The Best of Gene Wolfe

                                                                     Tongue—give tongue to it! Hark! O hark!

                                                                       Once, twice and again!

                                                                                                    —RUDYARD KIPLING,

                                                                                 “Hunting Song of the Seeonee Pack”

 A

n owl shrieked, and Paul flinched. Fear, pavement, flesh, death, stone, dark, loneliness, and blood made up Paul’s world; the blood was all much the same, but the fear took several forms, and he had hardly seen another human being in the four years since his mother’s death. At a night meeting in the park he was the red-cheeked young man at the end of the last row, with his knees together and his scrupulously clean hands (Paul was particularly careful about his nails) in his lap.

The speaker was fluent and amusing; he was clearly conversant with his subject—whatever it was—and he pleased his audience. Paul, the listener and watcher, knew many of the words he used; yet he had understood nothing in the past hour and a half, and sat wrapped in his stolen cloak and his own thoughts, seeming to listen, watching the crowd and the park—this, at least, was no ghost-house, no trap; the moon was up, night-blooming flowers scented the park air, and the trees lining the paths glowed with self-generated blue light; in the city, beyond the last hedge, the great buildings new and old were mountains lit from within.

Neither human nor master, a policeman strolled about the fringes of the audience, his eyes bright with stupidity. Paul could have killed him in less than a second, and was enjoying a dream of the policeman’s death in some remote corner of his mind even while he concentrated on seeming to be one of them. A passenger rocket passed just under the stars, trailing luminous banners.

The meeting was over and he wondered if the rocket had in some way been the signal to end it. The masters did not use time, at least not as he did, as he had been taught by the thin woman who had been his mother in the little home she had made for them in the turret of a house that was once (she said) the Gorous’—now only a house too old to be destroyed. Neither did they use money, of which he like other old-style Homo sapiens still retained some racial memory, as of a forgotten god—a magic once potent that had lost all force.

The masters were rising, and there were tears and laughter and that third emotional tone that was neither amusement nor sorrow—the silken sound humans did not possess, but that Paul thought might express content, as the purring of a cat does, or community, like the cooing of doves. The policeman bobbed his hairy head, grinning, basking in the recognition, the approval, of those who had raised him from animality. See (said the motions of his hands, the writhings of his body) the clothing you have given me. How nice! I take good care of my things because they are yours. See my weapon. I perform a useful function—if you did not have me, you would have to do it yourselves.

If the policeman saw Paul, it would be over. The policeman was too stupid, too silly, to be deceived by appearances as his masters were. He would never dare, thinking Paul a master, to meet his eye, but he would look into his face seeking approval, and would see not what he was supposed to see but what was there. Paul ducked into the crowd, avoiding a beautiful woman with eyes the color of pearls, preferring to walk in the shadow of her fat escort where the policeman would not see him. The fat man took dust from a box shaped like the moon and rubbed it between his hands, releasing the smell of raspberries. It froze, and he sifted the tiny crystals of crimson ice over his shirtfront, grunting with satisfaction then offered the box to the woman, who refused at first, only (three steps later) to accept when he pressed it on her.

They were past the policeman now. Paul dropped a few paces behind the couple, wondering if they were the ones tonight—if there would be meat tonight at all. For some, vehicles would be waiting. If the pair he had selected were among these, he would have to find others quickly.

They were not. They had entered the canyons between the buildings; he dropped farther behind, then turned aside.

Three minutes later he was in an alley a hundred meters ahead of them, waiting for them to pass the mouth. (The old trick was to cry like an infant, and he could do it well, but he had a new trick—a better trick, because too many had learned not to come down an alley when an infant cried. The new trick was a silver bell he had found in the house, small and very old. He took it from his pocket and removed the rag he had packed around the clapper. His dark cloak concealed him now, its hood pulled up to hide the pale gleam of his skin. He stood in a narrow doorway only a few meters away from the alley’s mouth.)

They came. He heard the man’s thick laughter, the woman’s silken sound. She was a trifle silly from the dust the man had given her, and would be holding his arm as they walked, rubbing his thighs with hers. The man’s black-shod foot and big belly thrust past the stonework of the building—there was a muffled moan.

The fat man turned, looking down the alley. Paul could see fear growing in the woman’s face, cutting, too slowly, through the odor of raspberries. Another moan, and the man strode forward, fumbling in his pocket for an illuminator. The woman followed hesitantly (her skirt was of flowering vines the color of love, and white skin flashed in the interstices; a serpent of gold supported her breasts).

Someone was behind him. Pressed back against the metal door, he watched the couple as they passed. The fat man had gotten his illuminator out and held it over his head as he walked, looking into corners and doorways.

They came at them from both sides, a girl and an old, gray-bearded man. The fat man, the master, his genetic heritage revised for intellection and peace, had hardly time to turn before his mouth gushed blood. The woman whirled and ran, the vines of her skirt withering at her thought to give her legroom, the serpent dropping from her breasts to strike with fangless jaws at the flying-haired girl who pursued her, then winding itself about the girl’s ankles. The girl fell; but as the pearl-eyed woman passed, Paul broke her neck. For a moment he was too startled at the sight of other human beings to speak. Then he said, “These are mine.”

The old man, still bent over the fat man’s body, snapped: “Ours. We’ve been here an hour and more.” His voice was the creaking of steel hinges, and Paul thought of ghost-houses again.

“I followed them from the park.” The girl, black haired, gray eyed when the light from the alley mouth struck her face, was taking the serpent from around her legs—it was once more a lifeless thing of soft metal mesh. Paul picked up the woman’s corpse and wrapped it in his cloak. “You gave me no warning,” he said. “You must have seen me when I passed you.”

The girl looked toward the old man. Her eyes said she would back him if he fought, and Paul decided he would throw the woman’s body at her.

“Somebody’ll come soon,” the old man said. “And I’ll need Janie’s help to carry this one. We each take what we got ourselves—that’s fair. Or we whip you. My girl’s worth a man in a fight, and you’ll find I’m still worth a man