you truly believe that both of you have so little worth, why not encourage him? He is a nice enough young man.”
“I told you I do not wish to marry,” she said almost angrily. The tips of her nostrils had gone quite white and she was breathing very fast. “You ought to understand. You have no one, you want no one, and you are content it should be so.”
I thought of Charles and the future he had offered me, and I thought of the count and all his maddening ways, and I had never felt the want of a confidante so keenly. I longed to unburden myself to Cosmina, to tell her that I had been offered-and very nearly accepted-marriage to a man I did not love, and that I spent my days thinking about a man I could not have, a man who had scorned her as a woman ought never to be scorned.
She was watching me closely, and for an instant, the words trembled upon my lips. But I had kept my own counsel too long to confide so easily. I merely smiled and rose, brushing the leaves from my gown.
“It grows late and I think you are more tired than you will own.”
If she was disappointed that I made her no confidences, she did not show it. She rose, too, and I took up her basket and whistled for Tycho and we began our long ascent up the mountain.
13
The count did not appear to dinner that evening, and as Cosmina was quite tired from our excursion to the village, the meal was a simple and short affair. We each of us retired early to our own pursuits. I meant to write for the rest of the evening, but I could not settle to it, and the scribbles I made were messy and slashed with my pen where I crossed out passages that displeased me. I had meant to write a passionate scene between two lovers, a scene of declaration and devotion, and the words failed me-failed me because I did not know what words folk used at such a time, I thought in disgust. I had no experience of such things, and even an imagination as broad as mine could falter. I longed to know what they would say and feel, what sweet sighs would pass between them, what caresses they would exchange. Of course I could not write the whole of such things, but if I could not imagine the entirety of the act, how could I comprehend its effects? And from there my thoughts drifted from my characters to the events of the day.
The count was the source of my distraction, for as Cosmina and I had passed through the village upon our return, I had looked more closely, reckoning the changes I found. A party of men was draining the river meadow for good pasturage, and a father and son were perched upon ladders, giving the school a fresh coat of paint and prying off the boards that had held the shutters fast. There remained an air of sleepiness about the place, but between the pedlar and the new improvements, something indefinable had changed. I noted there were yet branches of basil hung at the windows and here and there charms against evil had been newly painted. The people themselves seemed happy, but warily so, as Florian had said. They still feared the
The question plagued me. Alternately I hoped I might have been the cause of it and ridiculed myself for my foolish fancies. The count had spoken plainly enough of his feelings towards women. They were playthings, pretty toys to while away his hours of boredom and to be discarded once he tired of them. When he married it would be to some dull creature whose blood ran blue and who could give him sturdy sons with an excellent pedigree. If I interested him-and I conceded it seemed so-it was simply because he had few other diversions at the castle. Had we encountered one another in Paris, he would not have spared me a second glance, I told myself firmly.
But we are not in Paris, I thought by way of reply. I believed in free will, but I could be persuaded to fatalism. Perhaps we were here together at this time because it was supposed to be thus. I could never be more to him than a fleeting indulgence, but I realised with a sudden cold shock that I was not certain I wanted more from him.
Before I could think too long upon it, I rose and mounted the narrow stair to his room. I groaned to see the door ajar, for if it had been closed, I think I would have lacked the courage to knock upon it. But it stood open just far enough for Tycho to catch my scent and come to the door.
I peered past him to find the room empty, but the door that led to the workroom stair was also ajar, beckoning. I patted Tycho absently and passed through the room, gathering my skirts to mount the twisting stair to his workroom. He was standing at the longest of the tables, his sleeves rolled to bare his forearms, his neckcloth and collar discarded. He was bent to a task, and as I moved closer I could see he held a feather in one hand and a tiny piece of clockwork machinery in another. A lock of jet hair fell over his brow, but he did not seem to notice, so intent was he upon his work. I stood for a long moment before he spoke, and when he did I started, for he had not turned his head and I had not realised he was aware of me.
“It is an orrery,” he said, nodding towards the intricate pieces scattered the length of the table. There were long, slender rods and several spheres and half spheres in various sizes, some painted in beautiful colours, others more muted, and the tiniest daubed with silver paint. At the end of the table rested a slab of inlaid wood and a collection of legs, and scattered over the table were an assortment of clockwork gears and complicated mechanisms. “A model of the solar system. When it is put back together, a simple crank will set the whole of it into motion, the entirety of the universe captured in a tabletop.”
I moved forward and watched as he dipped the end of the feather into a bowl of oil and, with a precise and delicate touch, applied it to the gear.
“Another piece of your grandfather’s?” I asked him.
He nodded, intent upon his work. After a moment, he gave a little sigh of satisfaction and put the feather aside. He wiped his hands upon a bit of linen and turned to face me, his arms folded over his chest. The light fell upon his bared neck then, and I saw no scar there, not even the palest mark to blemish the smooth expanse of olive skin.
“I am sorry to have disturbed you,” I began.
“It is a welcome intrusion,” he replied with cool gallantry. He was watching me closely, assessing me, I thought, and I felt myself grow hot under his scrutiny. I wished he would return to the orrery, and to cover my confusion, I moved to the other side of the table.
“Is this Venus? It must be. What else could be so bright-”
“Do not touch it,” he cautioned. “The paint is not yet dry.”
I drew back sharply and put my hands behind my back.
“You are ill at ease tonight,” he observed. “Is something amiss? Some trouble with your room perhaps?”
He was playing the host now, and I felt my courage wilt miserably within me. I could not possibly say the things to him that I wanted to say. I murmured an excuse and made to leave. He returned to his work, but as I reached the door, he called after me.
“There is a length of fabric upon the sofa. I believe it belongs to you.”
I glanced towards the sofa and felt my heart give a peculiar lurch.
“That is the dress length that Frau Amsel purchased from the pedlar today,” I said in some confusion.
He had picked up his feather and another clockwork gear. “It is yours,” he repeated.
“I do not understand you. Has Frau Amsel changed her mind?”
“Frau Amsel has come to understand that her behaviour towards a guest in my house was intolerably rude,” he said mildly, never taking his eyes from his work.
I gathered up the length of fabric and went to him.
“It belongs to Frau Amsel,” I said quietly.
He put down his work and turned to me, his gaze inscrutable. “Do you find that you do not like it after all?”
“Of course not. It is lovely,” I began.
He turned away from me. “Then it is yours.”
I did not stir from my position. “She paid for it.”
“She has been recompensed,” he returned.
“You cannot mean you paid her for it?”