purpose of Miss Freya’s life to persuade everybody to call her simply “Freya,” but she had never had much success with it. The older people all remembered that she was the last of the House of Rasmussen and still liked to call her “Margravine” or “Your Radiance” or “Light of the Ice Fields.” The younger ones knew her as their teacher, so to them she was always “Miss Freya.”
“After all,” she said, smiling at Wren as she dabbed the perspiration from her round face with a handkerchief, “you’re not a schoolgirl anymore. We might soon be colleagues. Have you thought any more about coming to help me with the little ones once apple harvest’s over?”
Wren tried to look as if she liked the idea without actually promising she’d do it. She was afraid that if she agreed to come and help run the school, she might end up like Miss Freya, large and kindly and unmarried. Changing the subject as swiftly as she could, she asked, “Can I have a look in the library?”
“Of course!” said Miss Freya, as Wren had known she would. “You don’t need to ask! Was there a particular book…?”
“Just something Daddy mentioned once. The Tin Book.”
Wren blushed as she said it, for she wasn’t used to telling lies, but Miss Freya didn’t notice. “That old thing?” she said. “Oh, it’s hardly a book, Wren. More of a curio. Another of the House of Rasmussen’s many hand-me- downs.”
They went together to the library. It was small wonder, Wren thought, that the Lost Boys needed her help. This huge room was crammed with books from floor to ceiling, arranged according to some private system of Miss Freya’s. Tatty old paperbacks by Chung-Mai Spofforth and Rifka Boogie sat side by side with the wooden caskets containing precious old scrolls and grimoires. The caskets had the names of the books they held written on the backs in small gold letters, but many were too worn or faded to read, and Lost Boys probably weren’t very good readers anyway. How would a poor burglar know where to start?
Miss Freya used a set of steps to reach one of the upper shelves. She was really much too plump to go clambering about on spindly ladders, and Wren felt guilty and afraid that she might fall, but Miss Freya knew exactly what she was looking for, and she was soon down again, flushed from her exertions and holding a casket with the arms of the House of Rasmussen inlaid in narwhal ivory.
“Have a look,” she said, unlocking it with a key that she took from a hook on a nearby wall.
Inside, on a lining of silicone silk, lay the thing that Gargle had described. It was a book about eight inches high by six across, made from twenty sheets of tin bound with a rusty twirl of wire. The sheets were thick and dull and patched with rust, folded over at the edges to stop readers from cutting their fingers on the jagged metal. On the topmost sheet someone had scratched a circle with a crudely drawn eagle inside it; there was lettering around the edge of the circle and more below, but all too worn for Wren to make out any words. The other sheets had aged better, and the long rows of letters, numbers, and symbols that had been laboriously scratched into their surfaces were still faintly legible. What they meant Wren could not say. The faded paper label on the back cover, stamped with the arms of Anchorage and the words
“It’s not very impressive, is it?” asked Miss Freya. “It’s supposed to be very old, though. There’s a legend about it, which the historian Wormwold quotes in his
Wren turned the metal pages, and the wire that bound them scratched and squeaked. She tried to imagine the long-ago scribe who had so painstakingly engraved these symbols, working by the light of a seal-fat lamp in the dark of that centuries-long winter, copying out each wavering column in a desperate attempt to salvage something from the world the war had destroyed. “What was it for?” she wondered. “Why did the submarine man think it was so important?”
“Nobody knows, Wren. Maybe he died before he could say, or maybe it’s just been forgotten. The Tin Book is just another of the many mysteries the Ancients left us. All we know is that the name of an old god crops up several times among all those numbers:
Wren looked critically at the eagle. “It looks more like some sort of bird to me.”
Miss Freya laughed. She looked beautiful, standing there in the wash of sunlight from the library windows, as big and golden as the Earth Goddess herself, and Wren loved her, and felt ashamed for planning to rob her. She asked a few more questions about the Tin Book, but she wasn’t really interested in the answers. She gave the thing back as soon as she could and left Miss Freya to her gardening, promising to come back soon and talk about becoming a teacher.
The day was passing quickly, the shadow of the Winter Palace sweeping across the city’s rusty deck plates as the sun climbed the sky. Soon it would be time for Wren to keep her rendezvous with Gargle. She was starting to feel more and more nervous about it. However dashing and brave and handsome he was, however much she liked the idea of helping the Lost Boys, she could not steal from people she had known all her life. Sooner or later the Tin Book was sure to be missed, and when it was, Miss Freya would remember the interest Wren had shown in it and know who was responsible.
And what
She wandered to the south side of Anchorage and down the well-worn fishermen’s stairs to the mooring beach, where she sat in the shade of an old, rusted-up caterpillar unit and tried to work out what to do. Her huge secret, which had seemed so exciting, was beginning to feel like a bit of a burden. She wished there was someone she could share it with. But who? Certainly not Mum or Dad or Miss Freya; they would be horrified at the thought of Lost Boys in Vineland. Tildy would probably panic too. She imagined telling Nate Sastrugi and asking him to help her, but somehow, now that she knew Gargle, Nate Sastrugi seemed not nearly so handsome: just a boy, rather dull and slow, who didn’t know much about anything except fishing.
She didn’t notice the rowboat nosing in toward the beach until her mother got out of it and shouted, “Wren? What are you doing? Come and help me with this.”
“This” was a poor little deer, stone dead with a hole in its chest, and Mum was dragging it out of the boat and getting ready to take it up to Dog Star Court, where she would butcher it and salt the meat for winter. Wren stood up and went toward her, then noticed how high the sun was. “I can’t!” she said.
“What?”
“I’ve got to meet someone.”
Hester put the deer down and stared at her. “Who? That Sastrugi boy, I suppose?”
Wren had been trying not to start another argument, but the tone of Mum’s voice was enough to make her temper flare. “Well, why not?” she asked. “Why shouldn’t I? I don’t have to be as miserable as you all the time. I’m not a child anymore. Just because no boys ever liked you when you were my age—”
“When I was your age’ Mum said, low and dangerous, “I saw things you wouldn’t believe. I know what people are capable of. That’s why we’ve always tried to protect you and keep you close and safe, your dad and me.”
“Oh, I’m safe, all right,” said Wren bitterly. “What do you think is going to happen to me in Vineland? Nothing