detonating the mine. I’m pretty sure that’s what we’ve got here. Lucky, because there’s not much you can do with the early type. But with the later type, if you can locate the position of the battery inside the mine, you can drill a hole through from the outside and flood it, neutralizing it.’
‘Or you can miss it and drill into high explosive. Good idea.’
A voice crackled through on the intercom. ‘This is Macalister. I’ve just dropped in on your little chat. Kazantzakis, get out of there. I’m pulling Seaquest II off position immediately. I repeat, get out of there. Do not touch that mine.’
The sea filled with the churning sound of the ship’s twin screws. Jack injected a small blast of air into his buoyancy compensator and rose a few metres above the wreck, until he could clearly see the jagged hole in the stern and the tangle of collapsed central superstructure where the deck housing and funnel had been.
‘Problem,’ Costas said.
Jack’s heart sank again. ‘What now?’
‘I’ve just off-gassed.’
‘Christ.’ Jack shut his eyes. A rush of exhaust bubble through corroded metal. That was the last thing they needed. Their rebreathers were semi-closed-circuit, meaning that every few minutes they automatically expelled accumulated carbon dioxide. An override allowed the waste gas to accumulate to a higher pressure before being expelled, but that had not been activated; the dive plan had not involved defusing a mine. Jack kept his headlamp trained on the superstructure, and watched the first bubbles percolate upwards. There was a sudden explosion of bubbles, wreathing the corroded metal. The worst was happening. The silvery shimmer gave way to red, as the bubbles blew through the corroded metal and released a cloud of rust. He braced himself. There was a lurch, and he watched in horror as the mine sank slightly into the metal that had been cradling it. He counted the seconds. How long before that battery energized? Five seconds? Ten? Any longer and the contact, the enemy vessel, might have moved off. That was how it was supposed to be. In 1915. When there was a war on. Not now. He shut his eyes. Twenty seconds. Twenty-five. Thirty.
The intercom cracked. ‘Make that one inch away,’ Costas said. ‘Nearly knocked my helmet off.’
‘For God’s sake get out of there,’ Jack said hoarsely.
‘We’re in luck, again,’ Costas replied. ‘The mine’s come to rest on two steel girders. It’s wedged hard into the metal. I can see the shiny surface below the corrosion. It’s not going anywhere. And none of the horns made contact. We’re safe.’
‘ Safe,’ Jack exclaimed. ‘Right.’
The ship-to-diver feed crackled again. ‘Macalister here. It sounds as if the buoyancy chambers in the mine are flooded. We’ll need to attach lifting bags and float it off, then remotely detonate it. I say again, detonate it, Kazantzakis. That’s a job for the Turkish navy underwater demolition team. They’ve done it often enough in the Dardanelles. And it’s just the kind of liaison we want. Might help to extend our permit. Not, I repeat, not a job for us. Do you read that loud and clear? Copy.’
‘Copy that,’ Jack said. ‘You hear, Costas? Not defuse. Detonate.’
‘Copy that.’ Jack saw movement, and Costas’ fins appeared through the ragged hole in the stern of the wreck, followed by his body. He came upright beside Jack, his boiler suit barely recognizable beneath the grime and rust. ‘Never defused a First World War German mine before. I was looking forward to putting one of those horns on my mantelpiece, beside my other relics.’
‘You wouldn’t have done it, would you?’
Costas reached into the thigh pocket of his suit, and pulled out a rubber-encased gadget the size of a Dremel tool. He tossed it upwards and it circled in slow motion in the water, coming back to his hand with a long titanium drill bit extended from the front. ‘Multiple function. Six different bit sizes.’
‘But then you would have thought of how nice it is to be alive. About how much I might want to stay alive. About Rebecca.’
Costas spun the tool again, retracted the bit and shoved it back in his boiler suit pocket. ‘Copy that.’ He tapped the side of his visor. ‘Six minutes to go. You got that sediment sample?’
‘Just going for it. Now that your little diversion is finished.’
‘Fun’s over.’ Costas rose a few metres, and hovered above Jack. ‘I’m watching your six. Nothing else.’
‘Roger that.’
