across the lot and into a chinaberty tree beside the house, and in the high soft vague blue swallows stooped and whirled in erratic indecision, their cries like strings plucked at random. Without looking back, Henry raised his voice: “Bring that ere plowline.” After a time the wife moved. She got down from the wagon and took a coil of new cotton rope from it and approached. The husband took the rope from her and moved toward the gate. The Texan began to descend from the post, stiffly, as Henry put his hand on the latch. “Come on here,” he said. The wife had stopped when he took the rope from her. She moved again, obediently, her hands rolled into the dress across her stomach, passing the Texan without looking at him.
“Dont you go in there, missus,” he said. She stopped, not looking at him, not looking at anything. The husband opened the gate and entered the lot and turned, holding the gate open but without raising his eyes.
“Come on here,” he said.
“Dont you go in there, missus,” the Texan said. The wife stood motionless between them, her face almost concealed by the sunbonnet, her hands folded across her stomach.
“I reckon I better,” she said. The other men did not look at her at all, at her or Henry either. They stood along the fence, grave and quiet and inattentive, almost bemused. Then the wife passed through the gate; the husband shut it behind them and turned and began to move toward the huddled ponies, the wife following in the gray and shapeless garment within which she moved without inference of locomotion, like something on a moving platform, a float. The horses were watching them. They clotted and blended and shifted among themselves, on the point of breaking though not breaking yet. The husband shouted at them. He began to curse them, advancing, the wife following. Then the huddle broke, the animals moving with high, stiff knees, circling the two people who turned and followed again as the herd flowed and huddled again at the opposite side of the lot.
“There he is,” the husband said. “Get him into that corner.” The herd divided; the horse which the husband had bought jolted on stiff legs. The wife shouted at it; it spun and poised, plunging, then the husband struck it ross the face with the coiled rope and it whirled and slammed into the corner of the fence. “Keep him there now,” the husband said. He shook out the rope, advancing. The horse watched him with wild, glaring eyes; it rushed again, straight toward the wife. She shouted at it and waved her arms but it soared past her in a long bound and rushed again into the huddle of its fellows. They followed and hemmed it again into another corner; again the wife failed to stop its rush for freedom and the husband turned and struck her with the coiled rope. “Why didn’t you head him?” he said. “Why didn’t you?” He struck her again; she did not move, not even to fend the rope with a raised arm. The men along the fence stood quietly, their faces lowered as though brooding upon the earth at their feet. Only Flem Snopes was still watching—if he ever had been looking into the lot at all, standing in his little island of isolation, chewing with his characteristic faint sidewise thrust beneath the new plaid cap.
The Texan said something, not loud, harsh and short. He entered the lot and went to the husband and jerked the uplifted rope from his hand. The husband whirled as though he were about to spring at the Texan, crouched slightly, his knees bent and his arms held slightly away from his sides, though his gaze never mounted higher than the Texan’s carved and dusty boots. Then the Texan took the husband by the arm and led him back toward the gate, the wife following, and through the gate which he held open for the woman and then closed. He took a wad of banknotes from his trousers and removed a bill from it and put it into the woman’s hand. “Get him into the wagon and get him on home,” he said.
“What’s that for?” Flem Snopes said. He had approached. He now stood beside the post on which the Texan had been sitting. The Texan did not look at him.
“Thinks he bought one of them ponies,” the Texan said. He spoke in a flat still voice, like that of a man after a sharp run. “Get him on away, missus.”
“Give him back that money,” the husband said, in his lifeless, spent tone. “I bought that horse and I aim to have him if I got to shoot him before I can put a rope on him.” The Texan did not even look at him.
“Get him on away from here, missus,” he said.
“You take your money and I take my horse,” the husband said. He was shaking slowly and steadily now, as though he were cold. His hands open and shut below the frayed cuffs of his shirt. “Give it back to him,” he said.
“You dont own no horse of mine,” the Texan said. “Get him on home, missus.” The husband raised his spent face, his mad glazed eyes. He reached out his hand. The woman held the banknote in her folded hands across her stomach. For a while the husband’s shaking hand merely fumbled at it. Then he drew the banknote free.
“It’s my horse,” he said. “I bought it. These fellows saw me. I paid for it. It’s my horse. Here.” He turned and extended the banknote toward Snopes. “You got something to do with these horses. I bought one. Here’s the money for it. I bought one. Ask him.” Snopes took the banknote. The others stood, gravely inattentive, in relaxed attitudes along the fence. The sun had gone now; there was not these hsave violet shadow upon them and upon the lot where once more and for no reason the ponies rushed and flowed. At that moment the little boy came up, tireless and indefatigable still, with the new paper carton. The Texan took it, though he did not open it at once. He had dropped the rope and now the husband stooped for it, fumbling at it for some time before he lifted it from the ground. Then he stood with his head bent, his knuckles whitening on the rope. The woman had not moved. Twilight was coming fast now; there was a last mazy swirl of swallows against the high and changing azure. Then the Texan tore the end from the carton and tilted one of the cakes into his hand; he seemed to be watching the hand as it shut slowly upon the cake until a fine powder of snuff-colored dust began to rain from his fingers. He rubbed the hand carefully on his thigh and raised his head and glanced about until he saw the little boy and handed the carton back to him.
“Here, bud,” he said. Then he looked at the woman, his voice flat, quiet again. “Mr Snopes will have your money for you tomorrow. Better get him in the wagon and get him on home. He dont own no horse. You can get your money tomorrow from Mr Snopes.” The wife turned and went back to the wagon and got into it. No one watched her, nor the husband who still stood, his head bent, passing the rope from one hand to the other. They leaned along the fence, grave and quiet, as though the fence were in another land, another time.
“How many you got left?” Snopes said. The Texan roused; they all seemed to rouse then, returning, listening again.
“Got three now,” the Texan said. “Swap all three of them for a buggy or a—”
“It’s out in the road,” Snopes said, a little shortly, a little quickly, turning away. “Get your mules.” He went on up the lane. They watched the Texan enter the lot and cross it, the horses flowing before him but without the old irrational violence, as if they too were spent, vitiated with the long day, and enter the barn and then emerge, leading the two harnessed mules. The wagon had been backed under the shed beside the barn. The Texan entered this and came out a moment later, carrying a bedding-roll and his coat, and led the mules back toward the gate, the ponies huddled again and watching him with their various unmatching eyes, quietly now, as if they too realised there was not only an armistice between them at last but that they would never look upon each other again in both their lives. Someone opened the gate. The Texan led the mules through it and they followed in a body, leaving the husband standing beside the closed gate, his head still bent and the coiled rope in his hand. They passed the wagon in which the wife sat, her gray garment fading into the dusk, almost the same color and as still, looking at nothing;
