light, Ladlaw came forward with outstretched hand and his usual cheery greeting. I looked at him and saw nothing unnatural in his appearance: a little drawn at the lips, perhaps, and heavy below the eyes, but still fresh-coloured and healthy. It was Sybil who showed change. She was very pale, her pretty eyes were deplorably mournful, and in place of her delightful shyness there was the self-confidence and composure of pain. I was honestly shocked, and as I dressed my heart was full of hard thoughts about Ladlaw. What could his illness mean? He seemed well and cheerful, while Sybil was pale, and yet it was Sybil who had written the postscript. As I warmed myself by the fire, I resolved that this particular family difficulty was my proper business.

II

The Ladlaws were waiting for me in the drawing-room. I noticed something new and strange in Sybil’s demeanour. She looked to her husband with a motherly protective air, while Ladlaw, who had been the extreme of masculine independence, seemed to cling to his wife with a curious appealing fidelity. In conversation he did little more than echo her words. Till dinner was announced he spoke of the weather, the shooting, and Mabel Clanroyden. Then he did a queer thing, for, when I was about to offer my arm to Sybil, he forestalled me, and, clutching her right arm with his left hand, led the way to the dining-room, leaving me to follow in some bewilderment.

I have rarely taken part in a more dismal meal. The House of More has a pretty Georgian panelling through most of the rooms; but in the dining-room the walls are level, and painted a dull stone colour. Abraham offered up Isaac in a ghastly picture in front of me. Some photographs of the Quorn hung over the mantelpiece, and five or six drab ancestors filled up the remaining space. But one thing was new and startling. A great marble bust, a genuine antique, frowned on me from a pedestal. The head was in the late Roman style, clearly of some emperor, and in its commonplace environment the great brows, the massive neck, and the mysterious, solemn lips had a surprising effect. I nodded towards the thing, and asked what it represented.

Ladlaw grunted something which I took for “Justinian,” but he never raised his eyes from his plate. By accident I caught Sybil’s glance. She looked towards the bust, and laid a finger on her lips.

The meal grew more doleful as it advanced. Sybil scarcely touched a dish, but her husband ate ravenously of everything. He was a strong, thickset man, with a square, kindly face, burned brown by the sun. Now he seemed to have suddenly coarsened. He gobbled with undignified haste, and his eye was extraordinarily vacant. A question made him start, and he would turn on me a face so strange and inert that I repented the interruption.

I asked him about the autumn’s sport, and he collected his wits with difficulty. He thought it had been good on the whole, but he had shot badly. He had not been quite so fit as usual. No, he had had nobody staying with him⁠—Sybil had wanted to be alone. He was afraid the moor might have been undershot, but he would make a big day with keepers and farmers before the winter.

“Bob has done pretty well,” Sybil said. “He hasn’t been out often, for the weather has been very bad here. You can have no idea, Henry, how horrible this moorland place of ours can be when it tries. It is one great sponge sometimes, with ugly red burns, and mud to the ankles.”

“I don’t think it’s healthy,” said I.

Ladlaw lifted his face. “Nor do I: I think it’s intolerable; but I am so busy, I can’t get away.”

Once again I caught Sybil’s warning eye as I was about to question him on his business.

Clearly the man’s brain had received a shock, and he was beginning to suffer from hallucinations. This could be the only explanation, for he had always led a temperate life. The distrait wandering manner was the only sign of his malady, for otherwise he seemed normal and mediocre as ever. My heart grieved for Sybil, alone with him in this wilderness.

Then he broke the silence. He lifted his head and looked nervously around till his eye fell on the Roman bust.

“Do you know that this countryside is the old Manann?” he said.

It was an odd turn to the conversation, but I was glad of a sign of intelligence. I answered that I had heard so.

“It’s a queer name,” he said oracularly; “but the thing it stood for was queerer. Manann, Manaw,” he repeated, rolling the words on his tongue. As he spoke, he glanced sharply, and, as it seemed to me, fearfully, at his left side.

The movement of his body made his napkin slip from his left knee and fall on the floor. It leaned against his leg, and he started from its touch as if he had been stung by a snake. I have never seen a more sheer and transparent terror on a man’s face. He got to his feet, his strong frame shaking like a rush. Sybil ran round to his side, picked up the napkin, and flung it on a sideboard. Then she stroked his hair as one would stroke a frightened horse. She called him by his old boy’s name of Robin, and at her touch and voice he became quiet. But the particular course then in progress was removed untasted.

In a few minutes he seemed to have forgotten his behaviour, for he took up the former conversation. For a time he spoke well and briskly.

“You lawyers,” he said, “understand only the dry framework of the past. You cannot conceive the rapture, which only the antiquary can feel, of constructing in every detail an old culture. Take this Manann. If I could explore the secret of these moors, I would write the world’s

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