The fight is right here on this earth. We are human creatures. Who knows what's waiting for us, or what kind of power we may have?
The world of people goes up and down and people go up and down with their world; warriors have no business following the ups and downs of their fellow men.
The core of our being is the act of perceiving, and the magic of our being is the act of awareness. Perception and awareness are a single, functional, inextricable unit.
We choose only once. We choose either to be warriors or to be ordinary men. A second choice does not exist. Not on this earth.
The warriors' way offers a man a new life and that life has to be completely new. He can't bring to that new life his ugly old ways.
Warriors always take a first event of any series as the blueprint or the map of what is going to develop for them subsequently.
Human beings love to be told what to do, but they love even more to fight and not do what they are told, and thus they get entangled in hating the one who told them in the first place.
Everybody has enough personal power for something. The trick for the warrior is to pull his personal power away from his weaknesses to his warrior's purpose.
Everyone can see, and yet we choose not to remember what we see.
Commentary
Years went by before I wrote The Second Ring of Power. Don Juan was long gone, and the quotations from that book are memories of what he had said, memories triggered by a new situation, a new development. Another player had appeared in my life. It was don Juan's cohort, Florinda Matus. All of don Juan's apprentices understood that when don Juan left, Florinda was left behind to somehow round up the last part of our training.
'Not until you are capable of taking orders from a woman without detriment to your being will you be complete,' don Juan had said. 'But that woman cannot be any woman. It must be somebody special, somebody who has power, and a quality of ruthlessness that will not allow you to be the man-in-charge that you fancy yourself to be.'
Of course, I laughed off his statements. I thought he was definitely joking. The truth of the matter was that he wasn't joking at all. One day, Florinda Donner-Grau and Taisha Abelar returned, and we went to Mexico. We went to a department store in the city of Guadalajara, and there, we found Florinda Matus, the most gorgeous woman I had ever seen: extremely tall – five feet eleven, lean, angular, with a beautiful face, old, and yet very young.
'Ah! There you are!' she exclaimed, when she saw us. 'The Three Musketeers! The Pep Boys – Eenie, Meenie and Mo! I've been looking for you all over!'
And without any more to say, she took over. Florinda Donner-Grau, of course, was delighted beyond measure. Taisha Abelar was extremely reserved, as usual, and I was mortified, almost furious. I knew that the arrangement was not going to work. I was ready to clash with this woman the first time she opened her daring mouth and came up with shit like 'Eenie, Meenie and Mo – the Pep Boys.'
Unsuspected things that I had in reserve, however, came to my aid, and prevented me from any reaction of wrath or annoyance, and I got along with Florinda superbly, better than I could have dreamed. She ruled us with an iron hand. She was the undisputed queen of our lives. She had the power, the detachment, to carry out her job of tuning us in the most subtle way. She didn't allow us to drown in self-pity or complaining if something was not quite to our liking. She was not at all like don Juan. She lacked his sobriety, but she had another quality that balanced her lack: she was as fast as anything could be. One glance was sufficient for her to comprehend an entire situation, and to act instantaneously in accordance with what was expected of her.
One of her favorite ploys, which I enjoyed immensely, was to formally ask an audience, or a group of people she was talking to, 'Does anyone here know anything about the pressure and displacement of gases?' She would ask such a question in true seriousness. And when the audience responded, 'No, no, we don't,' she would say, 'Then, I could say anything I want, true?!' – and indeed she would go ahead and say anything she wanted. She would actually sometimes say such ridiculous things that I would fall on the floor laughing.
Her other classical question was, 'Does anyone here know anything about the retina of chimpanzees? No?' – and Florinda would say barbarities about the retina of chimpanzees. Never in my life had I enjoyed my time more thoroughly. I was her admirer and unbiased follower.
I once had a fistula by the crest of the bone of my hip, a product of a fall that I had taken years before into a ravine filled with cactus needles. There had been seventy-five needles stuck in my body. One of them either hadn't come out completely or had left a residue of dirt or debris that years later produced a fistula.
My doctor said, 'That's nothing. It is just a sack of pus that has to be lanced. It's a very simple operation. It would take a few minutes to clean it out.'
I consulted with Florinda, and she said, 'You are the nagual. You either cure yourself, or you die. No shades of meaning, no double behavior. For a nagual to be lanced by a doctor – you must have lost your power. For a nagual to die fistulated? What a shame.'
Except for Florinda Donner-Grau and Taisha Abelar, the rest of don Juan's apprentices didn't care at all for Florinda. She was a threatening figure. She was someone who never allowed them the freedom that they felt was their due. She never celebrated their pseudo-exploits of shamanism, and she stopped their activities every time they strayed from the warriors' path. In the corpus of The Second Ring of Power, that struggle of the apprentices is more than manifest. Don Juan's other apprentices were a lost lot, filled with egomaniacal outbursts, each one pulling in his own direction, each one asserting his or her value.
Everything that took place in our lives from that time on was deeply influenced by Florinda Matus, and yet, she never took the front stand. She was always a figure in the background, wise, funny, ruthless. Florinda Donner- Grau and I learned to love her as we had never loved before, and when she left, she willed to Florinda Donner- Grau her name, her jewels, her money, her grace, her savoir-faire. I felt that I could never write a book about Florinda Matus, that if anybody ever did, it would have to be Florinda Donner-Grau, her true heir, her daughter of daughters. I was, like Florinda Matus, only a figure in the background, put there by don Juan Matus to break the loneliness of a warrior, and enjoy my passage on earth.
QUOTATIONS FROM THE EAGLE'S GIFT
The art of dreaming is the capacity to utilize one's ordinary dreams and transform them into controlled awareness by virtue of a specialized form of attention called the dreaming attention.
The art of stalking is a set of procedures and attitudes that enables a warrior to get the best out of any conceivable situation.
The recommendation for warriors is not to have any material things on which to focus their power, but to focus it on the spirit, on the true flight into the unknown, not on trivialities.
Everyone who wants to follow the warrior's path has to rid himself of the compulsion to possess and hold onto things.
