call you?”

“He?” I was stupid, I suppose, with lack of sleep.

She pursed her lips. “My brother.”

I relaxed a little. “Oh,” I said, “you’re my aunt then. I thought you looked like my father. He calls me Number Five.”

For a moment she continued to stare, the corners of her mouth drawing down as my father’s often did. Then she said, “That number’s either far too low or too high. Living, there are he and I, and I suppose he’s counting the simulator. Have you a sister, Number Five?”

Mr. Million had been having us read David Copperfield, and when she said this she reminded me so strikingly and unexpectedly of Aunt Betsey Trotwood that I shouted with laughter.

“There’s nothing absurd about it. Your father had a sister—why shouldn’t you? You have none?”

“No, ma’am, but I have a brother. His name is David.”

“Call me Aunt Jeannine. Does David look like you, Number Five?”

I shook my head. “His hair is curly and blond instead of like mine. Maybe he looks a little like me, but not a lot.”

“I suppose,” my aunt said under her breath, “he used one of my girls.”

“Ma’am?”

“Do you know who David’s mother was, Number Five?”

“We’re brothers, so I guess she would be the same as mine, but Mr. Million says she went away a long time ago.”

“Not the same as yours,” my aunt said. “No. I could show you a picture of your own. Would you like to see it?” She rang a bell, and a maid came curtsying from some room beyond the one in which we sat; my aunt whispered to her and she went out again. When my aunt turned back to me she asked, “And what do you do all day, Number Five, besides run up to the roof when you shouldn’t? Are you taught?”

I told her about my experiments (I was stimulating unfertilized frogs’ eggs to asexual development and then doubling the chromosomes by a chemical treatment so that a further asexual generation could be produced) and the dissections Mr. Million was by then encouraging me to do and, while I talked, happened to drop some remark about how interesting it would be to perform a biopsy on one of the aborigines of Sainte Anne if any were still in existence, since the first explorers’ descriptions differed so widely and some pioneers there had claimed the abos could change their shapes.

“Ah,” my aunt said, “you know about them. Let me test you, Number Five. What is Veil’s Hypothesis?”

We had learned that several years before, so I said, “Veil’s Hypothesis supposes the abos to have possessed the ability to mimic mankind perfectly. Veil thought that when the ships came from Earth the abos killed everyone and took their places and the ships, so they’re not dead at all; we are.”

“You mean the Earth people are,” my aunt said. “The human beings.”

“Ma’am?”

“If Veil was correct, then you and I are abos from Sainte Anne, at least in origin, which I suppose is what you meant. Do you think he was right?”

“I don’t think it makes any difference. He said the imitation would have to be perfect, and if it is, they’re the same as we were anyway.” I thought I was being clever, but my aunt smiled, rocking more vigorously. It was very warm in the close, bright little room.

“Number Five, you’re too young for semantics, and I’m afraid you’ve been led astray by that word perfectly. Dr. Veil, I’m certain, meant to use it loosely rather than as precisely as you seem to think. The imitation could hardly have been exact, since human beings don’t possess that talent and to imitate them perfectly the abos would have to lose it.”

“Couldn’t they?”

“My dear child, abilities of every sort must evolve. And when they do they must be utilized or they atrophy. If the abos had been able to mimic so well as to lose the power to do so, that would have been the end of them, and no doubt it would have come long before the first ships reached them. Of course there’s not the slightest evidence they could do anything of the sort. They simply died off before they could be thoroughly studied, and Veil, who wants a dramatic explanation for the cruelty and irrationality he sees around him, has hung fifty pounds of theory on nothing.”

This last remark, especially as my aunt seemed so friendly, appeared to me to offer an ideal opportunity for a question about her remarkable means of locomotion, but as I was about to frame it we were interrupted, almost simultaneously, from two directions. The maid returned carrying a large book bound in tooled leather, and she had no sooner handed it to my aunt than there was a tap at the door. My aunt said absently, “Get that,” and since the remark might as easily have been addressed to me as to the maid I satisfied my curiosity in another form by racing her to answer the knock.

Two of my father’s demimondaines were waiting in the hall, costumed and painted until they seemed more alien than any abos, stately as Lombardy poplars and inhuman as specters, with green and yellow eyes made to look the size of eggs and inflated breasts pushed almost shoulder high; and though they maintained an inculcated composure I was pleasantly aware that they were startled to find me in the doorway. I bowed them in, but as the maid closed the door behind them my aunt said absently, “In a moment, girls. I want to show the boy here something; then he’s going to leave.”

The “something” was a photograph utilizing, as I supposed, some novelty technique which washed away all color save a light brown. It was small, and from its general appearance and crumbling edges very old. It showed a girl of twenty-five or so, thin and as nearly as I could judge rather tall, standing beside a stocky young man on a paved walkway and holding a baby. The walkway ran along the front of a remarkable house, a very long wooden house only a story in height, with a porch or veranda that changed its architectural style every twenty or thirty feet so as to give almost the impression of a number of exceedingly narrow houses constructed with their sidewalls in contact. I mention this detail, which I hardly noticed at the time, because I have so often since my release from prison tried to find some trace of this house. When I was first shown the picture I was much more interested in the

Вы читаете The Best of Gene Wolfe
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату
×