times; the only evidence that had tempted Rogers to be less lenient with me had come from Hugh. This wounded me without surprising me and I felt that terrible sickness you get when you must acknowledge the righteousness of your attacker. I understood and, in my woozy, isolated, heart-mad way, even
I wrote a hundred letters I didn’t dare send. I wrote to Keith, to Sammy, to Hugh. I wrote more than a dozen letters to Ann and more than seventy-five to Jade. I wrote apologies. I wrote explanations, rationales, and attacks on myself that might have exceeded their most bitter impulses. I wrote love letters—one of which was signed in the smeary blood of a sliced fingertip. I begged and remembered and I pledged myself with an exile’s choking ardor. I wrote at dawn, I wrote in the bathroom, I woke in the desolate middle of the night and wrote and wrote. I wrote poems, some copied, some composed. I made it clear to the world that what Jade and I had found in each other was more real than any other world, more real than time, more real than death, more real, even, than she and I.
Then, on a Friday, the day before my parents were to drive me down to Wyon, a letter arrived for me. It was cleverly concealed in a Student Peace Union envelope, of which I was a member and with which my parents associated the better things of my former life. It was casually, impersonally addressed D. Axelrod, and it arrived with an issue of the
“David, oh David, I want you to be all right.”
I wasn’t to hear another word from her for as long as I was in custody.
2
The man who built Rockville Hospital was named James Marshall Nelson. He built it along sleek modernist lines (modern in the 1920-ish, Bauhaus sense, that is), shooting for and achieving a plush functionalism: curving staircases that were nearly impossible to fling yourself down; wooden floors with the somber walnut tone of inherited wealth and the high gloss of immaculate efficiency. It is said that Nelson built the hospital for himself because he suspected he was going mad and he wanted a hospital he could call home. Nelson, an heir to a rural banking fortune, had served in World War I and after that so-called Great War ended he stayed in Europe, where he apparently was introduced to Sigmund Freud. Freud did not analyze Nelson, but when the young heir returned home he nevertheless called himself one of Freud’s disciples and he devoted his wealth and soul to something called the Wyon Mental Hygiene Foundation.
When Rockville was built, Nelson used his considerable wealth to recruit a number of psychiatrists. I’ve often wondered what sort of doctor would have consented to set up his practice in Wyon, Illinois. The farmers and businessmen who were within range of the hospital’s services would rather have hung themselves from the rafter of a barn than set foot in the place. It was used occasionally by local drunks who wanted a place to sober up, rather than be teased at home or in jail. And it quickly gained a certain folkloric notoriety: mothers threatened to send misbehaving children there, husbands suggested to reluctant wives that they spend some time at Rockville, and, naturally, there were persistent stories of the place being haunted, of orgies, of hidden German generals, of rapes and transformations.
When the banks failed in 1929, Nelson’s banks failed with the best and the worst of them. The Foundation was quickly penniless, and the last of the staff departed leaving a fifty-bed hospital with forty-nine empty beds—the only patient was James Marshall Nelson himself. He lived alone in Rockville, transferring himself from his room to the chief physician’s stern little suite. He treated himself and took voluminous notes on the progress of his self- analysis—these notes, edited by his cousin Marie Nelson Abish, were published in the 1950s under the title of
Yet Nelson was vindicated. Though Rockville remained empty for years, not long after the appearance of
Had it not been for my grandfather’s money, I don’t see how I could have gone to Rockville. Even with their savings and the money put aside to help me with college, Rose and Arthur couldn’t have paid the $25,000 a year it cost to stay there. (Or so I assume. I never knew for certain what their financial situation was. Of all the vulgar, undignified things I was trained not to discuss, money was the most forbidden. I wasn’t answered when I asked how much my toys, my shoes, or even the meat on my plate cost. And if I’d asked them for a look at their Hyde Park Bank for Savings passbook, I would have been treated—to put it vulgarly but accurately—as if I’d requested they not flush the toilet so I might examine their feces.) But Arthur’s father, Jack Axelrod, had money, and though Arthur broke with his father by joining the Communist Party in the middle of law school, Jack remained, in a sporadic, long-distance way, my grandfather—expressing his thwarted tenderness as a kind of bogus Jewish tribalism: “You’re my only grandson. The others had girls.” Jack, retired from business and living a lonely life of leisure in one of those Florida retirement villages, had framed photos on his wall of my Uncle Harris, Uncle Seymour, and Aunt Hannah, and, where the picture of Arthur should logically have hung, a picture of me.
Resentful and maybe even a bit respectful of the alien values by which I was being raised, he never knew what to send me on birthdays or at Hanukkah and so twice a year he’d sent me $25—in cash, as if people like us might not know how to use a bank. I kept this money in a special savings account and one day, in the middle of my dolorous thirteenth summer, impulsively withdrew it to buy a plane ticket to Florida, leaving in the middle of the day with my bathing suit under my jeans and without a word to my parents. Jack kept me and my secret for two days, introducing me to his card-playing partners and winking at me to let me know these were not people who he