tonight? No, I refuse to believe it. There could be a hundred other explanations. She could have lost her way. Run into a pack of predators or another tribute, like Thresh, and had to hide. Whatever happened, I’m almost certain she’s stuck out there, somewhere between the second fire and the unlit one at my feet. Something is keeping her up a tree.
I think I’ll go hunt it down.
It’s a relief to be doing something after sitting around all afternoon. I creep silently through the shadows, letting them conceal me. But nothing seems suspicious. There’s no sign of any kind of struggle, no disruption of the needles on the ground. I’ve stopped for just a moment when I hear it. I have to cock my head around to the side to be sure, but there it is again. Rue’s four-note tune coming out of a mockingjay’s mouth. The one that means she’s all right.
I grin and move in the direction of the bird. Another just a short distance ahead, picks up on the handful of notes. Rue has been singing to them, and recently. Otherwise they’d have taken up some other song. My eyes lift up into the trees, searching for a sign of her. I swallow and sing softly back, hoping she’ll know it’s safe to join me. A mockingjay repeats the melody to me. And that’s when I hear the scream.
It’s a child’s scream, a young girl’s scream, there’s no one in the arena capable of making that sound except Rue. And now I’m running, knowing this may be a trap, knowing the three Careers may be poised to attack me, but I can’t help myself. There’s another high-pitched cry, this time my name. “Katniss! Katniss!”
“Rue!” I shout back, so she knows I’m near. So, they know I’m near, and hopefully the girl who has attacked them with tracker jackers and gotten an eleven they still can’t explain will be enough to pull their attention away from her. “Rue! I’m coming!”
When I break into the clearing, she’s on the ground, hopelessly entangled in a net. She just has time to reach her hand through the mesh and say my name before the spear enters her body.
18
The boy from District 1 dies before he can pull out the spear. My arrow drives deeply into the center of his neck. He falls to his knees and halves the brief remainder of his life by yanking out the arrow and drowning in his own blood. I’m reloaded, shifting my aim from side to side, while I shout at Rue, “Are there more? Are there more?”
She has to say no several times before I hear it. Rue has rolled to her side, her body curved in and around the spear. I shove the boy away from her and pull out my knife, freeing her from the net. One look at the wound and I know it’s far beyond my capacity to heal, beyond anyone’s probably. The spearhead is buried up to the shaft in her stomach. I crouch before her, staring helplessly at the embedded weapon. There’s no point in comforting words, in telling her she’ll be all right. She’s no fool. Her hand reaches out and I clutch it like a lifeline. As if it’s me who’s dying instead of Rue.
“You blew up the food?” she whispers.
“Every last bit,” I say.
“You have to win,” she says.
“I’m going to. Going to win for both of us now,” I promise. I hear a cannon and look up. It must be for the boy from District 1.
“Don’t go.” Rue tightens her grip on my hand.
“Course not. Staying right here,” I say. I move in closer to her, pulling her head onto my lap. I gently brush the dark, thick hair back behind her ear.
“Sing,” she says, but I barely catch the word.
Sing? I think. Sing what? I do know a few songs. Believe it or not, there was once music in my house, too. Music I helped make. My father pulled me in with that remarkable voice — but I haven’t sung much since he died. Except when Prim is very sick. Then I sing her the same songs she liked as a baby.
Sing. My throat is tight with tears, hoarse from smoke and fatigue. But if this is Prim’s, I mean, Rue’s last request, I have to at least try. The song that comes to me is a simple lullaby, one we sing fretful, hungry babies to sleep with, It’s old, very old I think. Made up long ago in our hills. What my music teacher calls a mountain air. But the words are easy and soothing, promising tomorrow will be more hopeful than this awful piece of time we call today.
I give a small cough, swallow hard, and begin:
Rue’s eyes have fluttered shut. Her chest moves but only slightly. My throat releases the tears and they slide down my cheeks. But I have to finish the song for her.
The final lines are barely audible.
Everything’s still and quiet. Then, almost eerily, the mockingjays take up my song.
For a moment, I sit there, watching my tears drip down on her face. Rue’s cannon fires. I lean forward and press my lips against her temple. Slowly, as if not to wake her, I lay her head back on the ground and release her hand.
They’ll want me to clear out now. So they can collect the bodies. And there’s nothing to stay for. I roll the
