decide that I am too zealous and reckless in this particular; but I shall never cease to hound wickedness, to check the most unbridled emotions, to soften the force of pleasures which will result in pain, and to cry down men’s prayers. Of course I shall do this; for it is the greatest evils that we have prayed for, and from that which has made us give thanks comes all that demands consolation.
Meanwhile, allow me to discuss thoroughly some points which may seem now to be rather remote from the present inquiry. We were once debating whether all animals had any feelings about their “constitution.”1043 That this is the case is proved particularly by their making motions of such fitness and nimbleness that they seem to be trained for the purpose. Every being is clever in its own line. The skilled workman handles his tools with an ease born of experience; the pilot knows how to steer his ship skilfully; the artist can quickly lay on the colours which he has prepared in great variety for the purpose of rendering the likeness, and passes with ready eye and hand from palette to canvas. In the same way an animal is agile in all that pertains to the use of its body. We are apt to wonder at skilled dancers because their gestures are perfectly adapted to the meaning of the piece and its accompanying emotions, and their movements match the speed of the dialogue. But that which art gives to the craftsman, is given to the animal by nature. No animal handles its limbs with difficulty, no animal is at a loss how to use its body. This function they exercise immediately at birth. They come into the world with this knowledge; they are born full-trained.
But people reply: “The reason why animals are so dexterous in the use of their limbs is that if they move them
