remembered every sound, every smell, every man’s footsteps from that basement. None of them belonged to Martin. That’s why she had accepted him.
So how did Martin come to have Ingel’s brooch?
The next day Aliide took the bicycle down the road into the woods. When she was far enough away, she left the bike by the side of the road, walked out toward the swamp, and threw in the pouch, in a great arch.
1992
Zara rinsed the last raspberries of the year, picked out the worms, threw out the ones that were completely wormeaten, trimmed the half-eaten ones, and tipped the cleaned berries into a bowl. At the same time she tried to figure out a way to ask Aliide about the rocks hitting the window, the “
Zara’s eye didn’t latch on to anything in the house, no old photographs, no books or inscriptions. She had to think of something else. The photo was there in her pocket.
Aliide went to get some jar lids from the pantry, and
Zara decided to act.
1991
In the photograph, two young girls are standing side by side and staring at the camera but not daring to smile. Their dresses fall over their hips slightly askew. The hem of one of them is higher on the right than on the left. It may have been ripped. The other one is standing up straighter, and she has a high bust and a slim waist. She’s placed one foot assertively ahead of the other so that its slender form, cloaked in a black stocking, would show well in the picture. There is some kind of badge on the breast of her dress, a four-leafed clover. It wasn’t clearly visible in the photo, but Zara knew that it was a badge from a rural youth organization, because her grandmother had told her about it. And as Zara looked at the photo now she saw something that she hadn’t understood before. There was something very innocent in the girls’ faces, and that innocence shone out at her from their round cheeks in a way that embarrassed her. Maybe she hadn’t noticed it before because she herself had worn the same expression, the same innocence, but now that she had lost it, she could recognize it in their faces. The expression of someone unacquainted with reality. The expression of a time when the future still existed and anything was possible.
Her grandmother had given her the photo before she left for Germany. In case anything happened to her while Zara was away. All kinds of things can happen to old people, and if anything did happen, the photo would already have a head start; it would save Zara the time it took to come and get it. Zara had tried to talk her out of it, but she wouldn’t give the idea up. Zara’s mother thought that anything old was trash, so she wouldn’t save any old pictures. Zara had nodded-she knew that side of her mother -and taken the photo and kept it, even when it was practically impossible, and she would keep it from now on; even if everything else she owned was lost and the shirt on her back belonged to Pasha, she would keep that picture, even if there was nothing in her body that she could call her own, if all her bodily functions depended on Pasha’s permission, even if she couldn’t go to the toilet without Pasha’s permission, or use a tampon or a wad of cotton or anything, because Pasha thought they were too expensive.
In addition to the photograph, her grandmother had given her a card with the address of the place where she was born written on the back, the name of the village and the house. Oak House. In case, on her great world travels, Zara should find herself in Estonia. The idea had surprised her, but it seemed self-evident to her grandmother.
“Germany’s right next to Estonia! Go and see it, now that you have a chance to do it so easily.”
Her grandmother’s eyes had lit up when she told her she was going to work in Germany. Her mother hadn’t been enthusiastic. She was never enthusiastic about anything, but she particularly didn’t like these plans; she thought the West was a dangerous place. The high pay didn’t change her opinion. Her grandmother didn’t care about the money, either, instead insisting that she use the money to visit Estonia.
“Remember, Zara. You’re not a Russian girl, you’re an Estonian girl. And you can buy some seeds at the market and send them to me! I want Estonian flowers on my windowsill!”
The back of the photograph read, “For Aliide, from her sister.” She had also written the name Aliide Truu on the card. No one had ever told Zara anything about Aliide Truu before.
“Who is Aliide Truu, Grandmother?”
“My sister. My little sister. Or she used to be. She may already be dead. You can inquire about her. Whether anyone knows her.”
“Why didn’t you ever tell me that you had a sister?”