he would be enjoying his weekly leisure time with his family, going on a trip into the country, or occupied with domestic tasks that have to wait until there's a bit of free time, or merely lazing about, or even wondering what is the point of having leisure time if we don't know what to do with it. In order to avoid any awkward questions, which could easily become embarrassing, Senhor Jose adroitly pre-empted the other person's curiosity, giving the excuse he had already prepared, It's a special case, very urgent, my deputy needs this information first thing on Monday morning, that's why he asked me to come to the General Cemetery today, in my free time, I see, you'd better tell me what it's about then, It's very simple, we just want to know when this woman was buried. The man took the card that Senhor Jose held out to him, copied the name and date of death onto a piece of paper, and went to consult the relevant senior clerk. Senhor Jose couldn't catch what they said, here, as in the Central Registry, you can speak only in a low voice, and they were some way away from him too, but he saw the senior clerk nod and, judging by his lips, he was sure that he had said, Fine, go ahead. The man went to look in the card index under the counter, where all the cards of those who died in the last fifty years were to be found, the others filled the high shelves that stretched into the interior of the building, he opened one of the drawers, found the woman's card, copied down the relevant date and came back to where Senhor Jose was standing, Here it is, he said, and added, as if he thought the information might be useful, She's in the section for suicides. Senhor Jose felt a sudden contraction in the pit of his stomach which, according to an article he had read once in a popular magazine about science, is the approximate location of a kind of many-pointed star of nerves, a radiating junction called the solar plexus, however, he managed to hide his surprise behind an automatic mask of indifference, the cause of death would, of course, be on the lost death certificate, which he had never seen, but as a clerk in the Central Registry, especially coming to the cemetery, as he was, on business, he could not let on that he did not know. Very carefully he folded up the piece of paper and put it in his wallet and thanked the clerk, not forgetting to add, as one official to another, although that is purely a manner of speaking, since both were mere clerks, that he was always at his disposal should he need anything at the Central Registry and always assuming that it was within his power to grant it. When he had taken two steps towards the door, he turned around, I've just had an idea, since I'm here, I think I'll spend part of the afternoon taking a little stroll around the cemetery, if you could let me through here, I wouldn't have to go the long way around, Hang on, I'll go and ask, said the clerk. He took the request to the senior clerk to whom he had spoken before, but instead of replying, the latter got up and went over to the deputy keeper in charge of his work. Although he was even farther away this time, Senhor Jose could see by the nod the deputy gave and by the movement of his Hps that he was going to be allowed to use the inner door. The clerk did not return to the counter immediately, he first opened a cabinet from which he took a large card which he then placed beneath the Hd of a machine with little coloured fights on it. He pressed a button, there was a mechanical noise, more lights came on, and then a smaller piece of paper emerged from a slit in the side. The clerk put the card back in the cabinet and then came back to the counter, You'd better take a map with you, there have been cases of people getting lost, and it's incredibly difficult to find them again, the guides have to go out looking for them in the cars and that gums up the works, you get funerals backed up outside, People panic easily, all they have to do is go in a straight line in the same direction, they're bound to reach somewhere, now in the archive of the dead in the Central Registry it really is complicated, because there are no straight lines, In theory, you're right, but the straight lines here are like the straight lines in a labyrinth of corridors, they're constantly breaking off, changing direction, you walk around a grave and suddenly you don't know where you are, In the Central Registry, we use Ariadne's thread, it never fails, There was a time when we used it too, but it didn't last long, the thread was found cut on several occasions and no one ever found out who the culprit was or why they'd done it, It certainly wasn't the dead, that's for sure, Who knows, The people who got lost were people with no initiative, they could have oriented themselves by the sun, Some probably would have if they hadn't been unlucky enough to get lost on a cloudy day, We haven't got one of those machines in the Central Registry, We've found them really useful. The conversation could not go on any longer, the senior clerk had already looked at them twice, and the second time he was frowning, it was Senhor Jose who remarked in a low voice, That senior clerk has already looked over here twice, I don't want you to get into any trouble on my account, I'll just show you where the woman is buried, see the end of this path, the wavy Une here is a stream which, for the moment, still serves as a boundary Une, the grave is in that corner there, you can identify it by the number, And by the name, Yes, if someone's put one there, but it's the numbers that count, the names wouldn't fit on the map, you'd need a map the size of the world, Scale one to one, Yes, scale one to one, and even then, the names would have to be superimposed on each other, Is it up-to-date, We update it every day, Now tell me, what made you think I'd want to see the woman's grave, No reason, perhaps because, in your place, I'd have done the same, Why, Just to be certain, That she's dead, No, to be certain that she'd been alive. The senior clerk looked at them for a third time, made a movement as if he were about to get up, but did not complete it, Senhor Jose bade a hasty farewell to the clerk, Thank you, thank you, he said, at the same time nodding slightly in the direction of the keeper, a person to whom one should always bow, just as one gives thanks to heaven, even when it's cloudy, with the important difference that then you don't lower your head, you raise it.
