THAT DAY and the following, he walked the twenty blocks downtown to look for work in the stores. He went on foot to loosen up his legs, he told himself, but in fact he wanted to save the seven cents’ street-car fare. On the second day, halfway to Canal Street, he didn’t know why, some little spark of curiosity or sense of purpose overtook him at Lee Circle and he changed direction toward the river, wondering what he was doing as he walked into the smell of burning coal and roasting coffee. From the foot of Canal he could see a big Stewart Line excursion boat riding high in a dry dock across the river, its paddle wheel dismantled, its rusty stacks laid out on the deck. He caught the Algiers ferry, which cost him seven cents, and from the landing walked down a dirt lane to the shipyard. A watchman told him that most of the boat’s crew and performers had been put up in the Gardenia Hotel. He counted out five Indian-head pennies and two Lincolns, took the next boat across, and walked through the French Quarter to the hotel, a place he knew was frequented by vaudevillians and traveling salesmen. He arrived tired and thirsty, the bottoms of his feet burning in his shiny floorwalker’s shoes, and he paused on the sidewalk across from the Gardenia, examining the pressed-tin roof frieze that pretended to be stone, the copper- sheeted bay windows that hung over the street like ingots, showing a thinly deceptive elegance.
The desk clerk rang the Wellers’ room, and the wife said her husband was out but she would come right down, so Sam waited in the illusory lobby with its puddled curtains and genteel walnut settees and side tables. He knew what the rooms were like, small and hot and plain as toast. He heard Elsie on the stairs before he saw her, and her steps were slow. She joined him on a green plush sofa, sitting down quickly, perhaps pretending not to notice a polite scattering of dust rising from the cushions.
“Do you have any news?” she asked. She was composed and did not smile at him.
He shook his head, once. “I’ve been going around town trying to find a job that won’t maim me or drive me crazy or get me arrested.” He watched her face, but she seemed unconcerned about what he’d said. He knew what she wanted to hear. “While I was out and about, I did what I could. Checked with the porters at the stations. Visited some hotels and the one criminal I know.”
She still did not smile. Out in the street the vegetable man’s wagon passed by, his falsetto rising about the glories of tomatoes and plums, “Ahh gotta da bannannnn…,” but her gaze didn’t stray toward the window. “We’ve paid a private policeman to investigate Lily’s disappearance, but he’s turned up nothing. I don’t think he really cares about her, just our money.” She didn’t say this in a bitter voice, and he was glad of it. His uncle had taught him that bitterness solved nothing. “I don’t suppose you have children,” she continued. “I didn’t see any sign of them at your house.”
He looked over at the bald desk clerk, who was watching them. “I had a son. But we lost him to a fever.”
“How old?”
“Nearly two. I know a little of what you’re feeling.”
“A little,” she said. “At least you know where your son is.”
He reddened at her presumption, bordering on meanness, and had opened his mouth to say something, he wasn’t sure what, when a big hand came down on his shoulder. He looked up and saw a large, white-haired gentleman dressed in a bluewater uniform, a soft cap pulled down at an angle with the legend “Captain” in gold braid above the patent-leather bill.
“Pardon me,” he said, “but I’ve got to put a quick question to this lady.” He was about sixty-five years old, the type of blustery fellow used to taking over anyone’s conversation. “Elsie, I need you and Ted to come down to the Industrial Canal out by the cracker works. We’ve just closed on the
“Is there a piano on board?” She seemed confused.
The big man cocked his head. “Now, Elsie?”
“Oh, I see. You want us to clean and paint,” she said, frowning.
“The
Elsie nodded vaguely, and the captain straightened up and put his hands behind his back. “I’ve got to get on and find some men who won’t milk me dry for salary.”
Suddenly, her face seemed busy with several ideas at once. “This man here’s looking for work.”
The captain leaned back and examined Sam as though he were a deck chair he might or might not buy. The leather in his shoes creaked in the quiet lobby. “You’re a pretty nice-looking fellow. Ever worked a dance boat before, son?”
“No, but I’ve gone dancing on a few.”
She stood and put a hand on his shoulder. “Last night Ted said that if you worked on the boat, you’d be able to go ashore and help us look. Maybe you could watch the crowds while we worked.”
“Watch the crowds for what?”
“The woman you saw. We figured that somebody who caught Lily’s act paid that woman to take her.”
Sam stood up, looked through the glass-paneled entry door, and took a step toward it. “That old lady’s not going to show up on your boat.”
“She’s on the bank somewhere along our route.”
He stopped, then, admitting to himself that this was probably true.
“You a musician?” the captain asked.
“I’m a pretty bad pianist.”
“And were you in the war?”
“The army.”
The captain’s white eyebrows collapsed together, and he lowered his voice. “Can you break up a fight and keep your hand out of a till?”
Elsie began to shake him. “Sam, this new boat will work the same landings we did on the way down. You might could spot that old woman in one of the towns.”
He watched the desperation rising in her face, then turned to the captain. “What kind of work do you have?”
“I need a third mate. One of the main duties is to walk around the dance floor and show some authority. You have any experience walking around and looking like you know what you’re doing?”
Elsie sat down on the settee, smoothed her dress, then ran a forefinger along one eyebrow. “He’s the floorwalker I told you about.”
The captain’s expression darkened. “You’re the one who couldn’t stop those people.”
Sam looked back through the door where three smiling couples were strolling along the street. “That’s me, all right.” Suddenly he seemed to have a new identity: the man to blame.
The captain glanced down at Elsie. “Well, I’ll hire you anyway. Long hours, free room and board.”
“I’m Sam Simoneaux. My friends call me Lucky.”
The other man took his hand soberly. “My name’s Adam Stewart, and you can call me Captain.”
HIS WIFE was not happy about this job that would keep him away from home, and seemed suspicious of his motives. It took him until late that night to explain to her why he felt obliged to go on the river, but as he fell asleep he realized that he wasn’t sure of his motives himself, though the idea of wearing a snappy uniform and being around musicians had its appeal. He could explore each town on the boat’s route, asking questions about the stolen girl, but beyond that he wasn’t sure what he might accomplish for the Wellers.
The next morning he kissed Linda goodbye and caught a streetcar down to the Canal line and made the first of several transfers, walking the last leg down the east side of the new Industrial Canal. He could see the boat from a distance as it was nearly three hundred feet long, and he could tell by the kinks in the deck railings that it had seen too much river. He judged it to be at least forty years old, a sternwheeler four decks high that must have started life as a packet, hauling passengers and cotton, and then was made over into an excursion boat after the trade played out. The wooden hull was sprung, planks out of line and seams gorged with oakum. The main stage ramp was hung up over the bow in a tangle of rusted pillow blocks limed with bird droppings. A long two-by-twelve led from the wharf to the first deck. Beyond the boat the wide canal shifted, oily and slow, the new sun caught in it like a yolk. He bounced down the plank onto a deck made of broad cupped planks shedding enamel like red snow. He
