newspaper, torn posters and blank picture postcards, then settled by the kerbs or in the middle of the streets which nobody came to sweep. The rubbish gradually rotted, unless the monsoon rains washed it away and the waters of the Mekong carried it down to the sea.

What Kafka was longing for most in his life was probably a human encounter. At the same time it represented for him a mysterious abyss whose bottom seemed to him unfathomable. But he lived at a period which, more than anything else, began to exalt revolution. Only what was revolutionary in art, as much as in the social order, seemed worthy of admiration or at least of interest.

For that reason, too, they looked in his sentences and images for a revolutionary message. But when I read his letters to the two women he loved, or at least tried to love, for whom he yearned and of whom he was afraid, I realised that if I did the same I had no hope of understanding him.

His first love lasted for more than five years. He invited her to him, he drove her away again, he implored her not to leave him unless she wished to destroy him, and he implored her to leave him or they would destroy one another. He got engaged to her and immediately afterwards he fled from her. When she kept silent and failed to answer his letters he lamented his fate and begged for a single word of favour. Encounter, coming close together with a woman he loved was for him a chance of fulfilling his life, a chance he persistently missed. The struggle he was waging with himself totally consumed and exhausted him.

Could a person as honest as that write about anything other than what was shaking his whole being, what occupied him day and night? About anything other than the struggle he was waging, even though that struggle, by comparison to the revolutionary events in the world, was less than trivial? Although he mostly speaks of himself and although his heroes are, even in their names, avowedly himself, he yet concealed the true nature of his struggles. He was not only shy, he was so much an artist that he expressed everything he experienced in images. The torturing machine, which slowly murders the sentenced man, was invented by him at the very moment when, after a bitter inner struggle, he decided to get engaged after all. A few weeks later, when he broke off his engagement, treacherously as he himself felt, he conceived the trial in which the tribunal judges the accused for an offence that is not clear to the reader and has often been interpreted as metaphysical guilt, as a metaphor of original sin.

Even in a revolutionary period there were undoubtedly other writers whose works, without our feeling obliged to search them for hidden messages about the meaning of existence, were full of images and metaphors. But in Kafka’s work there is something more than just a cleverly invented image, something that moves us and grips us, something that lures us fatally on like a sheer drop.

Daria’s exhibition was being set up in three reasonably sized rooms of a Gothic house. The exhibition – including twenty drawings – comprised seventy-three items. She could easily have shown a few items more or less, but that number seemed to her the most suitable. 1973 was the year her daughter was born.

For almost two weeks we packed and heaved crates with figures and paintings. Our faces and hair were covered with a layer of wood-shaving dust.

You’re so kind to me, she said, brushing the dust off her jeans and embracing me. And I’m not devoting myself to you at all. Have a glass of wine at least!

She promised to make it all up to me. We’d travel somewhere that I’d like, there wouldn’t have to be any water there, she knew that I didn’t care for water, she’d come to the mountains with me.

I wasn’t anxious to go either to the water or to the mountains, I didn’t need a rest, I’d much rather work undisturbed. But I behaved like a good boy, I didn’t raise any objections, I unpacked the sculptures we’d brought along, I helped to nail pedestals together and hang cords from the ceiling, I adjusted the lights, and in the evening I drove her back home as fast as I could.

My wife, it seemed to me, still had no suspicion of how I was spending most of my time. Or didn’t she want to suspect? The day before the opening of the exhibition she was leaving for an ethological conference and wanted to know if I minded being left on my own for so long.

I didn’t betray my relief at her going away just: then. I assured her I could look after myself.

If I wished, she suggested, I might come along with her. I was sure to find the people at the conference interesting. For a while she told me earnestly about people who kept snakes or exotic butterflies, about experts on owls, marmosets and white stags. She wanted to provide some diversion for me, some experiences I wouldn’t have in my solitude, and when I declined her offer I felt guilty. I was about to repay her offer of help with betrayal.

