the floors of the now-spotless house. Haymitch isn't flat-out drunk, but he doesn't look too steady, either. I guess the rumors about Ripper being back in business are true. I'm thinking maybe I better let him just go to bed, when he suggests a walk to town.
Haymitch and I can speak in a kind of shorthand now. In a few minutes I've updated him and he's told me about rumors of uprisings in Districts 7 and 11 as well. If my hunches are right, this would mean almost half the districts have at least attempted to rebel.
“Do you still think it won't work here?” I ask.
“Not yet. Those other districts, they're much larger. Even if half the people cower in their homes, the rebels stand a chance. Here in Twelve, it's got to be all of us or nothing,” he says.
I hadn't thought of that. How we lack strength of numbers. “But maybe at some point?” I insist.
“Maybe. But we're small, we're weak, and we don't develop nuclear weapons,” says Haymitch with a touch of sarcasm. He didn't get too excited over my District 13 story.
“What do you think they'll do, Haymitch? To the districts that are rebelling?” I ask.
“Well, you've heard what they did in Eight. You've seen what they did here, and that was without provocation,” says Haymitch. “If things really do get out of hand, I think they'd have no problem killing off another district, same as they did Thirteen. Make an example of it, you know?”
“So you think Thirteen was really destroyed? I mean, Bonnie and Twill were right about the footage of the mockingjay,” I say.
“Okay, but what does that prove? Nothing, really. There are plenty of reasons they could be using old footage. Probably it looks more impressive. And it's a lot simpler, isn't it? To just press a few buttons in the editing room than to fly all the way out there and film it?” he says. “The idea that Thirteen has somehow rebounded
“I know. I was just hoping,” I say.
“Exactly. Because you're desperate,” says Haymitch.
I don't argue because, of course, he's right.
Prim comes home from school bubbling over with excitement. The teachers announced there was mandatory programming tonight. “I think it's going to be your photo shoot!”
“It can't be, Prim. They only did the pictures yesterday,” I tell her.
“Well, that's what somebody heard,” she says.
I'm hoping she's wrong. I haven't had time to prepare Gale for any of this. Since the whipping, I only see him when he comes to the house for my mother to check how he's healing. He's often scheduled seven days a week in the mine. In the few minutes of privacy we've had, with me walking him back to town, I gather that the rumblings of an uprising in 12 have been subdued by Thread's crackdown. He knows I'm not going to run. But he must also know that if we don't revolt in 12, I'm destined to be Peeta's bride. Seeing me lounging around in gorgeous gowns on his television… what can he do with that?
When we gather around the television at seven-thirty, I discover that Prim is right. Sure enough, there's Caesar Flickerman, speaking before a standing-room-only crowd in front of the Training Center, talking to an appreciative crowd about my upcoming nuptials. He introduces Cinna, who became an overnight star with his costumes for me in the Games, and after a minute of good-natured chitchat, we're directed to turn our attention to a giant screen.
I see now how they could photograph me yesterday and present the special tonight. Initially, Cinna designed two dozen wedding gowns. Since then, there's been the process of narrowing down the designs, creating the dresses, and choosing the accessories. Apparently, in the Capitol, there were opportunities to vote for your favorites at each stage. This is all culminating with shots of me in the final six dresses, which I'm sure took no time at all to insert in the show. Each shot is met with a huge reaction from the crowd. People screaming and cheering for their favorites, booing the ones they don't like. Having voted, and probably bet on the winner, people are very invested in my wedding gown. It's bizarre to watch when I think how I never even bothered to try one on before the cameras arrived. Caesar announces that interested parties must cast their final vote by noon on the following day.
“Let's get Katniss Everdeen to her wedding in style!” he hollers to the crowd. I'm about to shut off the television, but then Caesar is telling us to stay tuned for the other big event of the evening. “That's right, this year will be the seventy-fifth anniversary of the Hunger Games, and that means it's time for our third Quarter Quell!”
“What will they do?” asks Prim. “It isn't for months yet.
We turn to our mother, whose expression is solemn and distant, as if she's remembering something. “It must be the reading of the card.”
The anthem plays, and my throat tightens with revulsion as President Snow takes the stage. He's followed by a young boy dressed in a white suit, holding a simple wooden box. The anthem ends, and President Snow begins to speak, to remind us all of the Dark Days from which the Hunger Games were born. When the laws for the Games were laid out, they dictated that every twenty-five years the anniversary would be marked by a Quarter Quell. It would call for a glorified version of the Games to make fresh the memory of those killed by the districts' rebellion.
These words could not be more pointed, since I suspect several districts are rebelling right now.
President Snow goes on to tell us what happened in the previous Quarter Quells. “On the twenty-fifth anniversary, as a reminder to the rebels that their children were dying because of their choice to initiate violence, every district was made to hold an election and vote on the tributes who would represent it.”
I wonder how that would have felt. Picking the kids who had to go. It is worse, I think, to be turned over by your own neighbors than have your name drawn from the reaping ball.
“On the fiftieth anniversary,” the president continues, “as a reminder that two rebels died for each Capitol citizen, every district was required to send twice as many tributes.”
I imagine facing a field of forty-seven instead of twenty-three. Worse odds, less hope, and ultimately more dead kids. That was the year Haymitch won…
“I had a friend who went that year,” says my mother quietly. “Maysilee Donner. Her parents owned the sweetshop. They gave me her songbird after. A canary.”
Prim and I exchange a look. It's the first we've ever heard of Maysilee Donner. Maybe because my mother knew we would want to know how she died.
“And now we honor our third Quarter Quell,” says the president. The little boy in white steps forward, holding out the box as he opens the lid. We can see the tidy, upright rows of yellowed envelopes. Whoever devised the Quarter Quell system had prepared for centuries of Hunger Games. The president removes an envelope clearly marked with a 75. He runs his finger under the flap and pulls out a small square of paper. Without hesitation, he reads, “On the seventy-fifth anniversary, as a reminder to the rebels that even the strongest among them cannot overcome the power of the Capitol, the male and female tributes will be reaped from their existing pool of victors.”
My mother gives a faint shriek and Prim buries her face in her hands, but I feel more like the people I see in the crowd on television. Slightly baffled. What does it mean? Existing pool of victors?
Then I get it, what it means. At least, for me. District 12 only has three existing victors to choose from. Two male. One female…
I am going back into the arena.
13
My body reacts before my mind does and I'm running out the door, across the lawns of the Victor's Village, into the dark beyond. Moisture from the sodden ground soaks my socks and I'm aware of the sharp bite of the wind, but I don't stop. Where? Where to go? The woods, of course. I'm at the fence before the hum makes me remember how very trapped I am. I back away, panting, turn on my heel, and take off again.
The next thing I know I'm on my hands and knees in the cellar of one of the empty houses in the Victor's
