Was she the one who called the soldiers, or had someone else from the Archives tipped them off? In Payne’s mind the next few seconds would tell them everything.

Payne signaled for Franz to get behind him, then positioned himself on the floor along the right-hand wall. It gave Payne a chance to fire without giving his adversary much of a target. He sat like that for thirty seconds, struggling to hear what she said. But the sound of whispering had stopped. Either they had turned and were headed in the opposite direction, or they were doing the same thing that Payne was: sitting and waiting. His guess was the latter. The smoke was getting thicker, so there was no reason to head deeper inside the building. The risks were too severe.

In truth Payne would’ve sat like that all night or until he felt flames, because he knew patience was a soldier’s best friend. However, their standoff ended quickly when he saw the tip of a knife slip out into the hallway near the base of the archway. The blade tilted back and forth like it was being pushed into a grapefruit, and he immediately knew what was happening. Jones was trying to see who was in the hallway by using the reflection of the stainless steel.

Payne growled, ‘Drop that blade, soldier!’

Jones paused before answering. ‘Come and make me.’

Payne grinned, then looked back at Franz. ‘He’s on our side. Don’t shoot.’

Once again, Franz mumbled in German. The same words as before.

The first person in the corridor was Jones, followed by Ulster, Maria, and Boyd, who had a backpack strapped over his shoulders. Payne was relieved that everyone was together, because he didn’t feel like heading upstairs on a rescue mission. Somewhere above them fire-resistant boards were burning. Same with the carpets, the pictures, and all the knickknacks. He hoped like hell that the sprinklers were working on every floor, or the Archives were about to become a pyre.

Payne handed his bag to Boyd and told him to start loading the weapons with ammo. Meanwhile Maria just stood there, watching, not really sure what to do. At the time Payne didn’t know if it was because she didn’t know how to help or didn’t want to, but her lack of action caused Payne to pull Jones aside. ‘Did you confront her yet?’

He shook his head. ‘Been kind of busy.’

‘Should we give her a gun?’

Jones looked over his shoulder and stared at Maria. She gave him a sweet smile. He didn’t smile back. ‘Maybe a rifle. That’ll be tougher for her to use against us.’

‘Fine, but I’m keeping an eye on her. One false move, and I’m taking her out.’

He nodded. ‘Shoot to maim, not kill. She might have helpful intel.’

His answer didn’t surprise Payne. Over the years they’d heard too many horror stories of soldiers getting killed because they were thinking with the wrong gun. That’s why Payne positioned himself as her executioner, not Jones, just to be safe. No sense letting Jones’s hormones cloud his judgment. Changing subjects, Payne asked, ‘What are we facing?’

‘Four-man team out front, wearing camo. No guards in sight. The peak to our rear has us pinned. So does the perimeter fence… You and I could clear it. Not them.’

Payne looked at his crew. A rusty CIA agent, a possible turncoat, an Austrian with an attitude, and a fat guy with a beard. Not to mention weapons built for World War II.

All things considered, he liked their chances.

56

The pushpins were pissing Nick Dial off. They were supposed to be helping his focus — marking the kidnappings, crucifixions, and homelands of the victims — but they were having the opposite effect. One dot here, another there. No rhyme or reason. Just random spots on the map.

Yet Dial knew it shouldn’t be that way. There should be a pattern, a logical pattern. But as far as he could tell, the only connection between the victims was their age and gender — two traits that they shared with Christ who also died in his early thirties. Dial wasn’t sure if that was a coincidence or not, but at this point he wasn’t going to rule anything out.

Find the pattern to find the killer. That’s how it was supposed to work. But three different victims killed by three different crews in an identical way? That was unique.

Frustrated, Dial removed the white pushpins — they represented the victim’s hometowns — and tossed them aside. He figured Erik Jansen hadn’t lived in Finland for years, and Orlando Pope had moved from Brazil when he was a child, so the odds were pretty slim that their hometowns had anything to do with this.

Next he examined the blue pins — they represented the victim’s abduction points. One was an apartment in Rome, one was a sex club in Thailand, and one was a luxury high-rise in New York. Two of the three were the victims’ homes, although that wasn’t enough to establish a pattern. To do that he needed something consistent, something that didn’t change. He needed to find a rule. A steady rule. He could study it, crack it, and follow it right to the killer.

But 66 percent? What could he do with that?

In his mind it wasn’t even worth the space on his board, so he pulled the blue pins, too.

That left only the red pins, which represented the murder scenes. One in Denmark, one in Libya, and one in America. Three victims scattered around the globe. None of the murders occurred on the same continent, let alone the same country, so how could there be a link? Then again, how couldn’t there be? There had to be a connection, maybe something so small that he’d overlooked it a hundred times. He just had to have the patience to find it.

‘Give it time,’ he mumbled to himself. ‘Just give it time.’

Dial took a deep breath and glanced out the window. People wearing shorts and tennis shoes strolled by at a leisurely pace. It had been so long since Dial had taken a vacation that he almost forgot what it was like. To wake up feeling refreshed, to eat breakfast while reading a newspaper instead of a forensic report, to spend the day at the beach or the museum or a -

Tourist attraction. Somewhere like Disneyland. Or the Grand Canyon. Or the Eiffel Tower.

Or a famous castle. Or a historic arch. Or a storied ballpark.

A place where people go. Lots of people go. Where hundreds and thousands and millions of people go. Every day, every year. Guaranteed…

Holy shit! That was it. Crowds could be the thread. The killers wanted crowds. Big crowds. Massive crowds. But why? Why did they need crowds?

People. The killers needed people. Attention from the people. Of all races. And religions.

Good Lord! That’s why the victims were so different. They represented all types of people.

Dial rushed to his bulletin board, theories flying through his mind. Jansen. A priest. Crucified. In Denmark. IN THE NAME OF THE FATHER. The beginning of a prayer. But what did it mean?

Next case. Narayan. A famous prince. The son of a king. Crucified. In Libya. and of the son. The second part of the prayer. The same damn prayer.

A priest then a prince. The Father then the Son.

Keep going. Keep thinking. Put them together. String them together.

Third case. Pope. The Holy Hitter. Crucified. In Boston. AND OF THE HOLY. The third part of the prayer. Add ’em up. Add ’em all up.

A priest, a prince, and a Pope. In the name of the Father and of the Son and of the Holy.

What did it mean? What did the message mean? What were they saying?

A priest = a father.

A prince = a son.

Orlando Pope = the Holy Hitter. No, just Holy. The Pope = Holy.

The Father, Son, and Holy… shit! What’s missing? The Spirit was freakin’ missing!

Where’s the Spirit? Where’s the damn Spirit?

Wait! It hasn’t happened yet. The fourth murder hasn’t happened. Where will it happen? At a tourist spot. It’s gotta be a tourist spot. But where? Think, Nick, think!

The pattern. Follow the pattern. Find the pattern to find the killer. What’s the pattern?

The Spirit. Find the Spirit to find the killer. Wait, who the hell was the Spirit? He didn’t know any goddamn Spirit. How could he find the Spirit? That was ridiculous! He needed to find the spot. Beat the killers to the spot.

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