Cipriano Algor and Marta emerged from the pottery. Found ran to meet them, it is at moments like this that he has the feeling that he is finally going to understand everything, that feeling did not last, however, it never does, his master bawled at him, Get out of here, his mistress, alarmed, shouted, Down, boy, there really is no fathoming these people, only afterward will the dog Found notice that each of his owners is carrying some clay figures balanced on small planks, three apiece and three on each plank, you can imagine how disastrous it would have been if they hadn't reined in his enthusiasm in time. The funambulists move toward the long drying shelves which, for weeks now, have been empty of plates, mugs, cups, saucers, bowls, jugs, jars, pitchers, pots, and other ornaments for house and garden. These six dolls, which are going to dry in the open air, protected by the shade of the mulberry tree, but touched occasionally by the sun that slips in and out between the leaves, are the advance guard of a new occupation, that of hundreds of identical figures whose serried ranks will fill the long shelves, one thousand two hundred figurines, six times two hundred according to their earlier calculations, but the calculations were wrong, the joy of victory is not always a good counselor, these potters, despite their three generations of experience, seem to have forgotten that, since even scissors can eat the cloth they cut, it is vital to allow some margin for losses, a piece can fall or break, can become distorted, can contract too much or too little, can crack under heat because it was poorly made, can emerge badly fired because of the faulty circulation of hot air, and to all of this, which is directly related to the physical contingencies of a craft that has much to do with alchemy, that, as we know, is not an exact science, to all of this, as we were saying, must be added the rigorous examination to which, as is only to be expected, the Center, not to mention that assistant head of department who seems to have it in for them, will subject each of the dolls. Cipriano Algor only thought of these two threats, one definite and one potential, when he was sweeping out the kiln, that's the good thing about the association of ideas, they draw each other out, one after the other, the skill lies in not losing the thread, in understanding that a shard of pottery on the ground is not only what it is at present, it is also what it was in the past when it was something else, as well as what it might become in the future.
It is said that a long time ago a god decided to make a man out of the clay from the earth that he had previously created, and then, in order that the man should have breath and life, he blew into his nostrils. The whisper put around by certain stubborn, negative spirits, when they do not dare to say so out loud, is that after this supreme act of creation, the god never again practiced the arts of pottery, a roundabout way of denouncing him for, quite simply, having downed tools. Given its evident importance, this is too serious a matter to be treated in simplistic terms, it requires thought, complete impartiality and a great deal of objectivity. It is a historical fact that from that memorable day onward, the work of modeling clay ceased to be the exclusive attribute of the creator and passed to the incipient skills of his creatures, who, needless to say, are not equipped with sufficient life-giving puff. As a result, fire was given responsibility for all the subsidiary operations that can, through color, sheen or even sound, endow whatever emerges from the kilns with a reasonable semblance of life. However, this would be to judge by appearances. Fire can do a great deal, as no one can deny, but it cannot do everything, it has serious limitations and even some grave defects, for example, a form of insatiable bulimia which causes it to devour and reduce to ashes everything it finds in its path. Returning, however, to the matter in hand, to the pottery and its workings, we all know that if you put wet clay in a kiln it will have exploded in less time than it takes to say so. Fire lays down one irrevocable condition if we want it to do what we expect of it, the clay must be as dry as possible when it is placed in the kiln. And this is where we humbly return to that business about breathing into nostrils, and here we will have to recognize how very unjust and imprudent we were to take up and adopt as our own the heretical idea that the said god coldly turned his back on his own work. Yes, it is true, that no one ever saw him again, but he left us what was perhaps the best part of himself, the breath, the puff of air, the breeze, the soft wind, the zephyr, the very things that are now gently entering the nostrils of the six clay dolls that Cipriano Algor and his daughter have, with great care, just placed on one of the drying shelves. That god, a writer as well as a potter, knew how to write straight on crooked lines, for, not being here himself to do the blowing, he has sent someone to do the job for him, so that the still fragile life of these clay figures will not be extinguished tomorrow in the blind and brutal embrace of the fire. When we say tomorrow, that is, of course, just a manner of speaking, because if it is true that, in the beginning, one puff of air was enough for the clay of the man to gain breath and life, many more will be necessary before the jesters, clowns, bearded Assyrians, mandarins, Eskimos, and nurses, those who are here now and those who will later form serried ranks on these same