its primary function was as an X-ray panel with realtime viewing. The X-ray panels were in common usage among the criminal upper echelons, and it had been a relatively simple matter for Artemis to disguise one as a teenager’s toy.
Artemis activated the X-ray, sliding it across the door of the deposit box beside
Butler’s. The bodyguard had rented his box two days after Crane & Sparrow. It stood to reason that the boxes would be close to one another, unless Crane & Sparrow had requested a specific number. In that case it was back to the drawing board. Artemis reckoned that this first attempt to steal The Fairy Thief had a forty per cent chance of success. These were not ideal odds, but he had no option but to go ahead. At the very least, he would learn more about the bank’s security.
The game cube’s small screen revealed that the first box was stuffed with currency.
‘Negative,’ said Artemis. ‘Cash only.’
Butler raised an eyebrow. ‘You know what they say, you can never have too much cash.’
Artemis had already moved on to the next box. ‘Not today, old friend. But let’s keep up the rental on our box, in case we ever need to return.’
The next box contained legal papers tied together with ribbons. The one after that was piled high with loose diamonds in a tray. Artemis struck gold on the fourth box.
Figuratively speaking. Inside the deposit box was a long tube containing a rolled-up canvas.
‘I think we have it, Butler. I think this could be it.’
‘Time enough to get excited when the painting is hanging on the wall in Fowl Manor. Hurry up, Artemis, my arms are beginning to ache.’
Artemis steadied himself. Of course Butler was right. They were still a long way from possessing The Fairy Thief, if indeed this painting was Herve’s lost masterpiece. It could just as easily be some proud grandfather’s crayon drawing of a helicopter.
Artemis moved the X-ray machine down to the bottom of the box. There were no manufacturer’s markings on the door, but often craftsmen were proud and could not resist placing a signature somewhere, even if nobody but them knew it was there.
Artemis searched for maybe twenty seconds before he found what he was looking for.
Inside the door itself, on the rear panel, was engraved the word ‘Blokken’.
‘Blokken,’ said the boy triumphantly. ‘We were right.’
There were only six firms in the world capable of constructing deposit boxes of this quality. Artemis had hacked their computers and found International Bank on the Blokken client list. Blokken was a small family company in Vienna that also made boxes for several banks in Geneva and the Cayman Islands. Butler had paid their workshop a little visit and stolen two master keys. Of course the keys were of metal and would not escape the detector arch, unless for some reason metal had been allowed through.
Artemis reached two fingers into his mouth, dislodging the brace from his upper teeth. Behind the brace itself was a plastic retainer, and clipped to that were two keys.
The master keys.
Artemis rotated his jaw for a few seconds.
‘That feels better,’ he said. ‘I thought I was going to gag.’
The next problem was one of distance. There were over two metres between the deposit box and the master keyhole by the door. Not only was it impossible for one person to open the door unassisted, but whoever stood by the master keyhole would be visible to the security guards.
Artemis pulled his scooter from the backpack. He yanked one pin from its socket, detaching the steering column from the footpad. This was no ordinary scooter. An engineer friend of Butler’s had constructed it from very specific blueprints. The footpad was completely regular, but the steering column telescoped at the touch of a spring-release button. Artemis unscrewed one handgrip, reattaching it at the other end of the column. There was a slit in the end of each grip, into which Artemis screwed a master key. Now all he had to do was insert both keys into their corresponding keyholes, and turn them simultaneously.
Artemis slotted one key into Crane & Sparrow’s box.
‘Ready?’ he asked Butler.
‘Yes,’ replied his bodyguard. ‘Don’t go one step further than you have to.’
‘Three, two, one. Go.’
Artemis pressed the spring-release button on the steering column. He shuffled across the bench, pulling the telescoping pole behind him. As the boy moved, Butler swivelled his trunk so that Artemis remained shielded by the blueprint. He moved the plan just far enough to cover the master keyhole, without exposing Artemis’s legless boots. However, the target box, complete with telescoping pole, was visible for the time it took Artemis to insert the second key.
The master keyhole was nearly a metre beyond the end of the steel bench.
Artemis leaned as far as he could without losing his balance, slotting the key into its hole. It fitted snugly. Artemis shuffled back quickly. Now Butler could once again mask
Crane & Sparrow’s box. The entire plan hinged on the assumption that the guards would be concentrating on Butler and would not notice a slim pole extending towards the master keyhole. It would help that the pole was precisely the same colour as the deposit boxes.
Artemis returned to the original box, twisting the hand-grip. A pulley-and-cable system inside the pole twisted the other handgrip simultaneously. Both locks flashed green. Crane & Sparrow’s box popped open. Artemis felt a moment of satisfaction. His contraption had worked. Then again, there was no reason why it shouldn’t; all the laws of physics had been obeyed. Amazing how the tightest of electronic security could be defeated by a pole, a pulley and a brace.
‘Artemis,’ groaned Butler, ‘keeping my arms up is becoming uncomfortable. So, if you wouldn’t mind.’
Artemis cut short his mental celebration. They were not out of the vault yet. He turned the grips back to their original position, then yanked the bar towards him. Both keys popped from their holes. With the touch of a button, the pole snapped back to its original length. Artemis did not reassemble the scooter just yet. The pole might be needed to search other boxes.
Artemis studied the locker through the X-ray panel before opening the door any wider. He was searching for any wires or circuits that could trigger secondary alarms.
There was one, a circuit-breaker attached to a portable klaxon. It would be extremely embarrassing for any thief if the authorities were alerted by the raucous wailing of a foghorn. Artemis smiled. It seemed as though Crane & Sparrow had a sense of humour.
Maybe he would employ them as his lawyers.
Artemis unhooked the headphones from around his neck, popping off the earpieces. Once the wire inside was exposed, he twisted a length around each side of the breaker. Now he could safely pull the breaker apart without opening the circuit.
Artemis pulled. The klaxon remained silent.
At last the box lay open before him. Inside, a single tube stood propped against the rear wall. The tube was fashioned from perspex and contained a rolled-up canvas.
Artemis removed the tube, holding it up to the light. For several seconds he studied the painting through the transparent plastic. He could not risk opening the tube until they were safely back in the hotel. A hasty job now could cause accidental damage to the painting. He had waited years to obtain The Fairy Thief, and he could wait a few more hours.
‘The brush work is unmistakable,’ he said, closing the box. ‘Strong strokes. Thick blocks of light. It’s either Herve or a brilliant copy. I do believe we’ve done it, Butler, but I can’t be sure without X-ray and paint analysis.’
‘Good,’ said the bodyguard, glancing at his watch. ‘That can be done at the hotel.
Pack up and let’s get out of here.’
Artemis shoved the cylinder into his backpack, along with the reassembled scooter. He clipped the keys to his retainer and slotted the brace over his teeth.
The vault door slid open just as the Irish youth lowered himself into his trainers.
Bertholt’s head appeared in the gap.
‘Everything all right in here?’ asked the bank official.
