The Best of Gene Wolfe

The role suited her so well that I imagined the play had been selected as a vehicle for her. Her height emphasized the character’s unnatural immaturity, and her slenderness and the vulnerability of her pale complexion would have told us, I think, if the play had not, that she had been victimized unaware. More important than any of these things was a wild and innocent affinity for the supernatural, which she projected to perfection. It was that quality alone (as I now understood) that had made us believe on the preceding night that Kreton’s spaceship might land in the Speldings’ rose garden—he would have been drawn to Ellen, though he had never seen her. Now it made Mary Rose’s disappearances and reappearances plausible and even likely; it was as likely that unseen spirits lusted for Mary Rose as that Lieutenant Blake (previously John Randolf) loved her.

Indeed it was more likely. And I had no sooner realized that than the whole mystery of Mary Rose—which had seemed at once inexplicable and banal when I had seen it well played in Tehran—lay clear before me. We of the audience were the envious and greedy spirits. If the Morelands could not see that one wall of their comfortable drawing room was but a sea of dark faces, if Cameron had never noticed that we were the backdrop of his island, the fault was theirs. By rights then, Mary Rose should have been drawn to us when she vanished. At the end of the second act I began to look for her, and in the beginning of the third I found her, standing silent and unobserved behind the last row of seats. I was only four rows from the stage, but I slipped out of my place as unobtrusively as I could, and crept up the aisle toward her.

I was too late. Before I had gone halfway, it was nearly time for her entrance at the end of the scene. I watched the rest of the play from the back of the theater, but she never returned.

Same night. I am having a good deal of trouble sleeping, though while I was on the ship I slept nine hours a night and was off as soon as my head touched the pillow.

The truth is that while I lay in bed tonight I recalled the old curator’s remark that the actresses were all prostitutes. If it is true and not simply an expression of hatred for younger people whose bodies are still attractive, then I have been a fool to moan over the thought of Mary Rose and Ellen when I might have had the girl herself.

Her name is Ardis Dahl—I just looked it up in the playbill. I am going to the manager’s office to consult the city directory there.

 W

riting before breakfast. Found the manager’s office locked last night. It was after two. I put my shoulder against the door and got it opened easily enough. (There was no metal socket for the bolt such as we have at home—just a hole mortised in the frame.) The directory listed several Dahls in the city, but since it was nearly eight years out of date it did not inspire a great deal of confidence. I reflected, however, that in a backwater like this people were not likely to move about so much as we do at home, and that if it were not still of some utility, the manager would not be likely to retain it, so I selected the one that appeared from its address to be nearest the theater, and set out.

The streets were completely deserted. I remember thinking that I was now doing what I had previously been so afraid to do, having been frightened of the city by reading. How ridiculous to suppose that robbers would be afoot now, when no one else was. What would they do, stand for hours at the empty corners?

The moon was full and high in the southern sky, showering the street with the lambent white fluid of its light. If it had not been for the sharp, unclean odor so characteristic of American residential areas, I might have thought myself walking through an illustration from some old book of wonder tales, or an actor in a children’s pantomime, so bewitched by the scenery that he has forgotten the audience.

(In writing that—which to tell the truth I did not think of at the time, but only now, as I sat here at my table—I realized that that is in fact what must happen to the American girl I have been in the habit of calling Ellen but must now learn to call Ardis. She could never perform as she does if it were not that in some part of her mind her stage became her reality.)

The shadows about my feet were a century old, tracing faithfully the courses they had determined long before New Tabriz came to jewel the lunar face with its sapphire. Webbed with thoughts of her—my Ellen, my Mary Rose, my Ardis!—and with the magic of that pale light that commands all the tides, I was elevated to a degree I cannot well describe.

Then I was seized by the thought that everything I felt might be no more than the effect of the drug.

At once, like someone who falls from a tower and clutches at the very wisps of air, I tried to return myself to reality. I bit the interior of my cheeks until the blood filled my mouth, and struck the unfeeling wall of the nearest building with my fist. In a moment the pain sobered me. For a quarter hour or more I stood at the curbside, spitting into the gutter and trying to clean and bandage my knuckles with strips torn from my handkerchief. A thousand times I thought what a sight I would be if I did in fact succeed in seeing Ellen, and I comforted myself with the thought that if she were indeed a prostitute it would not matter to her—I could offer her a few additional rials and all would be well.

Yet that thought was not really much comfort. Even when a woman sells her body, a man flatters himself that she would not do so quite so readily were he not who he is. At the very moment I drooled blood into the street, I was congratulating myself on the strong, square face so many have admired, and wondering how I should apologize if in kissing her I smeared her mouth with red.

Perhaps it was some faint sound that brought me to myself; perhaps it was only the consciousness of being watched. I drew my pistol and turned this way and that, but saw nothing.

Yet the feeling endured. I began to walk again, and if there was any sense of unreality remaining, it was no longer the unearthly exultation I had felt earlier. After a few steps I stopped and listened. A dry sound of rattling and scraping had followed me. It too stopped now.

I was nearing the address I had taken from the directory. I confess my mind was filled with fancies in which I was rescued by Ellen herself, who in the end should be more frightened than I, but who would risk her lovely person to save mine. Yet I knew these were but fancies, and the thing pursuing me was not, though it crossed my mind more than once that it might be some druj made to seem visible and palpable to me.

Another block and I had reached the address. It was a house no different from those on either side—built of the rubble of buildings that were older still, three storied, heavy doored, and almost without windows. There was a bookshop on the ground floor (to judge by an old sign), with living quarters above it. I crossed the street to see it better, and stood, wrapped again in my dreams, staring at the single thread of yellow light that showed between the shutters of a gable window.

As I watched that light, the feeling of being watched myself grew upon me. Time passed, slipping through the waist of the universe’s great hourglass like the eroded soil of this continent slipping down her rivers to the seas. At last my fear and desire—desire for Ellen, fear of whatever it was that glared at me with invisible eyes—drove me to the door of the house. I hammered the wood with the butt of my pistol, though I knew how unlikely it was that any American would answer a knock at such a time of night, and when I had knocked several times I heard slow steps from within.