Someone really should be filming this, thought Doodah, as he clenched his teeth for impact.
The crash shook him all the way from his toes to his skull. Stars danced before Doodah's eyes for a moment, then he was in control again, careering towards the septic tank.
Mulch was waiting, his wild halo of hair quivering with impatience.
'Where have you been? I'm running out of sunblock.'
Doodah did not waste time with an answer. Instead he extricated himself from the all but demolished car, prising off his Mongocharger and mirror.
Mulch pointed a stubby finger at him. 'I have a few more questions.'
A bullet fired from the open window ricocheted off' the septic tank, throwing up concrete splinters.
'But they can wait. Hop on.'
Mulch turned, presenting Doodah with his back, and more besides.
Doodah jumped on, grabbing thick hanks of Mulch's beard.
'Go!' he shouted. 'They're right behind me!'
Mulch unhinged his jaw and he went into the clay like a hairy torpedo.
But fast as he was, they wouldn't have made it. Armed guards were two paces away. They would have seen the gently snoring Beau and riddled the moving tunnel mound with bullets. They probably would have tossed in a few grenades for good measure. But they didn't, because at that precise moment all hell broke loose inside the chateau.
As soon as Doodah had twisted the loaded fibre optic round the video cable, hundreds of tiny spikes had punctured the rubber, making dozens of strong contacts with the wiring inside.
Seconds later in Section 8 HQ, information came flooding into Foaly's terminal. He had video, alarm systems, waffle boxes and communications all flashing up in separate windows on his screen.
Foaly cackled, cracking his knuckles like a concert pianist. He loved those old fibre optic twists. Not as fancy as the new organic bugs, but twice as reliable.
'OK,' he said into a reed mike on his desk. 'I'm in control. What kind of nightmares would you like to give the Paradizos?'
In the south of France, Captain Holly Short spoke into her helmet microphone. 'Whatever you have. Storm troopers, helicopters. Overload their communications, blow out their waffle boxes. Set off all the alarms. I want them to believe they are under attack.'
Foaly called up several phantom files on his computer. The phantoms were one of his own pet projects. He would lift patterns from human movies, soldiers, explosions whatever, and then use them universally in whatever scene he chose. In this case he sent a squad of French Army special forces, the Commandement des Operations Speciales, or COS, to the Paradizos' closed-circuit system. That would do nicely for starters.
Inside the chateau, the Paradizo chief of security, Juan Soto, had a little problem. His little problem was that a couple of loose shots were being popped off in the house. This can only be seen as a little problem in relation to the very big problem that Foaly was sending his way.
Soto was speaking into a radio.
'Yes, Miss Paradizo,' he said, keeping his voice calm. . 'I realize that your brother may be missing. I say may be because that may be him in the toy car. It sure looks like him to me. OK, OK, I take your point. It is unusual for toy cars to fly that far. It could be a malfunction.'
Soto resolved to have strong words with the two idiots who had actually fired on a toy car on Minerva's command. He did not care how smart she was, no child was giving orders like that on his watch.
Even though Miss Minerva was nowhere near the security centre and could not see his face, Chief Soto adopted a stern expression for the lecture he was about to give.
'Now, Miss Paradizo, you listen to me,' he began, then his expression changed completely as the security system went ballistic.
'Yes, Chief, I'm listening.'
The chief held on to his radio with one hand; with the other he flicked numerous switches on his security console, praying for malfunction.
'There seems to be a full squad of COS converging on the chateau. My
God, there are some in the house. Helicopters, the rooftop cameras are picking up helicopters.' Transmissions suddenly squawked through the band monitor. 'And we have chatter. They're after you, Miss Paradizo, and your prisoner. My God, the alarms have all been tripped. Every sector. We're surrounded! We need to evacuate. I can see them in the treeline. They have a tank. How did they get a tank up here?'
Outside, Artemis and Butler watched the chaos Foaly had created. Alarm klaxons ripped through the Alpine air and security men sprinted to ordained spots.
Butler lobbed a few smoke grenades into the grounds to add to the effect.
'A tank,' said Artemis wryly into his fairy phone. 'You sent them a tank?'
'You've hacked into the audio feed?' said Foaly sharply. 'Just what else can that phone of yours do?'
'It can play solitaire and minesweeper,' replied Artemis innocently.
Foaly grunted doubtfully. 'We'll talk about this later, Mud Boy. For now, let's concentrate on the plan.'
'Excellent suggestion. Do you have any phantom guided missiles?'
The security chief nearly fainted. The radar had picked up two tracks spiralling from the belly of a helicopter.
'Man Dieu! Missiles. They're firing smart bombs at us. We must evacuate now.' 162
He flicked open a perspex panel, revealing an orange switch below.
With only a moment's hesitation, he pressed the orange switch. The various alarms were immediately cut off and replaced by a single continuous whine. The evac alarm.
The moment this was sounded, the guards changed course, heading for their assigned vehicles or principals, and the non-security residents of the chateau began gathering data or whatever was most precious to them.
On the eastern side of the house, a series of garage doors opened and six black BMW four-wheel drives sprang into the courtyard like cougars.
One had blacked-out windows.
Artemis studied the situation through binoculars.
'Watch the girl,' he said into the tiny phone in his palm. 'The girl is the key. I'm guessing hers is the vehicle with the tinted windows.'
The girl Minerva appeared through patio doors, speaking calmly into a walkie-talkie. Her father trailed beside her, dragging a protesting Beau
Paradizo by the hand. Billy Kong came last, bending slightly under the weight of a large golf bag.
'Here we go, Holly. Are you ready?'
'Artemis! I'm the field agent here,' came the irritated reply. 'Stay off my band unless you have something to contribute.'
'I was just thinking. .'
'I was just thinking that you should change your middle name to control freak.'
Artemis glanced across at Butler, who was lying beside him on the verge and couldn't help overhearing the entire exchange.
'Control freak? Can you believe that?' 'The nerve of some people,' replied the bodyguard, without taking his eyes off the chateau.
To their left, a small patch of earth began to vibrate. Mud, grass and insects were thrust upwards in a sudden gush, followed by two heads.
One dwarf and one pixie.
Doodah climbed over Mulch's shoulders, collapsing on the ground.
'You people are crazy,' he panted, plucking a beetle from his shirt pocket. 'I should be getting more than amnesty for this. I should be getting a pension.'
'Quiet, little man,' said Butler calmly. 'Phase two of the plan is about to start, and I wouldn't want to miss it because of you.'
Doodah blanched. 'Neither would I. Want you to miss it, that is. Because of me.'
Outside the chateau's garage, Billy Kong popped one of I the BMW's boots, hefting the golf bag inside. It was
