***

THE FOLLOWING AFTERNOON FOUND JULIA, SOMEWHAT to her own surprise, back in the library. Her interview with the Chief Attendant had been long and humiliating: he had looked at her so strangely when she first mentioned the fog that she spoke, thereafter, only of taking a wrong turn and finding herself lost in the Iron Library. When asked why she had climbed the stair, she could only reply that she had mistaken it for the way out. But he was plainly not satisfied: she had, he said sternly, broken several regulations, ignored numerous notices, created a disturbance in the Reading Room, and placed herself in serious danger. The Trustees would have to be informed, and might well decide to suspend her ticket.

What had actually occurred remained unfathomable. Julia had been followed onto the Reading Room gallery, not by the doll-child, but by an attendant who had noticed a woman ascending the staircase in the Iron Library. The only rational explanation she could conceive of was sleep-walking, but she could not quite believe it. There was, of course, the darker possibility that her mind had given way under the strain of prolonged grief. Yet she could not shake off the sense that the anonymous black book and the terrifying encounter in the fog were in some way connected. Besides which she had discovered, in the course of another troubled night, that fear of the doll-child's renewed attentions had followed her home. Until she could discover the meaning of these events, she would not feel secure, and instinct told her that the answer must be sought in the Reading Room, to which she accordingly returned, heavily veiled and in other ways disguised as far as possible.

The afternoon outside was bright and clear, the dome filled with light and entirely free of fog, which at least implied that she would be safe from a renewal of yesterday's terrors. But although an inspection of the upper gallery confirmed that she had been too high above the readers' desks for her features to be easily discerned, Julia felt most conspicuous and ill-at-ease. To inquire any further after the anonymous black book was obviously impossible. But wait: there was, after all, a section of the catalogue devoted to anonymous works, and she might as well look through it as sit uncomfortably wondering whether the voices murmuring on the other side of the partition were murmuring about her.

'Anon', however, proved far more prolific than Julia had anticipated. She had begun her search on the principle of the child's game of 'warm or cold', filling out an application for any title which looked remotely promising. But mindful of the notice discouraging readers from requesting numerous books at any one time, and of her already uncertain standing in the Reading Room, she found her progress-or lack of it-so slow that the light was fading from the dome before she had surveyed even a fraction of the tides beginning with 'A'. It would clearly take weeks or months, with no likelihood of success… but what was this?

A Full and True Account of the Strange Events leading to the Death of the Poet Frederick Liddell Esq., on the night of Thursday 2nd March, 1899. 8vo. London. 1899.

The date given was today's, or rather tonights: an impossibility, but there it was, starkly presenting itself to Julia's uncomprehending gaze. The printed entry slip, which looked as if it had only just been pasted in, was set out in the usual fashion, and accompanied by a press-mark which, together with the first few words of the title, Julia had numbly copied onto an application slip and deposited at the issue desk before the import of the words had even begun to sink in. It must be another Frederick Liddell, an inner voice kept repeating, but she knew this to be false; she had looked up his name in the catalogue too often, formerly for the pleasure and latterly for the pain of seeing it printed there. Almost any other reader, confronting the same entry, would have attributed it to clerical error, or at worst an elaborate and distasteful hoax; to Julia, the words emblazoned upon her inward vision seemed like a declaration of the inevitable.

Fifteen minutes crawled by, and then a half-hour. The electric lights came on; the windows in the dome darkened steadily; Julia waited in growing apprehension with her thoughts revolving as upon a treadmill. Should she not go to his rooms and see if he was there, to warn him? But warn him of what? To know exactly where and when the danger lay, she would have to see the book… but then the rational part of her mind would rise up in protest, only to be subdued in turn by a vivid recollection of the immense woman bearing the coffin-shaped parcel, so that she sat paralysed between these warring inner factions until an attendant came to inform her that no record of any such volume could be found. Julia returned at once to the catalogue; she could visualise the position of the entry quite clearly, in the top right-hand quarter of a right-hand page, but realised, when it did not appear in the expected place, that she had absolutely no recollection of its surroundings. Because new entries were constantly being pasted in, their order was not always precisely alphabetical, but she searched many pages in either direction without finding what she sought. This, however, only heightened her sense of foreboding. It was black night outside; she could delay no longer, no matter what humiliation might follow. But if she were not home soon, even her husband might become anxious enough to initiate a search. Hastily scribbling a note to say that she would be dining with Marianne, Julia gathered up her things and rushed from the Reading Room.

