room, cheeks swollen with the laughter she was storing up. At any rate, Jett was twelve and could find her way to the house with no trouble, even in the dark. Even stoned out of her eyeballs.

But that scream—

It hadn't sounded like a joke.

If there had even been a scream. Maybe, like the perfume in the kitchen or the footsteps that had no legs, the scream had been noth ing more than invisible smoke. The farm wasn't haunted. Despite the way Gordon's first wife had died.

This was silly. Jett had promised to quit drugs as part of their new life. If a mother and daughter couldn't trust each other, they were hopeless anyway. Katy decided she would check on dinner, and if she didn't see Jett in the house, she would grab a flashlight and return. Without the knife.

'Okay, Jett,' she yelled, her words stifled by the hay. 'I'm going back to the house.'

The lower floor of the barn was darker as she descended the stairs. The air was as cool as a cellar. A soft, moist sighing arose from the packed floor. She swallowed hard and took another step, nearly slipping to fall alongside the prone scarecrow. Something large and pale moved in the shadows, and Katy tightened her grip on the knife.

Damn Gordon and his mountain legends. The one about the haunted scarecrow, in particular. About how it only walked at late harvest, when the corn was turning hard and brown and the first frosts settled on the land. According to legend, the Scarecrow climbed down from the stake where it had hung all growing season like a neglected Christ on the cross. Then it dragged itself into the barn, where it feasted on one of the animals, filling its dry throat with fresh blood. Sustained until winter, the scarecrow then returned to its stake, though on moonlit nights you might see rusty red spots on its sackcloth head. Gordon's eyes glistened as he'd told the story, and Katy had given the uneasy laugh he expected in response.

This was the right time of year. And the scarecrow that had fallen at her feet looked just like the one that leaned broken and sad in the cornfield at the end of the vegetable garden.

No. That was just a mountain folk tale. Not a wives' tale, be cause no wife would be so stupid as to pass along a story like that. Katy could come up with a rational explanation. Holder of a busi ness degree from Queen's College, assistant to the board of direc tors at Wachovia Bank, she was made of stern stuff. Almost boring bat ultimately practical.

So think.

Surely a big farm like this one had several scarecrows. Gordon's family had probably saved them, the same way frugal farm fami lies had always hoarded things that could be used again. Besides, it was just a sack of straw. Flannel and old denim and straps. No matter the legends.

The dim outline of the scarecrow made a lesser darkness on the floor, the gray socks of the feet poking out of the jeans, gloves at the end of each sleeve. The left sock, the one closest to her, twitched.

The wind, had to be. Except the air was as still as sundown.

Katy put out her own foot, meaning to kick the sock in case a frantic mouse was inside and upset that its nest had been disturbed. The straw toes flexed and curled, and then the foot kicked back at her.

The scarecrow would rise to its elbows and knees and haul itself off to eat a chicken or pig or maybe even a cow, ready to gnaw with those teeth—what would its teeth be?—kernels of giant, hardened corn, piercing flesh and grinding bone and—

The boots sounded above her again.

She hadn't imagined them. Despite her hallucinations in the house, she wasn't losing her mind. Scarecrows didn't move by themselves and her new house wasn't haunted. Never mind Gordon's goddamned legends.

Crumbs of straw fell in a snow between the cracks in the flooring planks above. Someone was up there for real.

The barn door beckoned. Twenty steps and Katy would be out of there, away from animated scarecrows and footfalls and de mented goats.

And away from Jett.

Katy paused heart like a horseshoe in her throat.

She couldn't leave Jett here.

If Jett even was here.

The barn had grown darker, the sun settling behind the trees on the ridgeline, fingers of deep red light reaching across the valley. The footsteps above had ceased. Katy's palm was a wooden knot around the knife handle. What good would a knife do against an animated scarecrow? Even if she shredded the cloth, dug into the chest, and found the rag-ball heart, would that even slow it down? Or would it keep crawling, rubbing against her, choking her with its chaff, that uneven grin never changing?

A knock came from one of the stalls. It was soft but insistent, like the hammering of a dying rain.

'Jett!'

Katy hoped to God Jett was back in the house. Even if the house was haunted it couldn't be worse than this hell-shack of a barn. Katy backed away from the scarecrow twitching before her. Hallucinations and fleeting visions were one thing, and maybe a transparent woman walked the Smith house, but now she was deal ing with a stack of rags and silage that did everything but talk.

Katy backed away, but the thumping in the stall was behind her. Whatever was making the sound couldn't be worse than the scare crow. It had stopped moving, but she was sure it was holding its breath, waiting for her to come closer, tensing its fibrous muscles and licking its corn-kernel teeth with a parched tongue.

She turned and made for the stairs. Maybe if she reached the loft, she could signal Jett and tell her to go for help. Except what kind of help was there against a living scarecrow? Calling Ghostbusters and requesting a smarmy Bill Murray and his team to take the next flight down?

Gordon would be home any minute. He would know some mountain saying or folk spell to cast on the scarecrow, a secret passed down through the generations. That was the way these things worked, wasn't it? Evil countered by a good and courageous heart?

But if those were the weapons, what chance did Katy have? Her own heart was dormant, and besides her feelings for Jett, hadn't been used much in the last few years. She loved Gordon, but was no longer sure what the L-word meant. She couldn't really love God because of all the things he had visited upon her, but she was try ing hard for Gordon's sake. But if Gordon, or God, or even Bill Murray, could get her out of this barn, she would be his emotional slave until the end of time.

The stall door opened to her right, and Abraham the goat emerged from the inky depths, his eyes glittering. He ignored Katy and went straight toward the scarecrow. The wad of dead vegetation probably smelled like a gourmet feast to the goat. Katy climbed three steps, stopping on a warped tread to watch the encounter.

The scarecrow regarded the goat with something approaching curiosity, as much as that expression could be suggested by the blank, stitched-up face. Ascribing human characteristics to the face was nothing more than projection, but Katy couldn't help it. She had seen its foot move. She'd heard the legends.

Abraham's nostrils flared; then he lowered his head and ap proached the scarecrow, the horns curled flat against his skull but still menacing. Twenty feet separated the two creatures—a little voice inside Katy admitted she had already accepted the scarecrow as an organic part of this strange, ancient world of Solom—when the boots sounded upstairs again.

'Jett?'

Please, God, let her be safe in the house.

Except why should God listen to Katy?

Abraham reached the scarecrow, which lay still and prone like a willing sacrament. The billy goat sniffed at the stuffed sock, low ered its bearded chin, and nudged the toes. Katy expected the scarecrow to kick out, to sit up and dig its teeth into the furry neck. Instead, Abraham clamped his teeth onto the sock and tugged lifting the sock free, showering straw across the ground.

It was just a stupid goddamned scarecrow.

Katy was angry at herself for wasting the last moments of daylight letting her mind run wild. What if a stoned-out Jett had wan dered off into the woods? Maybe that light in the forest had belonged to her, maybe she had taken a flashlight and run away from home. In Charlotte, she would head straight for Deidre's house, or the video arcade at the mall, or one of the music stores, to chill out until the drugs wore off. Here in the country, the only place to run was into the woods.

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