couldn’t see them, but he heard them rattling and banging above his head. ‘No use! She was too slow in going off,’ he went on, his dirty face twitching, and the damn’d carter’s whip shaking in his hand. ‘She seemed to stick fast.’ And then the flutter of the canvas above his head ceased. At this critical moment the wind hauled aft again with a gust, filling the sails and sending the ship with a great way upon the rocks on her lee bow. She had overreached herself in her last little game. Her time had come⁠—the hour, the man, the black night, the treacherous gust of wind⁠—the right woman to put an end to her. The brute deserved nothing better. Strange are the instruments of Providence. There’s a sort of poetical justice⁠—”

The man in tweeds looked hard at me.

“The first ledge she went over stripped the false keel off her. Rip! The skipper, rushing out of his berth, found a crazy woman, in a red flannel dressing-gown, flying round and round the cuddy, screeching like a cockatoo.

“The next bump knocked her clean under the cabin table. It also started the sternpost and carried away the rudder, and then that brute ran up a shelving, rocky shore, tearing her bottom out, till she stopped short, and the foremast dropped over the bows like a gangway.”

“Anybody lost?” I asked.

“No one, unless that fellow, Wilmot,” answered the gentleman, unknown to Miss Blank, looking round for his cap. “And his case was worse than drowning for a man. Everybody got ashore all right. Gale didn’t come on till next day, dead from the West, and broke up that brute in a surprisingly short time. It was as though she had been rotten at heart.”⁠ ⁠… He changed his tone, “Rain left off? I must get my bike and rush home to dinner. I live in Herne Bay⁠—came out for a spin this morning.”

He nodded at me in a friendly way, and went out with a swagger.

“Do you know who he is, Jermyn?” I asked.

The North Sea pilot shook his head, dismally. “Fancy losing a ship in that silly fashion! Oh, dear! oh dear!” he groaned in lugubrious tones, spreading his damp handkerchief again like a curtain before the glowing grate.

On going out I exchanged a glance and a smile (strictly proper) with the respectable Miss Blank, barmaid of the Three Crows.

The Informer

An Ironic Tale

Mr. X came to me, preceded by a letter of introduction from a good friend of mine in Paris, specifically to see my collection of Chinese bronzes and porcelain.

My friend in Paris is a collector, too. He collects neither porcelain, nor bronzes, nor pictures, nor medals, nor stamps, nor anything that could be profitably dispersed under an auctioneer’s hammer. He would reject, with genuine surprise, the name of a collector. Nevertheless, that’s what he is by temperament. He collects acquaintances. It is delicate work. He brings to it the patience, the passion, the determination of a true collector of curiosities. His collection does not contain any royal personages. I don’t think he considers them sufficiently rare and interesting; but, with that exception, he has met with and talked to everyone worth knowing on any conceivable ground. He observes them, listens to them, penetrates them, measures them, and puts the memory away in the galleries of his mind. He has schemed, plotted, and travelled all over Europe in order to add to his collection of distinguished personal acquaintances.

As he is wealthy, well connected, and unprejudiced, his collection is pretty complete, including objects (or should I say subjects?) whose value is unappreciated by the vulgar, and often unknown to popular fame. Of those specimens my friend is naturally the most proud.

He wrote to me of X: “He is the greatest rebel (révolté) of modern times. The world knows him as a revolutionary writer whose savage irony has laid bare the rottenness of the most respectable institutions. He has scalped every venerated head, and has mangled at the stake of his wit every received opinion and every recognized principle of conduct and policy. Who does not remember his flaming red revolutionary pamphlets? Their sudden swarmings used to overwhelm the powers of every Continental police like a plague of crimson gadflies. But this extreme writer has been also the active inspirer of secret societies, the mysterious unknown Number One of desperate conspiracies suspected and unsuspected, matured or baffled. And the world at large has never had an inkling of that fact! This accounts for him going about amongst us to this day, a veteran of many subterranean campaigns, standing aside now, safe within his reputation of merely the greatest destructive publicist that ever lived.”

Thus wrote my friend, adding that Mr. X was an enlightened connoisseur of bronzes and china, and asking me to show him my collection.

X turned up in due course. My treasures are disposed in three large rooms without carpets and curtains. There is no other furniture than the étagère and the glass cases whose contents shall be worth a fortune to my heirs. I allow no fires to be lighted, for fear of accidents, and a fireproof door separates them from the rest of the house.

It was a bitter cold day. We kept on our overcoats and hats. Middle-sized and spare, his eyes alert in a long, Roman-nosed countenance, X walked on his neat little feet, with short steps, and looked at my collection intelligently. I hope I looked at him intelligently, too. A snow-white moustache and imperial made his nutbrown complexion appear darker than it really was. In his fur coat and shiny tall hat that terrible man looked fashionable. I believe he belonged to a noble family, and could have called himself Vicomte X de la Z if he chose. We talked nothing but bronzes and porcelain. He was remarkably appreciative. We parted on cordial terms.

Where he was staying I don’t know. I imagine he must have been a lonely

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