THE NIGHT AIR WAS DAMP AND STILL, WITH A HINT OF mist about the street lamps, as Julia rang the bell at the street door below Frederick's rooms. There was a long wait, made even longer by the combined weight of foreboding and painful recall, before the door was opened by an ancient porter.

Her apprehension increased with every one of the seemingly endless flights of stairs, and she was obliged to pause even longer than was necessary to recover her breath before she could summon the courage to knock at Frederick's door. All had been silent within; at the sound of her tapping the silence seemed only to deepen; then there was a muffled thud, followed by the sound of rapid footsteps and a clatter of locks and bolts being undone. Almost worse than the dread of what she might encounter was the resurgence of a hope so long repressed, a hope that flared wildly at the first sight of his face, so pale and gaunt and worn, suddenly radiant with an answering joy. She had crossed the threshold and flung her arms around him-feeling at once how dreadfully thin he had become- and kissed him with all the passion of her resurrected love, before the name he was so tenderly murmuring resolved itself as, undeniably; 'Lydia'.

JULIA DISENGAGED HERSELF AND DREW BACK, SEARCHING the well-remembered face for some sign of recognition. It was, and yet was not, the Frederick of old: unshaven, clad in a crumpled shirt and trousers and a pair of old carpet slippers, with a frayed green dressing-gown over his shoulders, his hair even longer and more disorderly, but lacking its former lustre. His adoring expression did not change, but he seemed to be gazing through rather than at her face. For a moment she feared that he was blind, until he evidently noticed the open door, which he reached out and closed behind her. As it clicked shut, an expression of bewilderment crossed his face; he looked from her-or rather, from the person he evidently saw in her place-to the door and back again.

'It is finished, and you have come,' he said in a strange abstracted tone, 'but I expected… I thought you would have…'

He trailed off, glancing towards the French windows, which Julia saw were open to the night. Despite the fire burning in the grate opposite, she felt the chill draught from the balcony. She did not want to understand his implication, nor did she wish to believe him mad. Might he be sleep-walking? And if he stood, as it were, in the midst of a dream of Lydia, might he not be woken…? But even as she opened her mouth to cry, I am Julia, not Lydia, the futility of it overwhelmed her. Dreaming or waking, Frederick had given his whole heart to a dead woman, and there was no room in it for the living; that love was ashes, and would arise no more.

Besides, she had somewhere read or heard that sleep-walkers should not be woken abruptly, but coaxed back to bed and watched until they fell into a true sleep, from which they would awaken with no recollection of the previous nights encounters. There flashed upon her the conviction that she understood the omens of recent days, for had she not come to him tonight, Frederick might well have plunged heedlessly to his death. The first thing, therefore, was to close the French windows; no, first get him safely into bed, then secure them.

'Frederick,' she said, gently taking his arm, 'you are very tired, and must rest now.'

'Yes, I am very tired,' he repeated. 'But-you will not leave me, Lydia? Not now?' His voice rose and quavered on the last words.

'No, Frederick,' said Julia sadly, 'I will not leave you. But you must go to bed now, and sleep.'

With that she led him slowly across the room, staying as far as possible from the dark doorway opening onto the night, and along the passageway to his bedroom, now dreadfully stale and disordered. He stood obediently, like a child, while she straightened the bedclothes as best she could and turned back the sheet; like a child he sat on the edge of the bed and removed his slippers and dressing-gown, then immediately lay down and composed himself for sleep. His eyes had closed before Julia had settled the bedclothes about his shoulders, and within the space of a

Вы читаете The Ghost Writer
Добавить отзыв
ВСЕ ОТЗЫВЫ О КНИГЕ В ИЗБРАННОЕ

0

Вы можете отметить интересные вам фрагменты текста, которые будут доступны по уникальной ссылке в адресной строке браузера.

Отметить Добавить цитату