The Plot Against America

for a family of our means but because no technological explanation, however basic, could remove it entirely from the realm of magic.

My mother spoke to the operator very precisely to be sure that nothing went wrong and we weren't charged by mistake for anything extra. 'I want to make a long-distance person-to-person call, operator. To Danville, Kentucky. Person-to-person to Mrs. Selma Wishnow. And please, operator, when my three minutes are up, don't forget to tell me.'

There was a long pause while the operator got the number from the directory operator. When my mother finally heard the call being placed, she signaled for me to put my ear beside hers but not to speak.

'Hello!' Answering enthusiastically is Seldon.

Operator: 'This is long distance. I have a person-to-person call for Mrs. Selma Wistful.'

'Uh-uh,' Seldon mumbles.

'Is this Mrs. Wistful?'

'Hello? My mother's not home right now.'

Operator: 'I'm calling for Mrs. Selma Wistful-'

'Wishnow,' my mother shouts. 'Wish-now.'

'Who's that?' Seldon says. 'Who's calling?'

Operator: 'Young lady, is your mother home?'

'I'm a boy,' Seldon says. Taken aback. Another blow. They won't stop coming. Yet he does sound girlish, his voice higher-pitched even than when he'd been living downstairs. 'My mother's not home from work yet,' Seldon says.

Operator: 'Mrs. Wishnow is not at home, madam.'

My mother looks at me and says, 'What could have happened? The boy is alone. Where could she be? He's all by himself. Operator, I'll talk to anyone.'

Operator: 'Go ahead, sir.'

'Who's this?' Seldon asks.

'Seldon, it's Mrs. Roth. From Newark.'

'Mrs. Roth?'

'Yes. I'm calling long distance to speak to your mother.'

'From Newark?'

'You know who I am.'

'But it sounds like you're just down the street.'

'Well, I'm not. This is a long-distance call. Seldon, where's your mother?'

'I'm just having a snack. I'm waiting for her to come home from work. I'm having some Fig Newtons. And some milk.'

'Seldon-'

'I'm waiting for her to come home from work-she works late. She always works late. I just sit here. Sometimes I have a snack-'

'Seldon, stop right there. Be still a moment.'

'And then she comes home and she makes dinner. But she's late every night.'

Here my mother turns to me and makes to hand me the phone. 'Talk to him. He won't listen when I speak.'

'Talk to him about what?' I say, waving the phone away.

'Is Philip there?' Seldon asks.

'Just a moment, Seldon,' my mother says.

'Is Philip there?' Seldon repeats.

To me, my mother says, 'Take the phone, please.'

'But what am I supposed to say?' I ask.

'Just get on the phone,' and she places the receiver in my one hand and lifts the speaker for me to hold in the other.

'Hello, Seldon?' I say.

Softly tentative, unbelieving, he replies, 'Philip?'

'Yes. Hi, Seldon.'

'Hey, you know, I don't have any friends in school.'

I tell him, 'We want to speak to your mother.'

'My mother's at work. She works late every night. I'm having a snack. I'm having some Fig Newtons and a glass of milk. It's going to be my birthday in about a week and my mother said I could have a party-'

'Seldon, wait a minute.'

'But I don't have any friends.'

'Seldon, I have to ask my mother a question. Just wait.' I muzzle the speaker and whisper to her, 'What am I supposed to say to him?'

My mother whispers, 'Ask him if he knows what happened today in Louisville.'

'Seldon, my mother wants to know if you know what happened today in Louisville.'

'I live in Danville. I live in Danville, Kentucky. I'm just waiting for my mom to come home. I'm having a snack. Did something happen in Louisville?'

'Just a minute, Seldon,' I say. 'Now what?' I whisper to my mother.

'Just talk to him, please. Keep talking to him. And if the operator says the three minutes are up, you tell me.'

'Why are you calling?' Seldon asks. 'Are you going to come visit?'

'No.'

'Remember when I saved your life?' he says.

'Yes, I do. I remember.'

'Hey, what time is it there? Are you in Newark? Are you on Summit Avenue?'

'We told you we were. Yes.'

'It's really clear, isn't it? It sounds like you're just down the block. I wish you could come over and have a snack with me, and then you could be here for my birthday party next week. I don't have any friends to invite to my birthday party. I don't have anybody to play chess with. I'm sitting here now practicing my opening move. Remember my opening move? I move out the pawn that's just in front of the king. Remember when I tried to teach you? I move out the king's pawn, remember? Then I put out the bishop, then I move the knight, and then the other knight-and remember the move when there's no pieces between the king and one of the rooks? When I move my king over two spaces to protect him?'

'Seldon-'

My mother whispers, 'Tell him you miss him.'

'Ma!' I say to her.

'Tell him, Philip.'

'I miss you, Seldon.'

'Do you want to come over for a snack then? I mean it sounds like-are you really just down the street?'

'No, this is a long-distance phone call.'

'What time is it there?'

'It's, uh-about ten to six.'

'Oh, it's ten to six here. My mom should already be home around five. Five-thirty the latest. One night she came home at nine.'

'Seldon,' I say, 'do you know that Walter Winchell was killed?'

'Who's that?' he asks.

'Let me finish. Walter Winchell was killed in Louisville, Kentucky. In your state. Today.'

'I'm sorry to hear that. Who is that?'

Operator: 'Your three minutes are up, sir.'

'Is that your uncle?' Seldon asks. 'Is that your uncle who came to see you? Is he dead?'

'No, no,' I say, and I'm thinking that, alone now out in Kentucky, he sounds as though he were the one who was kicked in the head. He sounds stunned. Stunted. He sounds