The oldest part of the General Cemetery, which was a few dozen yards behind the administrative building, was the one preferred by archaeologists for their investigations. These an cient stones, some so worn by time that you could only make out a few barely visible marks that could as easily be the remains of letters as the result of scratches made by an unskilled chisel, continued to be the object of intense debate and polemic in which, with no hope, in the majority of cases, of ever knowing who had been buried beneath them, archaeologists merely discussed, as if it were a matter of vital import, the probable date of the tombs. Such insignificant differences as a few hundred years here or there were the motive for long, long controversies, both public and academic, which almost always resulted in the violent breakup of personal relationships and even in mortal enmities. Things got still worse, if that were possible, when historians and art critics decided to stick their oar in, for while it was relatively easy, in the circumstances, for the board of archaeologists to reach agreement over a broad concept of antiquity acceptable to all, leaving aside actual dates, the matter of truth and beauty created a veritable tug-of-war among the men and women of aesthetics and history, each pulling for their own side, and it was a not uncommon sight to see a critic suddenly changing his opinion simply because the changed opinion of another critic meant that they both now agreed. Throughout the centuries, the ineffable peace of the General Cemetery, with its banks of spontaneous vegetation, its flowers, its creepers, its dense bushes, its festoons and garlands, its nettles and its thistles, the powerful trees whose roots often dislodged tombstones and forced up into the sunlight a few startled bones, had been both the target of and a witness to fierce wars of words and to one or two physical acts of violence. Whenever incidents of this nature occurred, the keeper would begin by ordering the available guides to go and separate the illustrious contenders, and when some particularly difficult situation arose, he would go there in person to remind the fighters ironically that there was no point tearing their hair out over such minor matters during their lifetime, since, sooner or later, they would all end up together in the cemetery bald as coots. Just like the Registrar, the keeper of the General Cemetery made brilliant use of sarcasm, which confirms the general assumption that this character trait had proved indispensable in their rise to their respective high ranks, together, of course, with a competent knowledge, both practical and theoretical, of archivistic technique. On one matter, however, historians, art critics and archaeologists are in agreement, the obvious fact that the General Cemetery is a perfect catalogue, a showcase, a summary of all styles, especially architectural, sculptural and decorative, and therefore an inventory of every possible way of seeing, being and living that has existed up until now, from the first elementary drawing of the outline of the human body, subsequently carved and chiselled out of bare stone, to the chromium-plated steel, reflecting panels, synthetic fibres and mirrored glass which are used willy-nilly in the current age.
The first funerary monuments were made of dolmens, cromlechs and menhirs, then there appeared, like a great blank page in relief, niches, altars, tabernacles, granite bowls, marble urns, tombstones, smooth and carved, columns, Doric, Ionic, Corinthian and Composite, caryatids, friezes, acanthuses, entablatures and pediments, false vaults, real vaults, as well as stretches of brick wall, the gables of Cyclopean walls, lancet windows, rose windows, gargoyles, oriel windows, tympanums, pinnacles, paving stones, flying buttresses, pillars, pilasters, recumbent statues representing men in helmet, sword and armour, capitals with and without ornamentation, pomegranates, lilies, immortelles, campaniles, cupolas, recumbent statues representing women with small hard breasts, paintings, arches, faithful dogs lying down, swaddled infants, the bearers of gifts, mourners with their heads covered, needles, mouldings, stained-glass windows, daises, pulpits, balconies, more pinnacles, more tympanums, more capitals, more arches, angels with wings spread, angels with wings folded, tondos, empty urns, or urns filled with false stone flames or with a piece of languid crepe draped about them, griefs, tears, majestic men, magnificent women, delightful children cut down in the flower of life, old men and old women who could have expected no more, whole crosses and broken crosses, steps, nails, crowns of thorns, lances, enigmatic triangles, the occasional unusual
