business. Doing paperwork was like oiling the machinery of the museum. Paperwork kept things running; it gave her staff what they needed to do their jobs; it kept the museum on the cutting edge. Less paperwork meant the museum was getting static. Diane particularly didn’t mind it today. It was so far removed from the world of prisons. The moment she walked into the old Gothic building, she welcomed the smell of the museum, the smooth wood walls, brass fixtures, polished granite floors-and most of all, the happy people. She finished signing the last report and headed upstairs to archaeology to see Jonas Briggs.

Jonas had a two-room suite on the third floor, across from the archaeology exhibits. One room was his office; the other was a small lab where he did most of his work. His office was wall-to-wall bookcases and was filled with as many books and papers as Marcella’s. He did have a couple of blank spaces on the walls where he had hung enlarged photographs of archaeological excavations from the thirties. In another space he’d hung an abstract painting with bold, bright slashes of color, which he said was done by an elephant. A table flanked by two stuffed chairs sat in one corner of the room. A Staunton sandalwood chessboard was always set up on the table and he and Diane played when time would allow.

Jonas was sitting at his desk. A young couple Diane recognized from a photograph as Paloma Tsosie and her husband, Mark, sat in the two stuffed chairs.

“Diane, come in,” said Jonas. He rose from behind his desk and introduced Marcella Payden’s daughter and son-in-law. Jonas had said they were both teachers on the Navajo reservation. They looked younger than Diane had imagined. They also looked younger than their pictures. They must have both been just out of college.

“I wanted to thank you for the hotel,” said Paloma, rising to shake Diane’s hand. “It’s so nice, and so convenient to the hospital.”

Paloma looked like an early version of her mother. She was petite, had an oval face, honey blond hair, large blue eyes, and full lips.

Her husband, Mark, had short black hair, dark eyes, and light brown skin. He had a lean face, a slender nose, and sharp cheekbones. They were an attractive couple. Mark stood with his wife and shook Diane’s hand, reiterating the thanks his wife had offered for Diane’s hospitality. Diane felt sincerity from both of them. They were grateful for her kindness and it showed in their eyes and their firm, lingering handshakes.

“You’re welcome. I’m fond of your mother and it’s the least I could do,” said Diane. “She has done some wonderful work for the museum. We’re very excited about the collection she is putting together.”

Mark offered Diane his chair, but Jonas shoved a stack of journals off a chair and brought it around for her. Paloma and Mark sat back down. Jonas rolled his desk chair around so he wouldn’t be behind his desk.

“How is Marcella?” asked Diane.

Paloma grasped her husband’s hand. “She still has swelling in her brain. The doctors are hopeful. I’m not sure what that means.” She looked at Mark and Jonas, and back at Diane. “They won’t say much.”

“They probably don’t know much,” said Jonas. “We just have to wait. Marcella’s a fighter.”

Paloma smiled briefly. “She is that. We have an appointment to speak with the detective this afternoon. I’m worried he’s off in the wrong direction,” she said. “Jonas told us how he was questioned.”

“It’s just the way the detectives do things,” said Diane. “Don’t read too much into it.”

“This arguing thing-Mother loves scholarly debates and her friends love to argue with her. She never bothers debating people who don’t have intelligent ideas. It’s just the way she is. It’s obvious to me it was those hooligans who attacked you and that detective-Hanks-who also attacked Mother. What’s wrong with him that he can’t see that?”

“He’s just getting the obvious interviews out of the way first,” said Diane.

It wasn’t exactly true, but she could see Paloma getting herself worked up, and she doubted Hanks would interview Jonas again.

“I hope so,” said Paloma. “Unless they find out who did all of it, Mother will never feel safe in that house again, and she loves her house. She said it needs to be on If Walls Could Talk, you know, that home-and-garden show about old houses.”

“I’m sure Dr. Fallon is right,” said Mark. “The detective has to understand her world before he can understand what happened to her. When he sees she’s not a woman who brings enemies around her, he’ll look outside her circle.” His wife smiled at him.

Diane asked Jonas, “Did you ask Paloma what her mother’s words that night might have meant?”

Jonas looked blankly at Diane for a moment. “Oh, I clean forgot. There’s just so much going on,” he said.

“What?” asked Paloma.

“When I found… While we were waiting for the ambulance, Marcella was conscious for a few moments. She said what sounded like ‘tiger after all loose moment.’ I don’t know if I heard it right. Her voice was faint,” said Jonas. “We couldn’t make anything out of it.”

“She said, ‘Tiger after all. Lewis moment,’ ” said Paloma, nodding her head. She looked over at her husband, who agreed. “If she could make sense right after she was hurt, then there’s a chance she’ll not be permanently damaged. Don’t you think?” She gazed at all of them, as if looking for agreement.

Mark nodded. “I think you’re right.” He put a hand on her shoulder and squeezed. “That’s hopeful.”

Diane and Jonas glanced at each other, shrugged slightly, and focused back on Paloma.

“That makes sense to you?” asked Jonas.

“Lewis Blaire is one of her colleagues at Arizona. He’s a cognitive archaeologist. His work is about-”

“Perception,” said Jonas, nodding.

“He has the idea we perceive things subconsciously before we do consciously, and that ability gave early man an edge to deal with fast predators like the sabertoothed tiger,” said Paloma.

Diane cocked an eyebrow and looked at Jonas.

“The idea is that you perceive a predator subconsciously and act instinctively before it has a chance to jump you. Kind of an early-warning system.” Jonas wiggled his hand. “I have my doubts, but the idea is supported by some brain-function research. I just don’t think it could help you outrun a sabertooth.”

“Mother liked the concept because it happened to her,” said Paloma. “She was surface collecting in an overgrown field-I was with her-and suddenly out of the blue, she jumped way to the side and almost knocked me down. She scared me. I asked her what was wrong, why had she done that, and she said she didn’t know. Well, we looked down and saw there was a rattlesnake lying in the grass, and if she had taken another step forward, she would have stepped on it. If you believe Lewis’ concept, her subconscious perception had caused an instinctive involuntary physical reaction that saved her from the snake before she could even think about it. She calls those kind of phenomena ‘Lewis moments.’ ”

“Interesting,” said Diane. “That means she probably had one of those moments before she was attacked.”

Paloma nodded. “But the sabertooth got her anyway.”

“So what does this mean, really?” asked Diane.“Marcella saw or heard something that didn’t register, but caused her to react in some way and-what?”

They were silent for a minute, looking at each other in turn. Jonas spoke first.

“I think that’s exactly what happened. She subconsciously detected some threat and reacted in some way, but no threat appeared immediately. That’s what she meant by ‘tiger after all.’ There was a sabertooth in the bushes after all and it attacked her.”

Chapter 13

Diane suggested they all go to the museum restaurant for lunch. As they stepped into the elevator just outside Jonas’ office, Paloma wrapped her sweater tight around her and gave a little shiver. She looked fragile and frightened and very young. Mark put an arm around her shoulders.

“I had to buy a sweater when I got here,” she told Diane. “I’m not used to it being so chilly this time of year.”

“It’s a little colder than normal here,” said Diane. But what she thought was how vulnerable the young couple looked. He in his loafers and jeans and blue T-shirt, and she in her sandals and jeans and peasant blouse, they were

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