his face against the left rear quarterlight, he’d scanned the luxurious interior, minding he didn’t touch the white walls with his dirty, toe-peeping kickers. This wasn’t no ordinary car. There was something about it that had drawn him inside.

More people had gathered by then, and down a half a block or so some folks had opened up the doors and windows on a house party and the music was coming down with the smell of fried chicken and baked pecans, and when a plain Buick showed up and someone from the Medical Examiner’s office stepped out and walked towards the alleyway there were quite a few people down there: maybe twenty-five, maybe thirty.

And there was music – our human syncopations – as good tonight as any other.

The smell of chicken reminded the ME’s man of some place, some time he couldn’t remember now, and then it started raining in that lazy, tail-end-of-summer way that seemed to wet nothing down, the kind of way no-one had a mind to complain about.

It’d been a hot summer, a quiet kind of brutality, and everyone could remember how bad the smell got when the storm drains backed up in the last week of July, and how they spilled God-only-knew-what out into the gutters. It steamed, the flies came, and the kids got sick when they played down there. Heat blistered at ninety, tortured through ninety-five, and when a hundred sucked the air from parched lungs they called it a nightmare and stayed home from work to shower, to wrap split ice in a wet towel and lie on the floor with their cool hats pulled down over their eyes.

The Examiner man walked down. Early forties, name was Jim Emerson; he liked to collect baseball cards and watch Marx Brothers movies, but the rest of the time he crouched near dead bodies and tried to put two and two together. He looked as lazy as the rain, and you could sense in the way he moved that he knew he was unwelcome. He knew nothing about cars, but they’d run a sheet through come morning and they’d find – just like the carboy had figured – that this wasn’t no ordinary automobile.

Mercury Turnpike Cruiser, built by Ford as the XM in ’56, released commercially in ’57. V8, 290 horsepower at 4600 revs per minute, Merc-O-Matic transmission, 122-inch wheelbase, 4240 pounds in weight. This one was a hardtop, one of only sixteen thousand ever built, but the plates were Louisiana plates – and should have been on a ’69 Chrysler Valiant, last booked for a minor traffic violation in Brookhaven, Mississippi seven years before.

The carboy, released without charge within an hour and a half of his report, had stated emphatically that he’d seen blood on the back seat, a real mess of it all dried up on the leatherwork, clotted in the seams, spilled over the edge of the seats and down on the floor. Looked like a sucking pig had been gutted in there. The Cruiser wore a lot of glass, its retractable rear window, quarter-lights and sides designed to permit full enjoyment of the wide new vistas open to turnpike travellers. Gave the boy a good look at the innards of this thing, because that’s what he’d figured was in there, and he wasn’t so far from right.

These were the Chalmette and Arabi districts, edge of the French business quarter, New Orleans City, state of Louisiana.

This was a humid August Saturday night, and only later did they clear the sidewalks, haul out that car and lever the trunk.

Assistant Medical Examiner Emerson was there to see a can of worms opened right up, and even the cop who stood beside him – hard-bitten and weatherworn though he was – even he took a raincheck on dinner.

So they levered the trunk, and inside they found some guy, couldn’t have been much more than fifty years of age, and Emerson told anyone who’d listen that he’d been there for three, perhaps four days. Car had been there for three if the boy’s observation was correct, and there were sections of the trunk’s interior, bare metal strips, where the man’s skin had adhered in the heat. Emerson had one hell of a job; eventually he decided to freeze the metal strips with some kind of spray and then peeled the skin away with a paint scraper. The trunk vic looked like mystery meat, smelled worse, and the autopsy report would read like an auto smash.

Severe cerebral hemorrhaging; puncture of temporal, sphenoid and mastoid; rupture of pineal gland, thalamus, pituitary gland and pons by standard dimension claw hammer (generic branding, available at any good hardware outlet for between $9.99 and $12.99 depending on which side of town you shopped); heart severed at inferior vena cava through right and left ventricle at base; severed at subclavian veins and arteries, jugular, carotid and pulmonary. Seventy percent minimum blood loss. Bruising to abdomen and coeliac plexus. Lesions to arms, legs, face, hands, shoulders. Rope burns and adhesive marks from duct tape to wrists, left and right. Rope fibers attached to adhesive identified beneath an infrared spectraphotometer as standard nylon type, again available from any good hardware outlet. Estimated time of death Wednesday 20 August, somewhere between ten p.m. and midnight, courtesy of New Orleans District 14 County Coroner’s Office, signed this day… witness… etc, etc.

