posters had been removed.

'Now for the piece de resistance.' Taking her hand, he led her up to the top floor.

Gemma stood riveted in the doorway. The entire top floor had been converted to a master suite, open and airy, with the balcony she'd seen from the street at the front.

'There's more.' Kincaid opened another set of French doors and Gemma stepped out onto a small roof garden that overlooked the treetops. 'That's a communal garden beyond the back garden. You can walk right into it.'

Gemma breathed out a sigh of delight. 'Oh, the boys would love it. But it can't be possible… can it?'

'It very well might be- at least for five years. This house belongs to the guv's sister-'

'Chief Superintendent Childs?' Denis Childs was Kincaid's superior at the Yard, and Gemma's former boss as well.

'-whose husband has just accepted a five-year contract in Singapore, some sort of high-tech firm. They don't want to sell the house, but they do want it well looked after, and who better than two police officers vouched for by the Chief Super himself?'

'But we still couldn't afford-'

'It's a reasonable rent.'

'But what about your flat?'

'I'd lease it for a good deal more than the mortgage, I imagine.'

'What about child-minding for Toby? Without Hazel-'

'There's a good infant school just down the road from the station. And a good comprehensive for Kit not too far away. Now, any other objections?' He grasped her shoulders and looked down into her eyes.

'No… it's just… it seems too good to be true.'

'You can't hold the future at bay forever, love. And we won't disappoint you. I promise.'

Perhaps he was right… No! She knew he was right. When Toby's father had left her, alone with a new infant and no support, she had resolved never to depend on anyone again. But Kincaid had never failed her in any way- why should she not trust him in this, as well? Gemma let herself relax into his arms.

'Blue-and-yellow dishes in the kitchen,' she murmured against his chest. 'And a bit of paint in the bedrooms, don't you think?'

He nuzzled her hair. 'Is that a yes?'

She felt herself teetering on the edge of a precipice. Once committed, the safety of her old life would be gone. There could be no turning back. But she no longer had the luxury of putting off the decision until she had exorcised the very last smidgen of doubt. With that realization came a most unexpected flood of relief, and an unmistakable fizz of excitement.

'Yes,' she told him. 'Yes, I suppose it is.'

***

Moisture ringed the street lamps along Park Lane as the December dusk faded into dull evening. The air felt dense, as if it might collapse in upon itself, and the smattering of Christmas lights made only a pallid affront to the gloom.

Bloody Friday traffic, thought Dawn Arrowood. Suddenly claustrophobic, she cracked the window of her Mercedes and inched into the long tailback at Hyde Park Corner. She'd known better than to drive into the West End, but she hadn't been able to face the thought of the crowded tube, with the inevitable pushing and shoving and the too-intimate exposure to unwashed bodies.

Not on this day, of all days.

She had armored herself as best she could: a visit to Harrods before the doctor, tea with Natalie at Fortnum & Mason's afterwards. Had she thought these distractions could cushion the news she feared, make it somehow easier?

Nor had her old friend Natalie's ready comfort changed things one jot.

She was pregnant. Full stop. Fact.

And she would have to tell Karl.

Her husband had made it quite, quite clear, before their marriage five years ago, that he did not want a second family. Twenty-five years her senior, with two unsatisfactory grown children and a troublesome ex-wife, Karl had firmly declared he'd no intention of repeating the experience.

For a moment, Dawn allowed herself the weakness of imagining he would change his mind once he heard her news, but she knew that for the fantasy it was. Karl never changed his mind, nor did he take kindly to having his wishes ignored.

The traffic light changed at last, and as she swung into Bayswater Road, she shook a cigarette from the packet in the console. She would quit, she promised herself, but not yet… not until she'd worked out a plan.

If she insisted on having this child, what could Karl do? Turn her out with nothing? The thought terrified her. She'd come a long way from her childhood in a terraced house in East Croyden, and she had no intention of going back. That Natalie had understood, at least. You have legal recourse, Natalie had said, but Dawn had shaken her head. Karl kept a very expensive lawyer on retainer, and she felt certain neither he nor his solicitor would be deterred by the small matter of her legal rights.

And of course this was assuming she could somehow convince him the baby was his.

The shudder of fear that passed through her body was instinctive, uncontrollable.

Alex. Should she tell Alex? No, she didn't dare. Alex would insist she leave Karl, insist they could live happily ever after in his tiny mews flat off the Portobello Road, insist that Karl would let her go.

No, she would have to cut Alex off, for his own sake, somehow convince him it had only been a passing fling. She hadn't realized when she'd begun the affair with Alex just how dangerous was the course upon which she'd embarked- nor had she known that she'd chosen the one lover her husband would never forgive.

The traffic picked up speed and too soon, it seemed, she reached Notting Hill Gate. The crush of evening commuters poured into the tube station entrance like lemmings drawn to the sea, newspapers and Christmas shopping clutched in their arms, rushing home to their suburban lives of babies and telly and take-away suppers. The image brought a jab of envy and regret, and with it the too-ready tears that had plagued her of late. Dawn swiped angrily at her lower lashes- she wouldn't have time to do her makeup over. She was late as it was, and Karl would expect her to be ready when he arrived home to collect her for their dinner engagement.

Appearances were Karl's currency, and she now knew all too well that she'd been acquired just as ruthlessly as one of his eighteenth-century oils or a particularly fine piece of china. What she'd been naIve enough to think was love had been merely possessiveness, she the jewel chosen with the setting in mind.

And what a setting it was, the house at the leafy summit of Notting Hill, across the street from the faded elegance of St. John's Church. Once Dawn had loved this Victorian house with its pale yellow stucco, its superbly proportioned rooms and beautiful appointments, and for a moment she mourned the passing of such an innocent pleasure.

Tonight the windows were dark as she turned into the drive, the blank panes mirroring her car lights. She had managed to beat Karl home, then; she would have a few minutes' respite. Turning off the engine, she reached for her parcels, then paused, squeezing her eyes shut. Damn Karl! Damn Alex! In spite of them, she would find a way to deal with this, to keep the child she wanted more than she had ever wanted anything.

She slid out of the car, keys in one hand, bags in the other, ducking away from the wet fingers of the hedge that lined the drive.

A sound stopped her. The cat, she thought, relaxing, then remembered she'd left Tommy in the house, despite Karl's strictures to the contrary. Tommy had been ill and she hadn't wanted to leave him out unsupervised, in case he got into a scrap with another cat.

There it was again. A rustle, a breath, something out of place in the damp stillness. Panic gripped her, squeezing her heart, paralyzing her where she stood.

Forcing herself to think, she clasped her keys more tightly in her hand. The house just across the drive suddenly seemed an impossible distance. If she could only reach the safety of the door, she could lock herself in, ring for help. She held her breath and slid a foot forward-

The arms came round her from behind, a gloved hand pressing cruelly against her mouth. Too late, she struggled, tugging futilely at the arm pinning her chest, stomping down on an instep. Too late, she prayed for the

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