It was her husband who drove my lover out to the private view of her exhibition. He’d finally emerged from the darkness. I suggested to her that I stay at home that day, I’d seen her work anyway. But she didn’t want me to leave her at such a moment. I had to overcome a cowardly wish to avoid what would be an awkward encounter, to make the excuse of being ill, or of the car being out of action. There are plenty of excuses a man can invent, but I didn’t wish to lie, at least not to her, so I went.

I knew her husband only from photographs, but I instantly identified his tall athletic figure. The room was crowded by then and I don’t know if he noticed me too. He was talking to a bald-headed, wizened old man, almost certainly her father, whom I hadn’t met either. I didn’t know any of the people in the room, I belonged solely to her, to her who was severed from all ties and relationships. I felt so much out of place that it depressed me.

She came over to me almost instantaneously. Unfamiliar, almost strange in a long poppy-crimson dress. Even her features seemed strange to me, the little lines which I’d so often touched with my lips were skilfully covered by a layer of cream and powder. She kissed me, as no doubt she’d kissed other guests as well, and whispered that she loved me. Then she asked me if I wanted to meet her husband. She declared herself as belonging to me in front of everybody – ‘My lover’ – and I suddenly wasn’t sure whether I was pleased about it or not.

After all, why shouldn’t I shake hands with you? her husband said to me and gave me a slightly injured smile. Although I’m not exactly short, he was a head taller than me, and also ten years younger. At first glance he was one of those men women run after of their own accord. He said that Daria had worked pretty hard these past few weeks, they’d scarcely seen her at home, and he shrugged as if to say: And on top of everything there’s you and that’s really a bit much. But instead he said he’d read my new stories, and this would have been the right moment for me to shrug but he gave me his injured smile again and walked away. I hung about near the door but lacked the courage to make a getaway. I had a feeling that they were all furtively watching me, for the moment I had become one of the exhibits. I might have a little card by my feet: Banned but active in another field. Or: The lover presented. Or simply: That’s him!

In the last room Daria’s sister, whom I had likewise never seen before, was setting out canapes from cartons on a little table and pouring wine into paper cups. I took a canape but I declined the wine because I was driving back that evening.

An elderly man whom I knew from somewhere took a drink and said that it was years since he’d seen anything so free and so liberating. He was looking at the sister but I was sure he was talking to me.

That’s what she’s like, her sister agreed. When she was small she’d run away from home and play truant from school.

Her husband was approaching and I beat a hasty retreat. I was unable not to take notice of him, even though, to my own surprise, I looked upon him without jealousy, as if it were no concern of mine that she lay down by his side night after night. I only felt a little embarrassment, shame and perhaps even guilt. That man had never wronged me, whereas I had for several years now secretly and insidiously worked my way into his life.

She guessed my mood and hurried over to comfort me. Her husband was leaving now, he’d be taking the rest of her family with him, the whole circus would be over in a little while, there’d only be a few friends left whom she hadn’t seen for years and whom she’d like to invite for a glass of wine, also the representatives of the gallery, they’d promised to buy one or two of her things, but that too would soon be over and then there’d be just the two of us.

I asked if there was anything I could do, but there wasn’t, her sister had already gone to reserve two tables. I would have liked to tell her how pleased I was that the exhibition had been a success but I was somehow paralysed and she’d run off before I could pull myself together.

Her husband was still not leaving, maybe he needed to demonstrate his satisfaction. I could hear his loud, good-natured, jolly laugh. He might stroll over at any moment, slap me on the back and tell me that in spite of my gaucherie I seemed quite amusing, he’d expected worse. Indeed, he felt some sympathy with me. On top of all my problems I’d landed myself with his wife! Perhaps we should finally settle this business.

I thought I was choking in that close and stuffy space.

Outside I was surprised by the bright lights. I didn’t know the small town; although we’d spent a lot of time here during the past few days we’d had no time for a walk. Now I chose a narrow street which ran steeply downhill.

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