Anna and the French Kiss

But then I see her struggling to reply, and I realize she’s as trapped in the drama as I am. She didn’t even notice my odd tone of voice. “Yeah.” She lowers herself slowly back to the floor. “But it’s not that simple. They’ve been together forever. They’re practically an old married couple. And besides, they’re both really . . . cautious.”

“Cautious?”

“Yeah.You know. St. Clair doesn’t rock the boat. And Ellie’s the same way. It took her ages to choose a university, and then she still picked one that’s only a few neighborhoods away. I mean, Parsons is a prestigious school and everything, but she chose it because it was familiar. And now with St. Clair’s mom, I think he’s afraid to lose anyone else. Meanwhile, she’s not gonna break up with him, not while his mom has cancer. Even if it isn’t a healthy relationship anymore.”

I click the clicky-button on top of my pen. Clickclickclickclick. “So you think they’re unhappy?”

She sighs. “Not unhappy, but . . . not happy either. Happy enough, I guess. Does that make sense?”

And it does. Which I hate. Clickclickclickclick.

It means I can’t say anything to him, because I’d be risking our friendship. I have to keep acting like nothing has changed, that I don’t feel anything more for him than I feel for Josh.Who, the next day, is ignoring our history lecture for the billionth class in a row. He has a graphic novel, Craig Thompson’s Goodbye, Chunky Rice, hidden on his lap. Josh scrawls something into the sketchbook beneath it. He’s taking notes, but not about the storming of the Bastille.

Josh and Rashmi had another blowup at lunch. No one is worried about Étienne dropping out anymore, but Josh is ditching with an alarming frequency. He’s stopped doing homework altogether. And the more Rashmi pushes him, the more he pulls away.

Professeur Hansen paces the front of the classroom. He’s a short man with thick glasses and wispy hair that flies out whenever he bangs our desks for emphasis. He teaches the dirty parts of history and never makes us memorize dates. I can see why Étienne is interested in the subject when he’s had a teacher like this for four years.

I wish I could stop bringing everything back to Étienne.

I look at the juniors surrounding me, and discover I’m not the only one ravaged by hormones. Emily Middlestone bends over to pick up a dropped eraser, and Mike Reynard leers at her breasts. Gross.Too bad for him she’s interested in his best friend, Dave. The eraser drop was deliberate, but Dave is oblivious. His eyes glaze over as they follow Professeur Hansen’s pacing.

Dave notices me staring and sits up. I quickly turn away. Emily glares at me, and I smile blandly back. She returned to school with a stripe in her hair. It’s pink and the rest is blond, so it’s not quite like mine. Still.

Professeur Hansen relays the details of Marie Antoinette’s execution. I can’t concentrate. Étienne and I are going to the movies after school. And, okay, Josh and Rashmi are also coming—Mer can’t because she has soccer practice—but that still makes this week’s score: Anna 4, Ellie 1. The teacher bangs another desk, and the redhead to my left jumps and drops her papers.

I lean over to help her pick them up, and I’m startled to discover an entire page of doodles of a familiar skull tattoo. I look up in surprise, and her face burns as red as her hair. I glance toward Josh and then raise my eyebrows at her. Her eyes widen in horror, but I shake my head and smile. I won’t tell.

What’s her name? Isla. Isla Martin. She lives on my floor, but she’s so quiet I often forget about her. She’ll have to be louder if she likes Josh. They’re both shy. It’s a shame, because they’d look cute together. Probably fight less than he and Rashmi, too. Why is it that the right people never wind up together? Why are people so afraid to leave a relationship, even if they know it’s a bad one?

I’m still contemplating this later, while Étienne and I wait outside Josh’s room on the first floor, ready for the movies. Étienne presses his ear against Josh’s door but then shoots back like it’s on fire.

“What is it?”

He grimaces. “They’ve made up again.”

I follow him outside. “Rashmi’s in there?”

“They’re having it off,” he says bluntly. “I’d rather not interrupt.”

I’m glad he’s ahead of me, so he can’t see my face. It’s not like I’m ready to sleep with anyone—I’m not—but it’s still this stupid wall between us. I’m always aware of it. And now I’m thinking about Étienne and Ellie again. His fingertips stroking her bare shoulder. Her lips parted against his naked throat. Stop thinking about it, Anna.

Stop it, stop it, STOP IT.

I switch the conversation to his mother. She’s finished treatments, but we won’t know if the disease is gone until March. The doctors have to wait until the radiation leaves her system before they can test her. Étienne is always trapped between worry and hope, so I steer him toward hope whenever possible.

She’s feeling well today, so he is, too. He tells me something about her medication, but my attention wavers as I study his profile. I’m jolted back to Thanksgiving. Those same eyelashes, that same nose, silhouetted against the darkness in my bedroom.

God, he’s beautiful.

We walk to our favorite cinema, the one we’ve dubbed the “Mom and Pop Basset Hound Theater.” It’s only a few blocks away, and it’s a comfortable one-screener run by the gentleman who walks Pouce, the dog from the pâtisserie. I don’t actually think there’s a “Mom” around—Pouce’s owner is more likely a “Pop and Pop” kind of guy—but it’s still a fitting nickname. We walk in and the friendly, dignified man behind the counter calls out, “Jo-ja! Atlanna, Jo-ja!”

I smile back. I’ve been practicing my French with him, and he’s been practicing his English. He remembers I’m from Atlanta, Georgia (Jo-ja!), and we have another brief chat about the weather. Then I ask him if Pouce is a happy dog and if he, the gentleman, likes to eat good food. At least I’m trying.

The movie this afternoon is Roman Holiday, and the rest of the theater is empty. Étienne stretches his legs and relaxes back into his seat. “All right, I have one. Being bad has . . .”

“Never looked so good.”

“Yes!” His eyes sparkle. This is one of our favorite games, where one of us creates the beginning of a clichéd tagline and the other finishes it.

“With friends like these ...”

He matches my darkened voice, “Who needs enemies?”

As my laughter bounces off the curtained walls, Étienne struggles to keep his expression straight. He fails and grins wider because of it. The sight makes my heart skip a beat, but I must make an odd face, because he covers his mouth. “Stop staring.”

“What?”

“My teeth.You’re staring at my bottom teeth.”

I laugh again. “Like I have the right to make fun of anyone’s teeth. I can shoot water incredible distances through this gap, you know. Bridge used to tease me all the ti—” I cut myself off, feeling ill. I still haven’t talked to Bridgette.

Étienne lowers his hand from his mouth. His expression is serious, maybe even defensive. “I like your smile.”

I like yours, too.

But I don’t have the courage to say it aloud.

chapter thirty-three

The front-desk girl smiles when she sees me. “I ’ave package for you!”

Résidence Lambert’s door opens again, and my friends troop in behind me.The girl hands over a large brown box, and I happily sign for it. “From your mom?” Mer asks. Her cheeks are pink from the cold.

“Yes!” Today is my birthday. And I know exactly what’s inside. I carry the box eagerly to the lobby sofas and