shelves, gradually lose, by evaporation, the water without which they would never have become what they are, and can thus go safely into the kiln in order to be transformed into what they will be. The dog Found had got up on his hind legs and rested his paws on the edge of the shelf to get a closer view of the six idols lined up in front of him. He sniffed once, twice, and immediately lost interest, but not quickly enough to avoid the sharp, painful slap his master dealt him on the head nor the repetition of the harsh words he had heard before, Get out of here, how could he explain that he wasn't going to harm any of the figurines, he just wanted to have a closer look and to sniff them, it was unfair of you to hit me for such a minor offense, anyone would think you didn't know that dogs do not have only eyes with which to investigate the outside world, our nose is like an extra eye, it sees what it smells, at least this time, though, she didn't shout, Down, boy, fortunately, there's always someone capable of understanding the motives of others, even those who, dumb by nature or lacking vocabulary, do not know how or do not have words enough to explain themselves, You didn't have to hit him, Pa, he was just curious, said Marta. It is likely that Cipriano Algor himself had not wanted to hurt the dog, he just acted out of instinct, which, contrary to what most people think, we human beings have still not lost and are not about to lose either. It lives side by side with the intelligence, but is infinitely faster, which is why the poor thing is so often made fun of and frequently spurned, that was what happened in this case, the potter reacted out of the fear of seeing something over which he had labored destroyed, exactly as a lioness would react at seeing her cub in danger. Not all creators neglect their creations, be they cubs or clay figurines, not all of them go away and leave in their place an inconstant zephyr that only blows now and then, as if we had no need to grow and go into the kiln to find out who we are. Cipriano Algor called the dog, Come here, Found, come here, there really is no understanding either of these creatures, they lash out and immediately stroke the creature they hit, if you hit them, they immediately kiss the hand that did the hitting, maybe this is just a consequence of the problems we have been encountering since the very beginning of time in our attempts to understand each other, we dogs and we humans. Found has already forgotten the blow he was dealt, but his master has not, his master remembers, he will forget tomorrow or in an hour's time, but for the moment he cannot forget, in these cases memory is like the instantaneous touch of the sun on the retina that burns the surface, a tiny, unimportant thing, but bothersome while it lasts, the best thing would be to call the dog over and say, Found, come here, and Found will go, he always does, and he licks the hand that strokes him because that is the way dogs kiss, soon the burn will vanish, sight will return to normal, and it will be as if nothing had happened.
Cipriano Algor went to check how much wood they had and realized that it wasn't enough. For years he had cherished the idea that the time would come when the old wood-burning kiln would be demolished and in its place would rise a new kiln, a modern, gas-fired one, capable of reaching extremely high temperatures very fast and of producing excellent results. Inside himself, though, he knew that this would never happen, first, because it would require a lot of money, more than he would ever have, but also for other less materialistic reasons, such as knowing beforehand that it would sadden him to destroy what his grandfather had built and what his father had later perfected, if he did, it would be as if he were, quite literally, wiping them from the face of the earth, for the kiln sits precisely on the face of the earth. He had another reason, less easy to own up to, which he could dispatch in three words, I'm too old, but which, objectively, implied the use of pyrometers, pipes, security pilot lights, burners, in short, new techniques and new problems. There was, therefore, no alternative but to continue fueling the old kiln in the old way, with wood and wood and more wood, perhaps that is the hardest part of working with clay. Just like the stokers on steam trains, who used to spend all their time shoveling coal into the furnace, the potter, at least this one, Cipriano Algor, who cannot afford to pay an assistant, spends hour upon wearisome hour feeding this archaic fuel into the kiln, twigs that the fire enfolds and devours in an instant, branches that the flame gradually nibbles and licks into embers, it is best when fed with pinecones and sawdust, which burn more slowly and produce more heat. Cipriano Algor will get supplies from the surrounding area, order a few cartloads of wood from foresters and farmers, buy a few sacks of sawdust from sawmills and carpenter's workshops in the Industrial Belt, preferably from hardwoods like oak, walnut, and chestnut, and he will do all this alone, it does not even occur to him to ask his daughter to come with him and help him load the sacks onto the van, especially now that she's pregnant, he will take Found with him, just to show that they're friends again, which seems to indicate that the burn in Cipriano Algor's memory has not yet fully healed. The wood in the shed will be more than enough for firing the six figures to be used as molds, but Cipriano Algor hesitates, he finds absurd, crazy, unforgivably wasteful, the huge disproportion
