that you were at Chernobyl, because every girl will give you the boot if she hears that. Never tell anyone, because no one will want to have children with you. Mrs. Priks said that her son had a friend whose wife had left him and taken the children with her, because she didn’t want him touching the children and contaminating them. She’d also heard about another one of the Chernobyl men left by his wife when she started having nightmares. She dreamed about three-headed calves being born one after another, cats with scales instead of fur, legless pigs. She couldn’t bear the dreams anymore and couldn’t bear being near her husband, so she’d left for someplace healthier.
Hearing about women who threw their husbands off like trash, Aliide was startled, and the startle spread into a shudder, and she started to look at the young men she met on the street with new eyes, looking for those among them who had returned and recognizing something in them that was familiar to her. She saw it in their gaze, a gaze that had a kind of shadow over it, and it made her want to put her hand on their cheeks, to touch them.
Martin Truu finally collapsed in the yard, while examining a silver birch leaf with a magnifying glass. When Aliide found her husband and turned his body over to face the sky, she saw the last expression he had on his face. It was the first time she had ever seen him surprised.
PART THREE
– Paul-Eerik Rummo
May 30, 1950
Liide quit her job-the one where she went around tormenting people with fees and quotas. She wouldn’t tell me why. Maybe what I said sank in. When I said a job like that was nothing but working for monsters. Or maybe somebody gave her a drubbing. I know somebody once let the air out of her bike tires. She brought the bike into the barn and asked me to replace them, but I refused to do it. I told her to let some tool do her dirty work for her, somebody who was already a slave to this government. So Martin fixed them that evening.
When Liide told me she’d quit her job, her eyes were shining, like she expected me to thank her. I thought about spitting on her, but I just gave Pelmi a scratch. I know her tricks.
Then all of a sudden she wanted to know if I had met anyone I knew when I was in the woods.
I didn’t answer her.
She also wanted to know what it was like in the woods. And what it was like in Finland, and why I went there.
I didn’t answer.
She asked me these nosy questions for a long time. Like why couldn’t I stay with the Germans after I had joined up with them.
I didn’t answer.
I saw things there that you shouldn’t tell to a woman.
I went back in my room.
Liide doesn’t want to let me go to the woods. She won’t agree to it. I’m the only person she can talk to who doesn’t quote Communist wisdom to her, and everybody needs somebody they can talk plainly to. That’s why she doesn’t want to let me go.
The grain is growing in my fields, and I can’t even see it.
Where are my two girls, Linda and Ingel? I’m racked with worry.
Hans Pekk, son of Eerik, Estonian peasant
1992
Aliide couldn’t understand how the photo of her and Ingel had appeared in Zara’s hand. The girl said something about wallpaper and cupboards, but Aliide didn’t remember having hidden anything under the wallpaper. She had destroyed all her photos, but had Ingel stashed some photos somewhere when she was still at home? That didn’t make any sense at all. Why would she have done that, hidden a photo of the two of them together? That was indeed a Young Farmers badge on her chest. But it was so small-no one but Ingel herself would have known it was there.
When Zara had gone to bed, Aliide washed her hands and went to tap at the walls and cupboards, poke at the wallpaper, dig in the cracks in the cabinet and behind the baseboards with a knife, but she didn’t find anything. There were just clattering dishes in the cupboard and liquor coupons piled in the bottle bin.
The girl was asleep, breathing evenly, the radio rasped about the elections, and in the photograph Ingel was eternally beautiful. Aliide remembered the day they had gone to have it taken, at the B. Veidenbaum Modern Photography Studio. Ingel had just turned eighteen. They had gone to the Dietrich coffeehouse, and Ingel drank Warsaw coffee and Aliide had hot chocolate. There were cream puffs that melted in your mouth and the scent of jasmine. Ingel had bought some puff pastries to take home, and Helene Dietrich had wrapped them in white paper with a wooden stick for a handle. That was their specialty-pretty wrapping that was easy to carry. The smell of cigarettes, the rustle of newspapers. That was back when they still used to do everything together.
Aliide adjusted a hairpin. Her hand came back damp- her forehead and scalp were wet with sweat.
The coals in the stove made the photo curl. Aliide shoved in a few pieces of wood, too.
Her ear itched. She rubbed it. A fly flew away.
The morning sun shone between the curtains into Zara’s eyes and woke her up. The door to the kitchen was open; Aliide was sitting there at the table looking at her. Something wasn’t right. Pasha? Were they looking for her on the radio? What was it? She sat up and said good morning.
“Talvi isn’t coming after all.”
“What?”
“She called and said she changed her mind.” Aliide put her hand up to her eyes and said again that Talvi wasn’t coming.
Zara didn’t know what to say. Her wonderful plans were crushed. Her hope wadded up like detritus and rubbed behind her eyeballs. Talvi wouldn’t be bringing a car here. The hands jerked across the face of the clock, and Pasha came closer, she could feel the flames licking at her heels, his binoculars on the back of her neck, his car humming down the highway, the gravel flying, but she didn’t move. The light moved outside, but she stayed where she was. She hadn’t learned anything more about Aliide or about what had happened in the past. She just sat there, weak and puny, without any answers. Raadio Kukku announced the time, the news began, soon it would end, the day would go by, and Talvi and her car weren’t coming, but Pasha was.
Zara went into the kitchen and noticed Aliide give a jerk. It looked like a sob, but she wasn’t making any
