Where Memories Lie

'Christ,' said Andy Monahan again, blanching so that the dark smudges under his eyes were more pronounced.

Kincaid crossed the room in a swift stride and, taking Monahan firmly by the arm, guided him to a chair. 'Here, sit.' To Cullen he added, 'Get him some water.' It was a distraction, but often a successful one, and he didn't want anyone sicking up in Pevensey's flat.

Monahan took the glass Cullen brought and drank it steadily down, then leaned back and closed his eyes for a moment. 'Sorry. It's just that I think I'll see that-see him-for the rest of my life.'

'Why don't you tell us what happened,' Kincaid suggested, perching on the arm of the other chair. 'Start at the beginning. Were you and Harry friends?'

'Not exactly. But he was all right. He'd feed my cat for me when I was away on a gig. He liked to talk, when he was into the gin, about the times he'd acted with Hugh Laurie, and Nigel Havers, and oh, he even said he'd done a play once with Emma Thompson and Ken Branagh. It was probably bollocks, but I didn't mind.'

'Harry was an actor?'

'Yeah. But not a very lucky one, obviously.' Monahan gestured round the flat. 'I mean, I'm one to talk, but he was like, old. Fifties. I'm just starting out.'

'You're a musician?' Kincaid asked.

'Guitarist. Been playing since I was twelve. Band's called Snogging Maggie, but it's not, honestly, as good as it could be.'

Snogging Maggie? Kincaid thought. He didn't even want to go there. A closer look had made him revise his estimate of Andy Monahan's age. He might be in his late twenties-it was the blond hair and the prettiness that made him seem younger. And he suspected that it was shock that had prompted the confessional state.

'So tell us about last night.'

Andy gripped the frayed knees of his jeans. 'We had a gig in Guildford. Total shit. By the time we got back to town, it must have been going on two. The guys dropped me off at the top of the street-you can't get the van through if there's anyone parked.

'We were drinking a bit. Nick and me. Not George, who was driving,' he assured them, as if he thought they would run his friend in. 'So I was a bit pissed, you know, and when I saw-I thought it was some old bit of rubbish-I thought he was-I pushed at him with my toe-' Andy covered his face with his hands, rubbing at his cheekbones to ease what Kincaid suspected was the ache of tears. 'Puked all over my fricking Strat case, didn't I?' he said through his fingers. 'Jesus Christ. Harry.'

'You called the police?'

'Dropped my mobile in the gutter, in God knows what. Couldn't punch the fricking keys.' He dropped his hands and looked up at Kincaid. 'I couldn't watch. When they put him in the bag. I thought that was only on the telly.'

Kincaid glanced at Cullen, saw that he was listening alertly. It was do-or-die time. 'Andy, did Harry ever say anything to you about antiques?'

'Antiques? You mean like this stuff?' Andy gestured at the furnishings.

'No. Like jewelry. Did he say anything to you about an antique brooch?'

Andy looked from Kincaid to Cullen. 'What the fuck is a brooch?'

Kincaid had to suppress a smile. 'A pin. This one was diamond. Art Deco. Made in Germany just before the war.'

'Where the hell would Harry get something like that?' said Andy, his voice rising in incredulity.

'That's what we were wondering. Have-'

'Wait a minute.' Wariness returned to Andy Monahan's face. 'You said you were cops, right? But you're in plainclothes. You're detectives, aren't you? Why are you asking about a traffic accident?'

The accident investigators had given Kincaid an initial confirmation on his guess that the car had pulled out from the bay at the jog in the street. It looked from the tire marks, the officer in charge had added, as if the car had gone up on the curb in order to hit Harry Pevensey before he reached his door. 'Because,' Kincaid said, 'we think someone deliberately ran Harry down, and we want you to help us find out who did it.'

'You're saying someone wanted to kill Harry?' Andy's face hardened, and he suddenly looked his age. 'You couldn't find a more harmless sod than Harry. Vain, maybe, but there was no meanness in it. What do you want to know?'

'If Harry didn't say anything to you about the brooch, did anything else happen lately that was unusual?'

'Harry didn't exactly lead the most exciting life. He was usually resting, as he liked to call it, but the last few weeks he'd had a part in a play. Some community theater. He said it was a load of pretentious bollocks, but he got a check. I can't-Wait.' Andy frowned. 'Yesterday morning. We both liked a lie-in, Harry and me, because we work late. But yesterday morning some git comes pounding on Harry's door. I got up and looked out-thought the fucking building was on fire. But Harry got up and let him in, and a few minutes later I heard them shouting, then the door slammed.

'I've seen him round once or twice before, this bloke. Not Harry's usual-he goes for blond actress wannabes, for the most part, with fake tits.' Andy shrugged. 'What they see in him, I don't know.'

'Did you hear what they were arguing about, Harry and the bloke who came yesterday?' asked Cullen.

'No. Sorry.'

'What did he look like, then, this bloke?'

'Young. Dark hair, dark eyes. The kind of looks that girls start heavy breathing over. And dripping with it.' When Kincaid raised an eyebrow, Andy elaborated. 'Money. Clothes. Shoes. Haircut. Probably fucking manicure to boot. But-' He stopped, eyeing them with caution.

'But what?' Kincaid asked.

'Look. I'm in a band. I know shit when I see it, and this guy was into something, big-time.'

'Drugs?' asked Cullen.

Andy gave him a quelling look. 'No. Sweeties. What do you think?'

'Any idea what Harry's connection with him was?' put in Kincaid.

'No. I didn't ask. Harry didn't tell. We didn't talk about personal stuff, Harry and me.'

'Andy.' Cullen was quivering like a bloodhound. With studied casualness he pulled a photo from his inside pocket and handed it across. 'Have you ever seen this man?'

Andy Monahan gazed at the photo, then looked from Cullen to Kincaid, as wide-eyed as if they'd just pulled a rabbit from a hat. 'Bloody hell,' he said. 'That's the pretty boy. Who is he, then?'

'His name,' Cullen said, glancing at Kincaid with ill-concealed satisfaction, 'is Dominic Scott.'

CHAPTER 14

But [Tim] Llewellyn's main point, to which he returned several times, was that Sotheby's was not a police force. 'We have a right to protect the anonymity of our clients. We avoid breaking the laws in the countries where we operate. Our clients seek anonymity for a variety of reasons, but it is not our job to police our clients.'

– Peter Watson, Sotheby's: Inside Story

Gemma's first impulse, when she had dropped the boys at their respective schools, was to confront Erika about her husband's murder.

But then, Gemma considered a little more calmly, maybe Erika had not thought it relevant, and perhaps David Rosenthal's death had no connection at all with Kristin Cahill's.

But Gemma wouldn't know until she had the facts, and so decided she should start with the case itself, and talk to Erika when she knew enough to ask useful questions.

Kit had said that David Rosenthal had been murdered in a garden near the Albert Bridge. It would have been Chelsea's patch, then. So for the second time that week, Gemma found herself heading for Lucan Place, and an