Jack dropped below the starboard side of the hull. The sand was coarse-grained, the type Lanowski said had been swept down by the currents from the Dardanelles, perhaps even from the river Scamander and the plain of Troy itself. He aimed his headlamp at the base of the scour channel. A wooden beam was sticking out from under the metal hull. Jack suddenly forgot the mine. This was not right. He was looking at timber. It was blackened with pitch, forming a solid glossy surface where it had oozed out. He lay on his front in the sand, his visor inches from the wood. It showed minimal erosion, only a few pockmarks from wormholes near the top. It had clearly been buried until recently, until the scour channel had revealed it. He looked at the edge of the channel, at the surrounding sea bed. The top of the timber was at the same level. Whatever had protruded above that level must have eroded away, but there was a chance that more was buried, undisturbed. Buried some time before the minelayer had sunk. He stared at the timber. Buried a long time before. Jack realized he was already working on a fantastic assumption. He had found another wreck. A much older wreck.
He remembered the charred fragments of Bronze Age timbers he and Costas had discovered on the beach near Troy fifteen years before, a small section of planking with pieces of three frames still attached. He remembered the distance between the frames, about twenty centimetres. He put his left hand against the timber where it protruded from the sea floor, and put his right hand about that distance away. Where it touched the sediment he wafted, and seconds later the blackened end of another timber appeared. His pulse quickened. Two frames, the same distance apart as those he and Costas had found. He wafted between the frames, using both hands, kicking up a small storm of sediment that took a few moments to settle. He pushed his face into the suspended silt. Bingo. Not just frames, but planking . He reached over the upper edge of the nearest plank, then felt the join with the next plank. He moved his fingers along until he felt two bumps, one on each plank, an equal distance apart from the join. There was no doubt about it. They were treenails, hardwood tenons hammered through each plank. His heart was pounding with excitement. He had to control his breathing. He had found an ancient hull. The planks were edge-joined with mortise and tenon, a technique used by shipwrights from the Bronze Age. But how could he be sure these timbers were that old? Could he even think that they dated to the time of the Trojan War?
He looked up, and saw Costas ten metres or so above him, silhouetted against the smudge of light from the surface of the sea far above. He glanced at his computer. Only three minutes left. He rose a metre or so, and looked down again. His wafting had revealed something resting on the planking where the timbers protruded from under the rusting hull of the warship. He dropped down and wafted again, strong, quick strokes. This was no time for finesse. What he discovered in these moments could determine the future course of the excavation. He stopped to let the sediment clear, and there it was, intact, lying half embedded in the sea bed in front of him.
His heart pounded. It was unbelievable. It was an ancient pottery cup, beautifully preserved, a kylix, a distinctive Greek form, raised on a stem with a broad, wide bowl that tapered down, like a large champagne glass but with small vertical handles on either side of the bowl. Jack stared at it, his mind racing back to Troy, to the finds he had seen in the Canakkale archaeological museum that day with Macalister. This was Mycenaean. The shape, the details of the stem and the handles were absolutely distinctive. The part of the bowl he could see exposed above the sand was decorated with a marine pattern, a beautifully painted octopus that wrapped round the cup, the red paint still radiant. He knew the Mycenaean kylix dated to the late Bronze Age, between the fifteenth and the twelfth century BC. The style of decoration tightened the date even further, to the thirteenth, perhaps early twelfth century BC. He hardly dared believe it. The time of the Trojan War.
He needed to think fast. Mycenaean pottery had been found at Troy, but it was rare, probably highly prized. This cup could have been cargo, brought by a trader some time in the lead-up to the war, when Troy was a hub of commerce. But that must be wrong. These timbers were not those of a merchantman, but a galley. A war galley. The cup must have been the possession of someone on board. A crew member seemed unlikely, even the captain. They would have used bowls, ladles, to dip into the water vats, drinking their wine crudely, as sailors did. A cup like this would have been far too delicate for shipboard use. So it must have been a passenger. A Mycenaean noble, taking a galley to Troy? The Iliad showed that nobles, princes bent on war, took their prized possessions with them, the accoutrements for lavish feasting and wealth display. Princes bent on war. Jack knew where his thoughts were
