recessed entranceway. 'Quickly, sir! You have gained admittance. Hurry! You must not be observed here!'
The door swung open and Evan ran inside, instantly pulled to his left by the strong hand of a very small man who shouted to the guard in the entranceway. 'Get away from here!' he cried. 'Quickly!' he added. The diminutive Arab slammed the door shut, slapping in place two iron bolts as Kendrick squinted his eyes in the dim light. They were in some kind of foyer, a wide, run-down hallway with several closed doors set progressively down both sides of the corridor. Numerous small Persian rugs covered the rough wood of the floor—rugs, Kendrick mused, which would bring very decent prices at any Western auction—and on the walls were more rugs, larger rugs that Evan knew would bring small fortunes. The man called El-Baz put his profits into intricately woven treasures. Those who knew about such things would be instantly impressed that they were dealing with an important man. The others, which included most of the police and other regulating authorities, would undoubtedly think that this secretive man covered his floors and his walls with tourist-cloth so as not to repair flaws in his residence. The artist called El-Baz knew his marketing procedures.
'I am El-Baz,' said the small, slightly bent Arab in English, extending a veined, large hand. 'You are whoever you say you are and I am delighted to meet you, preferably not with the name your revered parents gave you. Please come this way, the second door on the right, please. It is our first and most vital procedure. In truth, the rest has been accomplished.'
'Accomplished? What's been accomplished?' asked Evan.
'The essentials,' answered El-Baz. 'The papers are prepared according to the information delivered to me.'
'What information?'
'Who you may be, what you may be, where you might come from. That is all I needed.'
'Who gave this information to you?'
'I have no idea,' said the aged Arab, touching Kendrick's arm, insinuating him down the foyer. 'An unknown person instructing me over the telephone, from where I know not. However, she used the proper words and I knew I was to obey.'
'She?'
'The gender was insignificant, ya Shaikh. The words were all important. Come, Inside.' El-Baz opened the door to a small photographic studio; the equipment appeared out of date. Evan's rapid appraisal was not lost on El-Baz. 'The camera on the left duplicates the grainy quality of government identification papers,' he explained, 'which, of course, is as much due everywhere to government processing as it is to the eye of the camera. Here. Sit on the stool in front of the screen. It will be painless and swift.'
El-Baz worked quickly and as the film was Instant Polaroid, he had no difficulty selecting a print. Burning the others, the old man put on a pair of thin surgical gloves, held the single photo and gestured towards a wide-curtained area beyond the stretched grey fabric that served as a screen. Approaching it, he pulled back the heavy drapery revealing a blank, distressed wall; the appearance was deceiving. Placing his right foot next to a spot on the chipped floor moulding, his gloved right hand reaching for another specific location above, he simultaneously pressed both. A jagged crack in the wall slowly separated, the left side disappearing behind the curtain; it stopped, leaving a space roughly two feet wide. The small purveyor of false papers stepped inside, beckoning Kendrick to follow him.
What Evan saw now was as modern as any machine in his Washington office and of even higher quality. There were two large computers, each with its own printer, and four telephones in four different colours, all with communication modems, all situated on a long white table kept spotlessly clean in front of four typist's chairs.
'Here,' said El-Baz, pointing to the computer on the left, where the dark screen was alive with bright green letters. 'See how privileged you are, Shaikh. I was told to provide you with complete information and the sources thereof, but not, however, with any written documents other than the papers themselves. Sit. Study yourself.'
'Study myself?' asked Kendrick.
'You are a Saudi from Riyadh named Amal Bahrudi. You are a construction engineer and there is some European blood in your veins—a grandfather, I think; it's written on the screen.'
'European…?'
'It explains your somewhat irregular features should anyone
