Snopes: The Hamlet, The Town, The Mansion

trousers, spitting now and then his contemplative bullet-like globules of chocolate saliva. One morning he came to the village carrying a brand-new straw suitcase. That evening he carried it up to Varner’s house. A month after that Varner bought a new runabout buggy with bright red wheels and a fringed parasol top, which, the fat white horse and the big roan in new brass-studded harness and the wheels glinting in vermilion and spokeless blurs, swept all day long along back country roads and lanes while Varner and Snopes sat side by side in outrageous paradox above a spurting cloud of light dust, in a speeding aura of constant and invincible excursion. And one afternoon in that same summer Ratliff again drove up to the store, on the gallery of which was a face which he did not recognise for a moment because he had only seen it once before and that two years ago, though only for a moment for almost at once he said, “Howdy. Machine still running good?” and sat looking with an expression quite pleasant and absolutely impenetrable at the fierce intractable face with its single eyebrow, thinking Fox? cat? oh yes, mink.

“Howdy,” the other said. “Why not? Aint you the one that claims not to sell no other kind?”

“Sholy,” Ratliff said, still quite pleasant, impenetrable. He got out of the buckboard and tied it to a gallery post and mounted the steps and stood among the four men who sat and squatted about the gallery. “Only it aint quite that, I would put it. I would say, folks named Snopes dont buy no other kind.” Then he heard the horse and turned his head and saw it, coming up fast, the fine hound running easily and strongly beside it as Houston pulled up, already dismounting, and dropped the loose reins over its head as a Western rider does and mounted the steps and stopped before the post against which Mink Snopes squatted.

“I reckon you know where that yearling is,” Houston said.

“I can guess,” Snopes said.

“All right,” Houston said. He was not shaking, trembling, any more than a stick of dynamite does. He didn’t even raise his voice. “I warned you. You know the law in this country. A man must keep his stock up after ground’s planted, or take the consequences.”

“I would have expected you to have fences that would keep a yearling up,” Snopes said. Then they cursed each other, hard and brief and without emphasis, like blows or pistol-shots, both speaking at the same time and neither moving, the one still standing in the middle of the steps, the other still squatting against the gallery post. “Try a shotgun,” Snopes said. “That might keep it up.” Then Houston went on into the store and those on the gallery stood or squatted quietly, the man with his single eyebrow no less quiet than any, until Houston came out again and passed without looking at any of them and mounted and galloped off, the hound following again, strong, high- headed, indefatigable, and after another moment or so Snopes rose too and went up the road on foot. Then one leaned and spat carefully over the gallery-edge, into the dust, and Ratliff said,

“I dont quite understand about that fence. I gathered it was Snopes’s yearling in Houston’s field.”

“It was,” the man who had spat said. “He lives on a piece of what used to be Houston’s land. It belongs to Will Varner now. That is, Varner foreclosed on it about a year ago.”

“That is, it was Will Varner Houston owed the money to,” a second said. “It was the fences on that he was talking about.”

“I see,” Ratliff said. “Just conversational remarks. Unnecessary.”

“It wasn’t losing the land that seems to rile Houston,” a third said. “Not that he dont rile easy.”

“I see,” Ratliff said again. “It’s what seems to happened to it since. Or who it seems Uncle Will has rented it to. So Flem’s got some more cousins still. Only this here seems to be a different kind of Snopes like a cotton-mouth is a different kind of snake.” So that wasn’t the last time this one is going to make his cousin trouble, he thought. But he did not say it, he just said, absolutely pleasant, easy, inscrutable: “I wonder where Uncle Will and his partner would be about now. I aint learned the route good yet like you folks.”

“I passed them two horses and the buggy tied to the Old Frenchman fence this morning,” the fourth man said. He too leaned and spat carefully over the gallery-edge. Then he added, as if in trivial afterthought: “It was Flem Snopes that was setting in the flour barrel.”

BOOK TWO

EULA

CHAPTER ONE

When Flem Snopes came to clerk in her father’s store, Eula Varner was not quite thirteen. She was the last of the sixteen children, the baby, though she had overtaken and passed her mother in height in her tenth year. Now, though not yet thirteen years old, she was already bigger than most grown women and even her breasts were no longer the little, hard, fiercely-pointed cones of puberty or even maidenhood. On the contrary, her entire appearance suggested some symbology out of the old Dionysic times—honey in sunlight and bursting grapes, the writhen bleeding of the crushed fecundated vine beneath the hard rapacious trampling goat- hoof. She seemed to be not a living integer of her contemporary scene, but rather to exist in a teeming vacuum in which her days followed one another as though behind sound-proof glass, where she seemed to listen in sullen bemusement, with a weary wisdom heired of all mammalian maturity, to the enlarging of her own organs.

Like her father, she was incorrigibly lazy, though what was in him a constant bustling cheerful idleness was in her an actual force impregnable and even ruthless. She simply did not move at all of her own volition, save to and from the table and to and from bed. She was late in learning to walk. She had the first and only perambulator the countryside had ever seen, a clumsy expensive thing almost as large as a dog-cart. She remained in it long after she had grown too large to straighten her legs out. When she reached the stage where it almost took the strength of a grown man to lift her out of it, she was graduated from it by force. Then she began to sit in chairs. It was not that she insisted upon being carried when she went anywhere. It was rather as though, even in infancy, she already knew there was nowhere she wanted to go, nothing new or novel at the end of any progression, one place like another anywhere and everywhere. Until she was five and six, when she did have to go anywhere because her mother declined to leave her at home while she herself was absent, she would be carried by their Negro manservant. The three of them would be seen passing along the road—Mrs Varner in her Sunday dress and shawl, followed by the Negro man staggering slightly beneath his long, dangling, already indisputably female burden like a bizarre and chaperoned Sabine rape.

She had the usual dolls. She would place them in chairs about the one in which she sat, and they would remain so, none with either more or less of the semblance of life than any other. Finally her father had his blacksmith make her a miniature of the perambulator in which she had spent her first three years. It was crude and heavy also, but it was the only doll perambulator anyone in that country had ever seen or even heard of. She would place all the dolls in it and sit in a chair beside it. At first they decided it was mental backwardness, that she merely had not yet reached the maternal stage of female adulthood in miniature, though they soon realised that her indifference to the toy was that she would have to move herself to keep it in motion.

She grew from infancy to the age of eight in the chairs, moving from one to another about the house as the