Jeanne d’Arc. He knelt and pulled his charge down beside him. “What happened?” he hissed. “And fold your hands. If we look like we’re praying, we’re less noticeable.” He reached up and pulled off the hat.
Pernelle snatched it back and jammed it over her hair, which had been raggedly shorn. “It hides my face.”
“The dirt hides your face. What happened?”
“The head of the Paris police came back to the bakery this morning and wanted to see me. Madame LeClerc said I’d gone back home-to St. Denis, she said, she has family there-and he left. But we thought I’d better leave for real.”
Charles leaned his elbows on the altar rail and rested his head on his clasped hands. “All right. Help me come up with a story, my wits are far past working. Why you’re here, who you are, why you can stay. And where, God help us.”
When she didn’t answer, Charles raised his head. She was gazing with distaste at the chapel’s pink and gold veined marble, its glowing paintings, the lapis and gold glinting under the altar’s sanctuary lamp. With a slight shudder, she turned from the richness and looked up at the armor-clad statue of the Maid of Orleans, the bon Dieu’s blessed scourge of the English.
“Hmph,” she grunted. “If I believed in your saints-”
“She’s not a saint.”
“Well, she’s dead and she has an altar. Anyway, if I believed in your religion, I’d think she might look kindly on us. She’s not exactly wearing womanly finery, either, is she? Is she supposed to help people with something?”
A grin spread across Charles’s tired face. “Some people think she has a soft spot for those who must go against the church’s authority for a good cause.”
“Amen,” Pernelle returned piously. She stretched up to whisper in his ear. “I’ll stay in your chamber, Charles.”
“You can’t-”
“Are you all right in there, maitre?” a voice called from the courtyard door.
“Yes, Frere Martin.” Charles shot to his feet and stood between the brother and Pernelle. “I’ll see the boy out through the chapel’s street door.”
“Ah. Well. All right, then.”
Martin backed out of the courtyard door and trudged toward the neighboring court’s latrine. Charles sped to the small porter’s room off the street passage and grabbed the canvas apron kept there on a peg for the porter’s use. He shoved it under his cassock and went back to the chapel.
“Put this on,” he said, handing it to Pernelle. “And wait here.” Forcing himself to walk unconcernedly, he went to the rhetoric classroom and came back with the gown of one of the ballet’s goddesses. “Hold this in your arms, high, so it froths up and hides your face and stay behind me.”
They crossed the deserted Cour d’honneur, made it to the street passage and into the main building, only to find themselves face-to-face with Frere Moulin. His eyes went from the “boy” carrying the costume to Charles, but Charles kept walking and Moulin passed them without comment and disappeared into the street passage. Before Charles’s heart could stop thumping, Pere Montville came out of the grand salon.
“Something wrong with the costume, maitre?” he said, stopping.
“Just delivered back from being repaired, mon pere,” Charles said easily, willing Pernelle to stay behind him and keep her head down.
“Good, good. Oh-about Frere Fabre, maitre, you probably noticed that he’s been reassigned to the stage crew. We thought he should have something new to think about, poor boy. But he won’t be seeing to your rooms the next few days, you’ll have to see to yourself.”
“Good, yes, very thoughtful,” Charles gabbled, thinking that Jeanne d’Arc or someone was surely watching over them. How to deal with Fabre’s morning visits had been the next problem waiting for him.
When they reached his rooms, Charles pushed Pernelle through the door, shut it, and dragged the heavy carved linen chest in front of it. They collapsed onto the chest and wiped their sweating faces.
“I can’t believe we’re doing this,” he said in her ear. “Listen, this isn’t a busy passage, but you can’t let yourself be heard. When you have to talk, murmur, whisper.”
Pernelle nodded, dropped the costume on the floor and took off her hat with shaking hands.
Charles got wearily to his feet. “If anyone tries to come in-” He measured the bed’s height with his eyes. “I think you can squeeze under the bed. It’s not long till supper. I’ll bring you something. There’s water in the pitcher there.” He picked up the costume. “I’ll take this back to the classroom.”
Pernelle stood up, too. “It will be all right, Charles.” She smiled at him and the knot of fear in his chest suddenly didn’t matter.
When Charles reached the refectory, he saw that Pere Guise, who had not been at dinner, was also not at supper. And immediately began to wonder where he was. No, he admonished himself. He had, as the rector had kept warning him, let his dislike of Guise lead him astray. Let La Reynie do his own work now, at least until the show was over. Charles turned his attention resolutely to the beef stew and when he was finished, wrapped bread, cheese, and a peach in his napkin and slipped it into the bosom of his cassock. On his way out of the refectory, Le Picart stopped him. For an anxious moment Charles thought he was going to be questioned about the stolen food.
“Is all well with the show, maitre?” Le Picart said loudly, and drew Charles aside to the wall. Without waiting for an answer, he dropped his voice and said, “You saw that Pere Guise has not been at meals today. In case you are trying to make too much of that, I want you to know that I had a message from him. He was called to Versailles early this morning. To confess a very ill woman who has been failing for weeks now.”
“Ah.” Charles nodded, remembering Moulin’s acid portrait of Guise galloping off to save the soul of a sick old penitent at court. “Is there any news of Mme Doute?”
“None. M. La Reynie was here this morning to ask if I had heard anything. He is beside himself over her escape.”
“Well, I pray God-” Charles stopped, thinking of the unborn child and M. Doute and Antoine. “I hardly know what to ask of God, mon pere.”
“Nor do I.” Le Picart crossed himself.
Charles followed suit and made his escape.
He found Pernelle safely in his chamber, gazing pensively out the window. When she had eaten, he pointed to the bed.
“You have that, I’ll make a bed in the study. No, don’t argue.”
“We’ll take turns with the bed.”
He felt himself go hot at the thought of both of them in the same bed, even if not at the same time. “Fine.” He took his cloak and the extra blanket from the chest. “The pot is under the bed. I’ll use the latrine downstairs if need be.”
“Good night, Charles.” Her dark eyes gleamed in the shadows falling over the room.
“Good night.”
The Compline bells rang out, Charles said his prayers, and quiet settled over the college. But the prayers didn’t bring their usual peace and he lay awake far into the night, listening to Pernelle’s soft breathing from his bed.
Chapter 32
Tuesday dawned gray and still, the air thick with damp. Charles roused Pernelle at first light and got her safely out to the stage. Pere Jouvancy was already there, fiddling with his beloved seven-headed Hydra, and Charles introduced the “boy” as Jean, Mme LeClerc’s stage-struck nephew-mute, but with good ears and wits-who wanted to learn to build stage machinery. Well disposed toward anyone who would take an interest in machines like his beautiful Hydra monster, Jouvancy said that since Mme LeClerc would be watching Antoine during tomorrow’s festivities, indulging her nephew was the very least they could do. So far, no one had given “Jean,” still enveloped in
