from top to bottom and carefully unfurled the cylinder, making sure not to cut himself. He tongued the exposed insides of the can, leaving them gleaming.
“Waste not, want not” went the old saw.
When he returned to the living room, which he used as his studio, Ellen was lying on the floor, eyes closed. At first Alan thought all that death talk finished her off, but he saw her rib cage rise with each soundless breath. Had she fainted?
“Ellen?”
“
“Want something to eat?”
Ellen propped herself up and nodded, looking dreamy. Looking spaced out. She remained seated on the floor as she accepted the dish of beans and they ate in silence, slowly. No one wolfed down food but the zombies anymore. When they’d finished cleaning their plates, Alan took them back into the kitchen. Washing up was a thing of the past. He wiped the plates with the hem of his shorts. That was as good as it got, cleanliness-wise. Take
When he returned, Ellen was on his couch with her back to him, nude, her body arranged in an undernourished homage to the classic Ingres canvas, “Grande Odalisque.” She’d even wrapped a towel around her head and held a flyswatter where Ingres’s model held a feathered fan.
“Want to immortalize something alive?” she asked. “Barely, but still.”
Alan thought about the drawing of her he’d inadequately disposed of and his malignant arrangement with Eddie. If only he’d burned it. This wasn’t about the drawing, anyway. It was about protecting Ellen from Eddie’s vicious gossip. And was Ellen ready to see a truthful depiction of herself? That was the bigger issue. Alan had tossed away that drawing because he thought it would hurt her. How should he proceed? Whenever he’d done portraits of, let’s say,
“Okay,” Alan said, picking a pad and terra-cotta Conte crayon off the floor.
“Don’t you want to paint me?” Ellen asked.
“Uh. A drawing would be quicker.”
“You have someplace else you need to be?”
“Good point.”
Alan opened his paint box, a sturdy wooden one that had belonged to his grandfather. He kept his brushes bristle up in a mason jar nearby and selected a hogs hair filbert and a hogs hair round to lay in the basic structure in thinned burnt sienna. He already had a primed canvas stapled to a lapboard. Proper stretchers were a sweet memory. The canvas, with its dry bluish-gray layer of wash, was on the smallish side but would have to do, like everything else in short supply. Alan never wanted to be a miniaturist, but so be it.
As Alan sketched Ellen’s basic form in small but confident strokes, he really studied her body. It was about 10:30 in the morning; the light in the room was somewhat diffuse as the sun was still at the east end of the apartment. By the time the sun hung over York, casting direct light into the room, he had the basic form blocked in. The light would be strong for a couple of hours. As the illumination grew stronger, so did the highlights on Ellen’s body, sweat glinting on each raised vertebra, each dorsal rib, her raised hipbone. Though emaciated, the essence of her former loveliness was still evident. Lighting made such a difference. Maybe this painting could be both flattering and honest.
“Can I have a glass of water?” Ellen asked, breaking what Alan realized had been several hours of total silence.
14
“
“It was bound to happen,” Ruth said.
“What? A food thief? You bet your sweet bippy! I keep vigil, nothing gets past me!”
“No, no,
“Alleged? Then what? What? What was bound to happen?” Abe turned away from his post at the window and glared at his wife.
“Losing your marbles. Senility. Dementia. Whatever you want to call it. You spend all day staring out the window and you’re bound to start seeing things.”
“I’m not seeing things,” Abe sputtered.
“Exactly. You’re
“Not the sky, the ground.”
“Uh-huh.”
“There was some kind of fracas.”
“Fracas,” Ruth repeated.
“A brouhaha.”
Ruth just stared, her mouth pursed. Abe dabbed his sweaty forehead, wiping a trickle of stinging saltiness from the corner of his eye. He blinked a few times and looked back out the window. Nothing was any different than usual. The host of rotting cabbages was muddling en masse in perfect, unbroken harmony.
“I just thought I saw… Ah, nuts.”
Abe looked again, his eye drifting to Food City.
“Aha!” he shouted. “Aha! There!” He pointed at the doors, the glass of one was broken. “There! The door’s busted. I heard that. I heard a crash. So there!”
“So?” Ruth said, unmoved. “They broke a window. Wonderful. In addition to eating us they’re vandals now. I’m thrilled. And now the supermarket’s full of them. I can see why you’re cheering.”
“They just mill around,” Abe said. “They don’t break windows.”
“They did,” Ruth said.
“I don’t think so,” Abe said.
But didn’t know if he believed it.
“I wish I had me a gun,” Dabney said as he lobbed a half brick from his perch. “And bullets,” he added. “Lots of bullets. I don’t want this to be one of them tricky ‘Monkey’s Paw’ wishes where you get a little of this but none of that and it works out bad. A gun and lotsa bullets and maybe a scope for aiming. This brick throwing shit’s all well and good if you’re a fucking caveman, but damn.”
Karl, who had risked Dabney’s scorn and come up to the roof, sat nearby, handing chunks to Dabney, like an old-time cannoneer supplying his gunner. He’d mind his p’s and q’s today. No repetitions of the “Mean Joe Green” incident, as he’d come to think of it.
“Another thing would be nice about having a scope would be I could really see the damage I inflicted,” Dabney continued. “From up here it’s too small. I wanna see the heads pop. I wanna see the chunks spatter up, the bits of bone and brain. I wanna know that I’ve put ’em down for good. Sometimes I think I see ’em get up again and there’s no way I can hit the same ones twice. I don’t have that kind of aim, least not freehand. But with a nice rifle? Shit, heads would be poppin’, son.”
“Yeah, that’d be cool.”
“You humoring me?”
“No. I think it would be totally cool.”
Karl didn’t think it was