that ended a meeting. It had a positive nuance that Dasin was unlikely to notice, but Otah didn't mind. It was as much for himself as the Galt.
The walk back to the palaces seemed shorter, less haunted by nostalgia. He returned to his rooms, allowed himself to be changed into formal robes, and began the long, slow work of another day. The court was its customary buzz of rituals and requirements. The constant speculation on the Galtic treaty's fate made every other facet of the economic and political life of the Empire swing like a ship's mast in high seas. Otah did what he could to pour oil on the waters. For the most part, he succeeded.
Before the early sunset of middle autumn, Otah had seen the heads of both Galtic and Khaiate stone masons disputing a contract upon which the Galtic Council had already ruled. He had taken audiences with two other members of the High Council and three of the highest families of the utkhaiem. And, in the brightest moment of his day, a visibly unnerved representative of Obar State had arrived with gifts and assurances of the good relations between his small nation and the cities of the Khaiem.
No courier came from Idaan or Eiah. Likely his sister was still on the roads between Saraykeht and Pathai. There was no reason to expect word back so soon, and yet every time a servant entered his chambers with a folded paper, his belly went tight until he broke the seal.
The night began with a banquet held in the honor of Balasar Glee and the preparation of what the Galtic Council called the second fleet and the utkhaiem, dismissively and in private, the other ships. The great hall fluttered with fine robes and silk banners. Musicians and singing slaves hidden behind screens filled the air with soft music of Galtic composition. Lanterns of colored glass gave the light a feeling of belonging to some other, gentler world. Otah sat on his high dais, Balasar at his side. He caught a glimpse of Danat dressed in formal robes of black and gold, sitting among his peers of the high utkhaiem. The group included Shija Radaani. Though Farrer and Issandra Dasin were among the Galts present, Otah did not see Ana. He tried not to find her absence unnerving.
The food and drink had been prepared by the best cooks Otah could find: classic Galtic dishes made if not light at least less heavy; foods designed to represent each of the cities of the Khaiem; all of it served with bowls of the best wines the world could offer.
Peace, Otah meant the celebration to say. As we send our armsmen and sailors away to fight and die together, let there be peace between us. If there cannot be peace in the world, at least let it be welcome here. It pleased him to see the youth of both countries sitting together and talking, even as it disturbed him that so many places set aside for the utkhaiem remained empty.
He did not notice that Issandra had taken her leave until the note arrived. The servant was very young, having seen no more than sixteen summers, and he approached Balasar with a small message box of worked gold. Balasar plucked the folded paper from it, read the message, then nodded and waved the boy away. The musicians nearest them shifted to a light, contemplative song. Balasar leaned toward Otah, as if to whisper some comment upon the music.
'This is for you,' the general murmured. General Gice, please pass this to the Emperor with all haste discretion allows. I would prefer that it not be immediately obvious that I am communicating with him, but time may be short. Emperor. Please forgive my note, but I believe something is going to happen in the moon garden of the thirdpalace at the beginning of the entertainments that you would be pleased to see. Consider claiming a moment's necessity and joining me.
It was signed with Issandra Dasin's chop.
Balasar was considering him silently. Otah slipped the paper into his sleeve. It was less than half a hand before the acrobats and dancers, trained dogs and fire-eaters were to take to the floor. It wasn't much time.
'I don't like this,' Otah said, leaning toward Balasar so that no one could overhear.
'You think it's a plot to assassinate you,' Balasar said.
'Might it be?'
Balasar smiled out into the hall, his eyes flickering as if looking for concealed archers.
'She sent the message through me. That provides a witness. It isn't the sort of thing I would do if I intended to kill you,' Balasar said. 'Still, if you go, take a guard.'
Otah felt the weight of the note in his sleeve, feather-light and yet enough to command all his attention. He had almost decided to ignore it when, as the trumpets blared the first of the entertainments to the floor, he noticed that Danat had also gone. He slipped down from the back of the dais, chose two of the guards that he recognized, and made his way out to the third palace.
The moon garden had been built as a theater; great half-circles of carved stone set into a slope were covered with moss and snow ivy. At the deepest recess, three old wooden doors led to hallways where players or musicians could crouch, awaiting their entrance. The gardens were dark when he arrived, not even a lantern glowing to mark the paths. Behind him, the guards were as silent as shadows.
'Otah-cha,' a woman whispered. 'Here. Quickly.'
Issandra huddled in the darkness under an ivy-choked willow. Otah walked forward, his hands in a pose of query. Issandra didn't reply, her eyes on the guards at his back. Her expression went from disapproval to acceptance barely seen in the dim light. She motioned all of them close to her.
'What is this?' Otah asked as he crouched in the darkness.
'Hush,' Issandra said. 'They should almost be here. There now. Be quiet, all of you.'
One of the wooden doors at the base of the garden was opening, the light of a lantern spilling out onto the green of the grass, the black of the soil. Otah squinted. Ana Dasin stepped out. She wore a rough cloak over what appeared to be simple peasant robes, but her face and hair would have proclaimed her in the darkest teahouse. She looked like a girl who wanted to travel unnoticed but didn't know the trick of it. As Otah watched, she raised her lantern, scanning the wide stone curve, and then sat down.
'What is-' he whispered.
Issandra pressed her hand to his mouth. One of the guards shifted, but Otah gestured him back. It wasn't everyone who could gag the Emperor of the Khaiem, but he was too curious to disrupt things over a point of etiquette. Besides which, he didn't truly care.
Another of the doors shifted and creaked open. Danat stepped out. Being discovered crouched in the ivy, eavesdropping on their own children might be the least dignified thing possible, so Otah tried to be very, very still. When Danat spoke, the sound carried perfectly.
'I received your message. I'm here.'
'And I received your poem,' Ana said.
It was too dark to actually see how deeply Danat blushed, but Otah recognized the discomfort in his son's body.
'Ah. That,' he said.
Otah tapped Issandra on the shoulder and mouthed the word poem? Issandra pointed back down to their children.
'I am not a toy,' Ana said. 'If this is another scheme of your father's or my mother's, you can carry word back to them that it didn't work. I know better than to trust you.'
'You think I've lied?' Danat said. 'What have I said to you that wasn't true?'
'As if you'd let yourself be caught out,' Ana said.
Danat sat, one leg tucked under him, the other bent. He looked up at her like a player in some ancient epic. In the dim light, his expression seemed bemused.
'Ask anything,' he said. 'Do it now. I won't lie to you.'
Ana crossed her arms, looking down on Danat like a low-town judge. Her brows were furrowed.
'Are you trying to seduce me?'
'Yes,' Danat said. His voice was calm and solid as stone.
'Why?'
'Because I think you are worth seducing,' Danat said.
'Only that? Not to please your father or my mother?'
Danat chuckled. One of the guards at Otah's side shifted his weight, the leaves beneath him crackling. Neither of the children below had ears for it.
'It began that way, I suppose,' Danat said. 'A political alliance. A world to remake. All of that has its appeal, but it didn't write that poem.'
