open the doors that had closed, opening the dark secrets lying at the bottom of her eyes; it went through her like a physical pain, like the agonizing return of blood to a frozen limb. King's daughter, daughter of a king who ... who had. . .
No, not blood to a frozen limb; it was the thrust of the torch into the tarred bonfire, and the lick of the fire was cruel. The memories flared into brightness, seared her vision, stabbed through her eyes into the dark protected space inside her skull.... She wanted to scream, and could not, could not breathe, even so little movement as the rise and fall of her belly and breast-the involuntary blinking of her eyes as ordinary sight tried to bring her back into the room where the only warm things were her and Ossin and Ash, surrounded by cool paint on canvas, and dust-even this much motion, reminding her that she still lived, stretched her skin to bursting. It was as well she could not speak, even to moan; any cry would drive her over the lip of the pit, the pit she had forgotten, though her feet had never left its edge, and now that she had looked, and seen again, she could not look away. There were some things that took life and broke it, not merely into meaninglessness, but with active. malice flung the pieces farther, into hell.
She would die, now, die with the benevolent sun on her face, leaning against a table in the quiet store-room of a man who was her friend and to whom she had lied about everything, lied because she could not help herself, because she knew nothing else to tell. She remembered the last three days and nights of her life as a princess; remembered the draining away of that life, and the last violent act that she believed had killed her. Even now, her body's wounds healed by time and Ash and snow and solitude and Moonwoman, and six puppies, and the friendship of a prince and a stable-hand; even now the memory of that act of violence would shatter her; she could not contain the memory even as her body had not been able to contain the result of its betrayal.
'Deerskin,' said her friend. 'What is wrong?'
Silky fur between her fingers; the reality of one dog, one dog's life, bringing her back to her own, as it had several times before. Her fingers clutched, hard, too hard, but Ash only stood where she was, bearing what she could for her beloved person's sake. Lissar, looking down into those brown eyes looking up, thought, Who can tell what she remembers of that night? But she is here as am I, and if I am to die of that night's work, let it not be before this man who gave me good work to do, and who has tried to speak to me as a friend.
I did not lie to him about everything, she thought. I told him that I liked dogs. And without conscious volition, her fingers searched out the lump at the back of Ash's skull. Ash had not carried her head as if it were sore in many months, not since Lissar had woken up wearing a white deerskin dress for the first time; but the lump was still there, for fingers that knew where to look.
'Forgive me,' she said; her brain, still stunned, could not come up with even a bad reason for her faintness; any reason, that is, other than the truth, which she could not tell him, even to change her habit of lying to him. 'Forgive me. It is over now. Will you'-her lips were stiff, and she could not think what question she might ask, to lead him away from her own trouble, and so she asked a question bred of memory and confusion: 'Will you marry Lissar?'
Ossin smiled. 'Not I. Not a chance. I am far beneath her touch. Her father is a great king, not a hunting-master with a rather large house, like mine. She's his only daughter, and . . .' He hesitated, looking at her, seeing her distress in her face, but seeing also that she did not wish to speak of it, and trying to let her, as he thought, lead him away from the source of that distress. He did not want to talk about Lissar; but the fate of a princess in a far-away country should be a safe topic. 'After his wife died, the story was that he went mad with grief, and when he got over it, he grew obsessed with his daughter, and believed that no king or prince or young god with powers of life and death was good enough for her. Had I wished to run at that glass mountain I would have slid off its slick sides even before I was banished for my arrogance in wanting to try.'
Lissar thought he looked at the painting almost with longing; perhaps he was remembering the first- class dog he had lost in a moment's romantic whim. 'But you were sent a painting,' she said, her mouth still speaking words that her brain was not conscious of forming. 'You must have been considered an eligible suitor.'
The longing look deepened. 'I have wondered about that myself. My guess is that it was part of her father's wealth and importance that he could send paintings to every unmarried prince and king in his world.' After a moment he went on: 'I quite like the painting-who I imagine the person painted to be. She is watching from behind her eyes, her princess's gown-do you see it?' But Lissar was watching him.
'Her mother was said to be the most beautiful woman in seven kingdoms, and that her daughter grew more like her every year. She is beautiful, of course, the glossy hair, that line of cheekbone, the balance of features; but it's not her beauty that I keep seeing in that painting. It's her ... self, her humanity. Or maybe I just like the way her hand rests on her dog's head, and the way the dog is looking out at us, saying, mess with my lady if you dare, but don't forget me. I like thinking that Ash is appreciated.'
He turned away, embarrassed. 'Pardon me. Here I've just been telling you that these portraits are invariably fraudulent, and now I am spinning a fairy-tale about a woman I have never met as painted by someone whose whims and imagination I have no guess of.' Another pause. 'Perhaps I was sent a painting in acknowledgement of the dog I bred; who knows how great kings think? I received no other acknowledgement, except Mik, who delivered the pup, was favorably taken by Lissar as a potential dog- owner.'
Lissar dared to turn around and look at herself once more. 'It is a very handsome dog.'
'Hmm?' said Ossin. 'Oh. Yes. It is a very handsome bitch.' He smiled a little, again, sheepishly. 'Perhaps I give myself permission to believe in how this painter presents the princess because the dog is so well done by. She looks so like her mother; that same wary look, when I was asking her to do something she considered of dubious merit. She would certainly have looked just so had I required her to sit for her portrait.'
There was a longer pause. Lissar thought that Ossin would stir from his reflections, and suggest they leave, and they would leave; although Lissar's ghosts would go with her. But then they had been with her all along; now, only, she had names for them. And was not naming a way of establishing a pattern, of declaring control? She remembered the Moonwoman's words to her, and she wanted to say, It is not enough. I am sorry to be one of your failures, but I cannot bear it. I still cannot bear it.
Lissar straightened a little, still sitting on the edge of the table. 'Whom did Lissar marry, after all?'
'She didn't. Although it's rather murky what exactly did happen. Usually we get quite good gossip at this court-we all like hearing how the real royals live-but somehow this story never quite got to the circle of our friends. I think she is supposed to have died; there was this uproar, and the king went very strange again, like after his wife died. No one would say if Lissar had actually died or if so what of.
There was even a story that a lion leaped over the princess's garden wall and seized her; as soon say a dragon flew off with her, I think. But it was definitely given out that the king was now suddenly without