The vic had been beaten six ways to Christmas. Tied at the wrists and ankles with regular mercantile and hardware nylon rope, beaten about the head and neck with a regular mercantile and hardware claw hammer, eviscerated, his heart cut away but left inside the chest cavity, wrapped in a regular sixty percent polyester, thirty- five percent cotton, five percent viscose bed-sheet, dumped in the back seat of a ’57 Mercury Turnpike Cruiser, driven to Gravier Street, moved to the trunk and then left for approximately three days prior to discovery.

There were interns to see to the arrival of the body at the Medical Examiner’s office, to watch over it for the couple of hours before it was moved to the County Coroner for full autopsy. Fresh-faced they were, young, and yet already beginning to get that world-weary edge of madness in their eyes, the kind of look that came from spending your life moving the dead from the scene of their misfortunes. They kept thinking This is no work for a human being but perhaps had already joined that happy, foolish crowd of folks who believed that, if they were not there to do these things, then no-one else would take care of them. There would always be someone to take their place, but they – in their infinite and very mortal wisdom – could never see them. Due, perhaps, to the desperation of looking.

The Crime Scene Security Officer was the man who stood sentinel over the dead to ensure this mortality was not violated further, that no-one would walk through the spilled blood, no-one would move the torn clothing, the fibers, the fragments, that no-one would touch the weapon, the footprint, the microscopic smudge of vari-colored mud that could isolate the one thread that would unravel everything; selfishly, with some sense of internal hunger, he would clutch these images and visions to his chest. Like a child protecting a cookie jar, or candies, or threatened innocence, he sought to make permanent the very impermanent, and in such a way lose sight of the real truth of the matter.

But that would be tomorrow, and tomorrow would be another day altogether.

And by the time darkness edged its cautious way towards morning the people who had crowded the sidewalks had forgotten the story, forgotten perhaps why they went down there in the first place, because here – here, of all places in the world – there were better things to think of: jazz festivals in Louis Armstrong Park, the procession from Our Lady of Guadalupe Church, St Jude Shrine, a fire out on Crozat by Hawthorne Hall above the Saenger Theater that took the lives of six, orphaned some little kids, and killed a fireman called Robert DeAndre who once kissed a girl with a spider tattooed on her breast. New Orleans, home of the Mardi Gras, of little lives, unknown names. Stand. Close your eyes now and inhale this mighty sweating city in one breath. Smell the ammoniac taint of the Medical Center; smell the heat of rare ribs scorching in oiled flames, the flowers, the clam chowder, the pecan pie, the bay leaf and oregano and court bouillon and carbonara from Tortorici’s, the gasoline, the moonshine, the diesel wine: the collected perfumes of a thousand million intersecting lives, and then each life intersecting yet another like six degrees of separation, a thousand million beating hearts, all here, beneath the roof of the same sky where the stars are like dark eyes that see everything. See and remember…

The image evaporates, as transient as steam through subway grilles or from blackened copper funnels projecting from the back walls of Creole restaurants, steam rising from the floor of the city as it sweltered through the night.

Like steam from the brow of a killer as he’d worked his heart out…

Sunday. A hard, bright day. The heat had lifted as if to make room to breathe. Children were stripped to the waist, gathered at the corner of Carroll and Perdido and spraying each other with water from rubber snaking hoses that traipsed from the porches of clapboard houses set back from the street, behind low banks of hickory and water oaks. Their squeals, perhaps more from relief than excitement, scattered like streamers through the low, heady atmosphere. These sounds, of life in its infancy, were there as John Verlaine was woken by the incessant shrilling of the phone; and such a call at that time in the morning meant, more often than not, that someone somewhere was dead.

New Orleans Police Department for eleven years, somewhere in amongst that three and a half years in Vice, the last two years in Homicide; single, mentally sound but emotionally unstable; most often tired, less often

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