”What can you do?”
Iris takes a small sip ofthe bourbon.It tastes suddenly chemical.And she doesn’t want to get drunk.But she
“I liked the way you jumped up when you heard your kid fall,”
shesays.
“Jumping up when I hear a loud noise is one ofmy talents.”
“I’m serious.Last summer, Nelson was in the backyard playing with his tricycle.He had it upside down and he was spinning the front wheel around and around and throwing little stones into the spokes.He said it was his popcorn machine.”
“I used to do that, the exact same thing.”
“Then somehow he got his fingers caught in the spokes.He was fine, but it hurt and he let out a yell.Hampton was just getting out ofa bath, he’s got this Saturday ritual.”
Daniel envisions him, prone in the tub, his head tilted back and resting on a terry cloth square that had been folded with Japanese precision, his eyes closed, his cock floating on the soapy surface ofthe water, push-ing through the bubbles like a crocodile through lily pads.
“And he just stood there,”Iris is saying.“He heard Nellie screaming.I was in bed, I was sick, and I was calling out to him.He started down the stairs, but when he was halfway down he stopped, turned around, went
Daniel doesn’t know what he can possibly say.She is comparing Hampton unfavorably to him, she is offering herselfto him, she is saying she is unhappy.
“It just seems to me,”Iris says,“that with your kid screaming the first thing you do is get to the kid, not run in the opposite direction.I got out ofbed—”
“With your robe on?”
“Are you trying to annoy me?”
“No, amuse.”
“It really appalled me.I felt something…”She is going to say either
“close”or“die,”but she says neither.Instead, she asks Daniel,“You wouldn’t have done that, would you? Stopped for your robe with Ruby crying out in the yard.”
He shakes his head No.Then, smiling,“But I’m sort ofan exhibitionist.”
She usually laughs when Daniel jokes, now it seems as ifhe is scrambling to put some distance between them, backing out ofthe whole thing.
“You’d think Hampton would be an exhibitionist, too.He’s so proud of
“I’m not really an exhibitionist,”Daniel says.
”I know.”
“And I don’t have much ofa family.Two parents who were too old for the job and sort ofgave up on it, no brothers or sisters.”
“Well, to Hampton, family’s everything.His family, that is.You got a taste ofthat, didn’t you?”
“It wasn’t so bad.”
“It wears on you.Those people, maybe you have to be black to really be angry with them.But it’s that bunch ofNeee-groes who look down on everyone else in the community.”She points to herself.
“You?”
“First ofall,”she explains,“too dark.Second, bad hair.”
“You have wonderful hair,”Daniel says.
”You don’t know anything about my hair,”she says, laughing.“I can’t stand when people talk about my hair, especially…Anyhow, myfam-ily wasn’t part oftheir crowd.Hampton’s people are really amazingly provincial.They’re all intertwined with each other, mixed up in each other’s business.My folks had enough money, that wasn’t really a prob-lem.I mean I wasn’t from the projects or anything.My father’s a hospi-tal administrator, my mother taught kindergarten, before arthritis hit her.But I didn’t belong to any ofthe right clubs.I was
The electricity cuts out for about the time ofa long blink, the world disappears, then shakes itselfback into existence.When the lights come back, the digital clock on the stove flashes12:00over and over.Daniel and Iris sit across from each other, silent, waiting to see what will hap-pen next.And then a few moments later, the lights go out, and this time they don’t come back on.This time it’s for good, they both can feel it.
The children cry out upstairs, with more delight than alarm.
“I love you,”Daniel says in the darkness.
[7]
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In the city, Hampton comes home to what used to be his and Iris’s apartment and which is now his alone.It’s four rooms in a high-rise down on Jane Street, in theVillage.On a block ofpicturesque town houses, most ofthem over150years old, the building is a twenty-five-story eyesore, but the saving grace is that once Hampton is inside he