up people in the street?'
The gun came up. 'We don't need no scorpion protection,' and a deprecating: 'Shit.'
'That's good,' Kid said. 'Because we don't protect anybody.' This all sounds sort of familiar. Didn't somebody get shot from a roof…
The two men looked at each other, looked uncomfortable.
Glass repeated, finally, 'That's not what we do.'
The man with the gun slid the barrel up to his shoulder. 'Naw, we don't need no protection.'
'We don't need no motherfuckers standing on the roof of the Second City Bank building shooting people, either.' The other man's hands moved on his belt to finger the buckle, as though he wished the can back. 'You know, without having no doctors. Or undertakers.'
'What'd they do with them?' Glass asked.
'Put them in a house way down there. And after about three or four days, people gonna start crossing the street when they was going past that stretch.'
The man with the gun didn't laugh. 'What you scorpions doing over here? Cause that sun comes up—' the butt clacked down on the concrete—'you gonna come on down here?'
'George told me to come down and see him,' Kid said. 'I saw him over at Reverend Amy's church and he told me to come down and visit.'
'Yeah,' Glass said. 'We comin' to see George.'
After a while one said, 'Oh.'
'Well, go on in,' the other said. 'Sure, go on inside. He's in there.'
'Come on,' Kid said to Glass.
Halfway down the hall, Glass said, 'You think he ever had a gun before? The way he was banging it around, he gonna shoot off his ear or his nose or his head or something.'
'Or my head,' Kid said. 'Yeah, I was thinking that too.'
Three lanterns hung together. Their magnesium-white light harshened the battleship linoleum, the institutional yellow walls. Through an iron elevator gate, Kid could see a web of shadow on the cinder block.
He knew he reacted, but could not tell by what it showed. 'Where to put the bodies? I'm not going to like it when I run into that a third time.'
Glass was watching him.
'Why're you wearing your orchid around your neck? When I first saw you the day we broke into the department store, you had it in a piece of leather.'
'I know,' Glass said. 'But you were wearing yours that way.'
'Oh. That's what I thought.'
Beyond the turn they could hear people.
'Hey.'
Glass turned. Slabs of light slid across his black vinyl. 'Huh?'
'What did you guys think when I showed up, I mean back at the department store?'
Glass laughed through his nose. He looked embarrassed. He pulled his pants across his stomach, scratched the twice-crossed T of an appendectomy scar showing above his belt. His knuckles were much darker than the rest of his skin; the places between his fingers looked like they had been brushed with ash.
'What did you think? Tell me.'
Glass shrugged and shook his head to settle the smile about the yellow corners of his eyes. 'We… well, we knew you were coming. Only we didn't know you were coming then. I mean, you remember the morning we woke you up in the park?'
Kid nodded.
Glass nodded too as though the reference explained something, then looked up the hall.
Kid walked on.
At a party, I hand out a hundred and fifty copies of my book, and they all turn down the music and sit around cross-legged on the floor, reading so intently I can walk among them, lean down, and examine each expression flickering from humor through compassion to the visage of the deeply moved.
He sweated under the books in his belt. A drop rolled, tickling his buttock.
Kid and Glass stepped inside the wide-swung doors.
He'd thought there was music.
'…wants more of it, can't get enough of it, how to get out of it: Time—' a woman cried over the loose crowd—'is the hero!' She swayed in dark robes on some platform — or maybe just a table — that brought her knees high as the highest, close-cropped, black (with a brown bald spot vague in the middle) head. 'Time is the villain!' Reverend Amy Tayler, thirty yards across the balconied hall, shook her head and her fist, glared around at craning women and men with faces of humus, sand, and all in-between colors earth can have. 'Where is this city? Struck out of time! Where is it builded? On the brink of truths and lies. Not truth and falsity — Oh, no. No. Nothing so grand. Here we are sunk on the abyss of discrete
It was not, Kid had noticed, a particularly quiet nor attentive crowd — save the thirty or forty actually clustered at the Reverend's podium. People wandered, talked; and now laughter began somewhere, obscuring her words. Up in the dark balcony, a few people, widely distant, slept like darker blotches among the brown wood seats. Somebody moved along the railing, checking spotlights; none seemed to work. Fat, bald, the color of terra cotta and wearing just some bib-coveralls, he stood up, wiped at his forehead with the back of his arm, and moved to the next dead light.
On the walls, were high barred windows. As Kid's eyes came down the gates, a group of six middle-aged men and women ran across the floor: one woman knocked over a statue that one man caught and struggled to right, till a plaster wing fell. Plaster shattered over the floor. Others clustered to laugh, to shout advice.
Beyond them, Reverend Tayler waved her arms, ducked her head and tossed it back, haranguing the powdered floor, the shadowed ceiling; but only a word or two could tear clear now of talk and laughter.
The group fell apart from a sunburst of white footprints: George Harrison stalked through.
One arm was around the neck of a yellow-haired, plump, pink woman, the other around the waist of a gaunt, tan girl with a brick-colored natural and freckles. (He'd seen her, at the church, with the blond Mexican, who had stopped him on the street, how many mornings later, how many mornings ago?) George saw Kid, veered over, and called: 'Hey, so you gonna come here, now? Shit!' His sleaves were rolled high on biceps like French-roast coffee. 'You sure pick a hell of a time to come. Right in the middle of super-night. This is super-night, ain't it?' and nodded and hallooed people passing ten yards away. 'Today sure as hell was super-day, when that super-sun come up in the super-sky! Hey—?' He released the gaunt girl's waist. Between the lapels of her jump suit hung a glittering catenary. 'What you got there? Lemme see.' His black fingers (pink nails, scimitared with yellow) clawed up the