making sure it was hidden under his shirt.
A few minutes later, Matt found himself back on the main road. He examined the entrance to Omega One carefully. It was nothing more than a gap between two trees in a line of several hundred. He had pedalled past without even knowing it was there and it would be almost impossible to find again. He took off his jacket, tore a strip of material from his T-shirt, and tied it in a knot around a branch. Then he stepped back and examined his handiwork. The tiny, pale blue flag he had created would show him the way back if he ever needed it. Satisfied, he put his jacket back on and set off to retrieve his bike.
About forty minutes later Matt arrived back at Hive Hall. It was almost midday. Noah was working on the side of the barn, painting it with creosote. Matt could smell the chemical in the air. Mrs Deverill would be in the farmhouse, making lunch.
Brushing a few needles off his jacket, Matt walked up to the front door. He was just reaching for the handle when he stopped and stepped back with a shiver of disbelief.
Asmodeus was there, sitting on the windowsill, licking one of its paws. The cat wasn’t dead. It wasn’t even hurt. Seeing Matt, it purred menacingly then suddenly leapt away, disappearing into the house.
WET PAINT
Matt didn’t sleep well that night. He had too many unanswered questions in his head, and the fact that Tom Burgess had promised to answer them made him tense and restless. He couldn’t wait to find out the truth. But that was exactly what he had to do, tossing around in his narrow bed as the sky became grey, then silver, then finally blue. Mornings on the farm normally began with breakfast at seven o’clock. Mrs Deverill was already in the kitchen when he came down.
“So what happened to you yesterday morning?” she demanded. She was wearing a dull yellow cardigan, a shapeless grey dress and wellington boots. All the clothes she wore at Hive Hall looked as if they had come out of a charity shop.
“I went for a walk.”
“A walk? Where?”
“Just around.”
Mrs Deverill took a pan off the Aga and spooned thick porridge into two bowls. “I don’t remember you asking permission,” she said.
“I don’t remember you telling me I had to,” Matt replied.
Mrs Deverill’s eyes narrowed. “I can’t say I’m used to being spoken to in that way,” she muttered. Then she shrugged as if it didn’t matter anyway. “I was only thinking of you, Matthew,” she went on. “If you look at the booklets provided by the LEAF Project, you’ll see quite clearly that I’m supposed to know where you are at all times. I’d hate to have to report that you’ve broken the rules.”
“You can report what you like.”
She placed the two bowls on the table and sat down opposite him. “There’s a lot of work to be done today. The tractor needs hosing down. And we could do with some firewood being chopped.”
“Whatever you say, Mrs Deverill.”
“Exactly.” The pale lips pressed together in something like a smile. “Whatever I say.”
It was nine o’clock, one hour before Matt had arranged to meet Tom Burgess. Matt was working on the tractor, washing it down. For the fiftieth time he looked around him, and realized he was finally alone. Noah was on the other side of the barn, mending some pipes. Mrs Deverill was feeding the pigs. Neither of them was watching him, nor was there any sign of Asmodeus. Matt dropped the hose, then turned off the tap and waited until the last jet of water had splashed on to the ground. Still nobody came. He had left the old bicycle in the yard, close at hand. He stole over to it and pushed it out of the farm. Pedalling would have made too much noise.
A minute later he was through the gate and on the lane. He looked back with a sense of relief. It had all been much easier than he had thought.
Too easy? Matt remembered the way Mrs Deverill had smiled at him in the kitchen. He had wondered then if she knew more than she was letting on. All the time he had the feeling she was playing with him, and the photograph and police report hidden in her bedroom cupboard had only confirmed it. She knew who he was. He was more sure of it than ever. He had been chosen on purpose.
Matt got on the bike and began to pedal, turning left as Tom Burgess had told him. The last time he had attempted this journey, the lane had simply looped him back to where he had started. But this time was different. He was wearing the talisman that the farmer had given him. He reached up and felt it against his chest. Why a stone with a picture of a key should make any difference was beyond him. It was just one of the many questions he intended to ask.
The lane led uphill but there was no crossroads at the top. Instead the road continued past a series of fields. A low, stone wall rose and dipped ahead. He came to a signpost and this one wasn’t broken. It read: GREATER MALLING 4 MILES. Matt stared at it. It was the first reminder he’d had that there was an actual world outside Hive Hall and he had no idea how he’d managed to miss it when he made the journey two nights before.
He found Glendale Farm easily enough. There was a turning about a quarter of a mile further along, with the name printed in bright blue letters on a white gate. Even as Matt cycled down the flower-bordered drive that led from the main road, he thought how much more welcoming it was than Hive Hall. The barn and stables were clean and ordered, standing next to a pretty pond. A swan glided on the water, its reflection shimmering in the morning sunlight, while a family of ducks waddled across the lawn. In a nearby paddock a cow chewed grass, mooing contentedly.
The farmhouse itself was red brick, with neat white shutters and a grey slate roof. Part of the roof was covered in plastic sheeting, where the farmer had been working on repairs. An old weathervane stood at one corner, a wrought-iron cock looking out over the four points of the compass. Today it was facing south.
Matt got off the bike, crossed the farmyard to the front door and pulled a metal chain to ring a bell in the porch. He was early – it was only half past nine. He waited, then rang again. No answer. Perhaps Tom Burgess was working in the barn. Matt walked over and looked inside. There was a tractor and an assortment of tools, a pile of sacks and a few bales of hay… yet no sign of the farmer.
“Mr Burgess?” he called.
Silence. Nothing moved.
But the farmer had to be there. His car, a Peugeot, was parked in the drive. Matt went back to the house and tried the front door. It opened.
“Mr Burgess?” he called again.
There was no answer. Matt went inside.
The front door led straight into the main room, which had a large fireplace with a gleaming pair of bronze tongs and a small shovel leaning against the grate. The fire had evidently burned during the night, as the ashes were still strewn over the hearth. The place was a mess. Tables had been overturned and books and papers scattered on the floor. All the inside shutters were hanging off, some of them broken in half. Matt’s foot caught a stray pot of paint. He picked it up and put it to one side.
The kitchen was in a worse state. The drawers were open and their contents had been thrown everywhere. There were broken plates and glasses and, in the middle of the kitchen table, a half-empty bottle of whisky lying on its side. Matt glanced up. A huge carving knife had been thrust into a kitchen cupboard, its blade penetrating the wood. The handle slanted towards him. It looked odd and menacing.
Every fibre of his being was telling him to get out of here, but Matt couldn’t leave now. He found himself drawn to the stairs. Narrow and twisting, they led up from the kitchen and before he knew what he was doing, Matt was on his way up, dreading what he would find at the top but still unable to stop himself. He wasn’t expected for another half an hour. Maybe Tom Burgess was still asleep. That was what he told himself. But somehow he didn’t believe it.
The stairs led to a landing with three doors. Gently, he opened the one nearest to him.
It led into a bedroom, and this was worse than anything Matt had seen downstairs. The room looked as though a whirlwind had hit it. The bedclothes were crumpled and torn, spread out over the carpet. The curtains had
