mother, Sandalia's, death. I mourn with all of you, my people, but in Cordula the Pap-pas himself placed a crown on my head, and today, and for many days to come, I will not turn my eyes, blind with tears, to Sandalia's grave and weep and honour her as she deserves. I cannot bring myself to face her, even in death, while she lies unavenged, and Gallin will have its vengeance!”
The faceless mass that had been on its knees is suddenly on its feet, hands flung into the air, screams of approval shaking the very boards of the Cordoglio. The gondola boy creeps to Tomas's side, eyes wide as he watches the dramatics that Javier commands. So softly as to be audible beneath the thundering noise, he whispers, “I was so wrong, Padre Tomas. He is good with words after all.”
The crowd will never cease its cheering on its own. Javier lifts a hand and brings them down with his palm, acknowledging and grateful, but in command. “I come before you with my friends, these men and this woman whom I have known since childhood, who have taught me so much of the Gallic people. They are my heart and soul, these three, my Sacha, my Marius, my Eliza, and they are you.”
Without bidding, the three have come forward, making themselves seen, making themselves a strong steady base upon which Javier stands. Dangling as he does from the bridge, not so very far above their heads, there is an obvious action to take, and Eliza, who Tomas may be forced to admit is clever, takes it: she raises her hands. Within a moment the other two have done so as well, and now Javier all but does stand on their support, the pauper and the merchant and the lord.
By now the watching people are insensible, the noise they make so profound Tomas begins to wonder if it is simply the sound of the world itself, and this no more than a rare occasion in which he notices it. And still Javier's voice carries, not smooth, for there's too much emotion for ease of words, but strong and certain, up and down the banks of the River Sacrauna.
“I must go to war, my people. I go on these shoulders, those of my friends, and I go with Cordula's blessing.” Javier's gaze falls to Tomas, sees the gondola boy at his side, and seizes the opportunity. Tomas propels the boy forward without thinking: responding to what's in Javier's eyes, and in a moment priest and child are standing with Eliza and the men. The air here is scalding, too hot to breathe, and its weight is terrible, laden with Javier's power as it rolls over the Cordoglio, over the river, over the thousands gathered to welcome their king home.
As Tomas comes to the prow, Javier shouts, “Look you to my ship, my wings of sorrow, and see here my priest and confidant Tomas del'Abbate, who brought me to the Pappas to earn his favour. See the child who stands with him, who has come from the canals of Aria Magli to join in our holy war!”
Marius, as clever as Eliza, or as caught up in breathless fervour as is Tomas, scoops the gondola boy up and sets him on his shoulders, putting a child in the eye of the world. Javier leans precariously far and catches the lad's hand, lifting it high as he calls, “This boy is the banner of Cordula, and he rides at my side! Will you join him?”
Here, at the heart of it, standing within the circle of Javier's power and at the centre of Lutetia's attention, tears spill down Tomas's cheeks as Gallin answers its king's call. He is on his knees somehow, reaching toward Javier as though he bears God's light within him, and it is a terribly long time before Javier leaps back to the ship's deck and into the arms of his brothers and sister. A terribly long time before he comes to Tomas, and takes his face in his hands, rubbing tears away with his thumbs. The thunder of voices still crashes around them, but there's nothing in Tomas's world but Javier's warm hands, and the whisper of hope in the young king's voice: “Is this forgiveness, then, my priest? I have done you wrong, but I would have your love if you will give it.”
Oh, God's sense of humour has grown perverse indeed, for Tomas del'Abbate turns his face against Javier's palm and lays a kiss there, benediction and absolution, and knows himself for a fool, for he would do anything for Javier of Gallin.
JAVIER, KING OF GALLIN
11 April 1588 † Lutetia, capital of Gallin
Javier de Castille, son of Louis, son of Sandalia, new king of Gallin, lied to his people.
Not out of maliciousness; that, at least, is something he can console himself with. Not in any way that will harm them, either, and the larger part of him knew that words spoken in the heat of political rhetoric were hardly to be relied upon. But guilt sparked in another part, scolding him for weakness.
The reality was that should word of this weakness leak out, his people would probably love him for it all the more. Might: after the day that had passed, Javier was uncertain if he could command the fire of their ardour any higher. The morning's performance on the river had blurred into an afternoon of meeting with advisors, generals, counselors, priests, and two enterprising mothers who had laid out propositions of marriage with the same warlike determination the others had shown.
It was almost impossible that any further pageantry could be staged after the river speech-that was they were calling it, le discours de la Sacrauna -and yet a little before sunset tailors had descended upon him, and carriages had taken him and a host of retainers to the cathedral, where he was crowned a second time under the greedy watchful eyes of the Lutetian people.
When he exited the cathedral, cautious beneath the weight of his crown and his robes, it was to discover the entirety of the broad avenue before him had been turned into a feast table. Lutetia's wealthiest were closest to him, of course, there at the head of it all, on the cathedral steps. But burning torches by their hundreds lit the long street, showing him that the wealthy turned poorer as the feast went on, until it seemed every soul in the city must be there to eat at his crowning feast and to cry his name with a thunder that rattled his bones.
Twelve hours had passed since his arrival in the city. Javier, thinking of the long list of accomplishments necessary to have brought him to that place with such grace and honour, wondered that one such as himself might need to be born, when ordinary humans with no witchpower magic could make so much out of so little, so quickly He had climbed onto the feast table and spoken to his people again, the words disappearing from his mind like quicksilver, but he knew he'd spoken of their skill, their ability, their proud hearts; and then he'd taken up a handful of meat and walked the length of the avenue on the tables, crouching every few feet to stop and talk. When tables became street, he walked among the poor, making certain the harried guards who followed him handed food out to those who had come to see and celebrate their new king.
It was after midnight now, long after midnight, if his weary bones told him right. He hadn't seen his friends since the Cordoglio had put into dock; he'd been swept one way, and they another, though he was certain they would have been at the recrowning. Sacha would have seen to it, if nothing else, and no one would have refused the king's closest friends, not today. Javier would have welcomed them with him now, but even if they guessed where he'd gone, even if they might have made their way through crowds and guards, they might still have left him alone, out of respect, out of privacy, out of concern.
Javier de Castille knelt before the effigy that sealed his mother's tomb, and did what he had sworn to his people he would not do: turned eyes blind with tears to her grave, and wept.
Time passed; time enough that the cathedral bells far overhead rang away the small hours of the morning in favour of the large, and in that time Javier railed, and sobbed, and bargained, and threatened, begged forgiveness and warned of vengeance, and at the end of it all came to be sitting against the marble casket carved with a pale lifeless rendition of his mother. Exhaustion held him in its grip, and he was grateful for it: it washed away thought and feeling, leaving him staring across a little distance to the tomb that matched Sandalia's. Louis, his father, who had died six months before Javier's birth. He had never missed the man, had never been given the impression that Sandalia missed him. Louis was only a beautiful still carving to the two who might have been his family.
Tears, which Javier had thought himself emptied of, burned his eyes and slid away from their corners as he leaned his head back against Sandalia's tomb. Family was inexplicable stuff: blood and bone, but more than that, heart and home. Rodrigo was family, aye, and so were Eliza and Marius and Sacha, but none of them had been Sandalia, centre of all Javier's youth. The world ought not go on without her; the world, it seemed, intended to.
Footsteps finally sounded in the vault, light and long-expected. Javier left his eyes closed, his head back, too weary to care whether it was priest or assassin who came to find the king in mourning. With his eyes closed the world beyond them might not exist; he might go undisturbed if he refused to acknowledge another's presence.
