ACCORDING TO FATHER Vincent Tyrrell, Patrick Hutton's last known address was a town house in Riverside Village, a private estate by the Dodder River in Sandymount. Before I left the pub I had tried the two Patrick Huttons I could find in the phone book. One was a plasterer; the other was the senior executive solicitor at South Dublin County Council. Neither had been a jockey; the plasterer sounded amused at the suggestion, the solicitor mysteriously outraged, as if I'd accused him of being a sex criminal, or a DJ. Now I was driving north toward the city, the roads clogged with traffic on the last shopping Sunday before Christmas. I crossed the railway line at the Merrion Gates and took Strand Road for about a mile, then turned off into Sandymount. There was a video store on the green that offered Internet access, so I parked by O'Reilly's pub and waited in line for the single computer terminal behind two Italian students.
When it was my turn, I entered Patrick Hutton's name in a search engine. Amid the university professors, secondary school headmasters and orthopedic surgeons, I found a few references to Patrick Hutton the jockey, chief among them the following short piece in the
REWARD OFFERED FOR MISSING JOCKEY
Trainer F. X. Tyrrell is offering ten thousand euro for information about the whereabouts of Patrick Hutton, the Wicklow-born jockey who apparently vanished seven years ago. Hutton, who rode over a dozen winners for Tyrrell during 1996, including the Arkle Chase at Cheltenham on By Your Leave, dropped out of public view days before he was due to ride for Tyrrell at the Leopardstown Christmas Festival, and hasn't been seen since. Anyone with information should contact Derek Rowan, head man at Tyrrellscourt.
There was a small black-and-white head shot, but it was difficult to pick out any distinguishing features: like models, with whom they have a lot in common, jockeys all tend to resemble one another at first or even second flush. There were a few contemporary reports of races Hutton had run; the only other item of interest was a short account of a meeting at Thurles in October 1996, where By Your Leave finished last in a field of nine in the third race, and the subsequent inquiry at the Turf Club, where the question of Hutton deliberately stopping the horse was raised, but then dismissed.
I spent some time trying to find out a bit more about F. X. Tyrrell. There was plenty on his achievements in racing and breeding, but relatively little on the man himself: one marriage, which lasted ten years; no kids; usually accompanied in public by his sister, Regina. Legendarily reluctant to speak to reporters, so little was known about his life away from the track and the stud that it was logical to assume he didn't have any. I copied down one quote from an interview, the only utterance of his that involved a subordinate clause: 'It's a simple game: it's all in the breeding, all in the blood. If the bloodlines are right, the animals will be right, provided they're given the nurture they need. Blood and breed, that's the beginning and end of it.'
It was dark by the time I got to Riverside Village; the Christmas decorations were more discreet and tasteful than they had been in Michael Davitt Gardens: hardly surprising, as an 800-square-feet three-bed went for nine hundred thousand here in Dublin 4; number 20 had a lighted candle in the window and a holly wreath on the doorknob and a red 1988 Porsche 928 in the drive. My phone rang as I pressed the bell; when I checked the number and saw the 310 area code, I realized it was my ex-wife again. Nine in the morning in West L.A. and she could think of nothing better to do than call me. I felt a momentary stab of panic, but that gave way to the sad knowledge that there was no longer anything between us to panic about, and then to anger at her unwillingness to leave me the fuck alone. And that gave way to genuine panic, because when the door of number 20 opened, there was the dark hair, the pale skin, the great dark eyes, the long legs, the slightly crooked, wide red lips of my ex- wife standing before me.
I WAS SITTING on the black leather couch in the living room. I had asked for a whiskey, and was told I could only have one if I drank a cup of hot sweet tea first, so that's what I was doing while the woman who looked like my ex-wife sat on the black leather chair across from me. Her name was Miranda Hart, and whether she was uneasy or excited at having a strange man in her house, or both, I couldn't tell; her way of dealing with it to was to laugh a little, and smile a lot, and chew her gum vigorously; she was doing all three now.
I hadn't exactly fainted, but I had swayed a little out there on the doorstep, unsteady on my feet, clutching the door frame as the woman I thought was my ex-wife tried to shut the door on my hand, and then my scalp had sparked with sweat, and my tongue felt too large for my mouth, and I knew I was going to be sick. And had I not managed to blurt out Patrick Hutton's name, I would never have been let past the door, let alone allowed to use the bathroom to throw up, and then wash my face, and now sit by the fire in the living room with the dark burgundy and racing-green walls and the dark wood floorboards and the paintings and framed photographs of horses and jockeys on the walls and ask my questions. Because Miranda Hart was Patrick Hutton's widow.
She sat in a pair of skinny jeans and black boots with low heels and a black wraparound top over a dark wine-colored camisole with six silver bracelets on one slender wrist and seven on the other and no wedding ring. Her nails were painted dark red, but they were bitten and the varnish was cracked; her mascara had run into smudges around her huge brown eyes; her lipstick had smeared a little around her mouth. There was mud and straw and what looked like shredded paper on her boots. She had poured herself a large gin, and she gulped it enthusiastically now and spilled some of it down her chin, which she wiped with the back of her hand. I didn't tell her she looked like my ex-wife; instead I said I'd had a sandwich that must have disagreed with me, but she didn't seem at all interested; maybe strangers threw up regularly in her bathroom.
'So you're a private detective who used to live in L.A., and you're looking for Patrick, and you can't, or won't say who hired you,' she said. Her accent was an Anglo drawl; she said
'That's right,' I said.
'The last private detective was fuck all use. Or rather, I suppose he was a great deal of use, since he turned up fuck all.'
'When was that?' I said.
'About two years ago. I wanted to have Patrick declared dead. More like, needed: I ran out of cash for a while, and couldn't keep the mortgage on this little kip up. We'd bought it together, and he'd been gone longer than seven years.'
'And who insisted on the detective, the insurance company?'
'That's right. Big-arsed ex-cop in an anorak, Christ, he was a gruesome old heap, watching him get out of a chair was nerve-racking. Anyway, he went through the motions, checked Patrick's bank records and credit history and so forth, and came up with what we all knew: he vanished off the face of the earth ten years ago. Ten years ago today, as a matter of fact. And now all this is mine.'
She rolled her eyes and lit a cigarette, a More, and offered me one, which I refused; I didn't think my system would be up to it yet. I finished the tea and reached for the whiskey; the fumes didn't make me gag: a good sign.
'Lucky to have the place, I suppose, particularly since we bought before the boom. I got left some money in '92, not long after we were married. Girlfriends said, don't put Patrick's name on it, but it's just as well I did. 'Cause I'd still have a mortgage to pay if I hadn't.'
'He disappeared ten years ago today?'
'Twenty-third of December, 1996.'
'Will you tell me about it?'
'I don't know,' she said. She took a hit of her drink, and a drag of her cigarette, and looked around for somewhere to tap the ash, and popped her gum out of her mouth and molded it into a bowl shape and flicked her ash in it and laid it on the arm of her chair.
'I don't know if I want Patrick back. That is, if he were alive and you found him.'
'You had him declared dead. Do you think he's still alive?'
